Jeff VanderMeer
Borne Cover



Borne is a gritty but heartwarming tale of a dysfunctional family struggling to hold themselves together in the face of a capricious and uncaring world. It's also post-apocalyptic New Weird creepiness from Jeff VanderMeer. It turns out these things are perfect together.

The title "Borne" refers to one of the book's main characters, a mysterious bioengineered creature which narrator Rachel finds nestled in the fur of a giant, malicious, flying bear (Mord!). Beginning its life as a small piece of inanimate goo, Borne quickly acquires all the traits of an inevitably-disastrous monster companion: exponential growth, sentience, pseudopods, unnecessary male pronouns, precociousness, lack of respect for personal boundaries, and (of course) an insatiable hunger. Unlike VanderMeer's Southern Reach trilogy, which leaves a lot of biological horror elements open to interpretation, Borne's various forms and transformations are quite realistically and even whimsically described, and it's quite easy for a reader to follow along with Rachel as she develops a strong maternal instinct for the many-eyed, many-tentacled thing she has taken under her wing.

Borne, Mord, and the other bits of weird biological innovation (alcohol minnows!) are all fascinating in their own right, but I found Rachel's voice, and her relationships with Borne and Wick and with her own past, the most compelling part of this book. Rachel is a climate refugee, who has spent most of her life moving through camps with her parents after her island nation flooded; she now views the ruined, decaying city with heartbreaking resignation. The book implies through Wick that the maternal relationship between Borne and Rachel is unnatural, but I don't think the narrative itself comes down strongly on that side, and certainly Rachel isn't punished for developing affection, even as the difficulties and misunderstandings pile up. It's refreshing to have a survivalist character who is allowed to care, within sensible limits, and who is given a narrative which doesn't make that out to be ridiculous or dangerous. Wick, too, develops from a character trope we are expecting to be antagonistic and uncaring into someone quite complex, and while conflict between him and Borne is a key plot strand, it never devolves into a forced choice for Rachel. The effect is a book which is unflinching about the kind of horror which humanity is able to inflict on itself when it's not thinking (and sometimes when it is), but which also quietly celebrates our ability to love and to connect with each other, and with many-tentacled things, no matter how imperfectly that might play out in real life.

Definitely worth picking up.