Search Worlds Without End

Peter - devoted pastor, dedicated missionary, and loving husband to his wife, Bea - has just accepted a demanding and perilous new job. He's to travel to a new planet, Oasis, to work for a mysterious corporation called USIC. He's tasked with reaching out to the indigenous race, to make sure they are as peaceful as they seem. Resolutely devout and strengthened by his letters from Bea at home, Peter undertakes his job with complete focus. The Oasans are shockingly open to his teachings, but things start to unravel when Bea's missives from Earth take a dark tone. Earth appears to be coming apart at the seams: typhoons and earthquakes are devastating whole countries and governments are crumbling. Even the hospital where she works has ceased to function. Their unearthly divide is testing Peter and Bea's relationship to a startlingly degree. Peter is thrown into crisis. USIC might be hiding its true motives in developing Oasis, and the Oasans themselves are frustratingly opaque. Bea's desperate letters are only fomenting his doubt. Peter is suddenly faced with an impossible-and dangerous-decision: to follow his faith, or follow his heart. His life depends on it.

Isserley picks up hitchhikers with big muscles. She, herself, is tiny-like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men-trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain-physical and spiritual-and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory-our own moral instincts and the boundaries of compassion. A grotesque and comical allegory announcing the arrival of an exciting talent, rich and assured.

Theo Griepenkerl, a Canadian linguistics scholar, is sent to Iraq in search of artifacts that have survived the destruction and looting of the war. While visiting a museum in Mosul, he finds nine papyrus scrolls tucked in the belly of a bas-relief sculpture: they have been perfectly preserved for more than two thousand years. After smuggling them out of Iraq and translating them from Aramaic, Theo realizes the extent of his career-making find, for he is in possession of the Fifth Gospel, and it offers a shocking and incomparable eyewitness account of Christ's crucifixion and last days on Earth. Nakedly ambitious and recently dumped by his girlfriend, Theo sets out to share his discovery with the world in the form of a headline-grabbing U.S. book tour. Caught in the throes of his newfound fame, Theo fails to consider the global and cultural ramifications his discovery will have with God-fearing folks and religious zealots worldwide. Like Prometheus's gift of fire, Theo's book has incendiary consequences.