Search Worlds Without End

Following her brother's death and her mother's emotional breakdown, Laura now lives on the Upper East Side of Manhattan, in a lonely townhouse she shares with her old-world, strict, often querulous grandparents. But the arrangement may be temporary. The quiet, awkward teenager has been getting into trouble at home and has been expelled from her high school for throwing a record album at a popular girl who bullied her. When Christmas is over and the new year begins, Laura may find herself at boarding school in Montreal.

Nearly unmoored from reality through her panic and submerged grief, Laura is startled when a handsome swan boy with only one wing lands on her roof. Hiding him from her ever-bickering grandparents, Laura tries to build the swan boy a wing so he can fly home. But the task is too difficult to accomplish herself. Little does Laura know that her struggle to find help for her new friend parallels that of her grandparents, who are desperate for a distant relative's financial aid to save the family store.

From the multi-million-copy bestselling author of Wicked comes a magical new twist on Alice's Adventures in Wonderland, published to coincide with the 150th anniversary of Lewis's Carroll's beloved classic.

When Alice toppled down the rabbit-hole 150 years ago, she found a Wonderland as rife with inconsistent rules and abrasive egos as the world she left behind. But what of that world? How did 1860s Oxford react to Alice's disappearance?

In this brilliant work of fiction, Gregory Maguire turns his dazzling imagination to the question of underworlds, undergrounds, underpinnings--and understandings old and new, offering an inventive spin on Carroll's enduring tale. Ada, a friend of Alice's mentioned briefly in Alice's Adventures in Wonderland, is off to visit her friend, but arrives a moment too late--and tumbles down the rabbit-hole herself.

Ada brings to Wonderland her own imperfect apprehension of cause and effect as she embarks on an odyssey to find Alice and see her safely home from this surreal world below the world. If Eurydice can ever be returned to the arms of Orpheus, or Lazarus can be raised from the tomb, perhaps Alice can be returned to life. Either way, everything that happens next is "After Alice."

We have all heard the story of Cinderella, the beautiful child cast out to slave among the ashes. But what of her stepsisters, the homely pair exiled into ignominy by the fame of their lovely sibling? What fate befell those untouched by beauty... and what curses accompanied Cinderella's looks?

Set against the backdrop of seventeenth-century Holland, Confessions of an Ugly Stepsister tells the story of Iris, an unlikely heroine who finds herself swept from the lowly streets of Haarlem to a strange world of wealth, artifice, and ambition. Iris's path quickly becomes intertwined with that of Clara, the mysterious and unnaturally beautiful girl destined to become her sister. While Clara retreats to the cinders of the family hearth, Iris seeks out the shadowy secrets of her new household -- and the treacherous truth of her former life.

In this imaginative novel rooted in the rich soil of early-nineteenth-century German Romanticism, beloved New York Times bestselling author Gregory Maguire twins an origin legend of the famous Nutcracker with the life of Drosselmeier, the toymaker who carves him.

Gregory Maguire's novels have been called "bewitching," "remarkable," "extraordinary," "engrossing," "amazing," and "delicious." Having brought his legions of devoted readers to Oz in Wicked, Wonderland in After Alice and Dickensian London in Lost, Maguire now takes us to the Black Forest of Bavaria and Munich of the Brothers Grimm and E. T. A. Hoffman. Hiddensee recreates the backstory of the Nutcracker, reimaging how this entrancing creature came to be carved and how it magically guided an ailing little girl named Klara through a dreamy paradise on a snowy Christmas Eve. It also brings to life the mysterious godfather Drosselmeier--the ominous, canny, one-eyed toymaker made immortal by Petipa and Tchaikovsky's ballet--who presents the once and future Nutcracker to Klara, his goddaughter.

But Hiddensee is not just a retelling of a classic story. Maguire discovers in the flowering of German Romanticism a migrating strain of a Hellenic mystery-cult, and ponders a profound question: how a person who is abused by life, short-changed and challenged, can access secrets that benefit the disadvantaged and powerless. Ultimately, Hiddensee, offers a message of hope. If the compromised Godfather Drosselmeier can bring an enchanted Nutcracker to a young girl in distress, perhaps everyone, however lonely or marginalized on the eve of a winter holiday, has something precious to share.

Winifred Rudge, a bemused writer struggling to get beyond the runaway success of her mass-market astrology book, travels to London to jump-start her new novel about a woman who is being haunted by the ghost of Jack the Ripper. Upon her arrival, she finds that her stepcousin and old friend John Comestor has disappeared, and a ghostly presence seems to have taken over his home. Is the spirit Winnie's great-great-grandfather, who, family legend claims, was Charles Dickens' childhood inspiration for Ebenezer Scrooge? Could it be the ghostly remains of Jack the Ripper? Or a phantasm derived from a more arcane and insidious origin? Winnie begins to investigate and finds herself the unwilling audience for a drama of specters and shades - some from her family's peculiar history and some from her own unvanquished past.

When the story was first translated from Danish and published in England in the mid-nineteenth century, the Little Match Girl's dying visions of lights and a grandmother in heaven were often interpreted as metaphors of religious salvation. In "Matchless", Maguire adds a different dimension to the story, intertwining the match girl's tale with that of a young boy, Frederik, whose own yearnings are the catalyst for a better future for himself and his family.

Maguire uses his storytelling magic to rekindle Andersen's original intentions, and to suggest transcendence, the permanence of spirit, and the continuity that links the living and the dead.

A lyrical work of stunning creative vision, Mirror Mirror is set in Renaissance Italy, where Gregory Maguire draws a connection between the poison apple in the original Snow White story and the Borgia family's well-known appetite for poisoning its foes.

In Mirror Mirror Snow White is called Bianca de Nevada. She is born on a farm in Tuscany in 1495, and when she is seven, her father is ordered by the duplicitous Cesare Borgia to go on a quest to reclaim the relic of the original Tree of Knowledge, a branch bearing three living apples that are thousands of years old. Bianca is left in the care of her father's farm staff and the beautiful—and madly vain—Lucrecia Borgia, Cesare's sister. But Lucrecia becomes jealous of her lecherous brother's interest in the growing child and plots a dire fate for Bianca in the woods below the farm. There Bianca finds herself in the home of seven dwarves—the creators of the magic mirror—who await the return of their brother, the eighth dwarf, long gone on a quest of his own.

In the evocative style of Maguire's earlier novels, Mirror Mirror is a fresh, compelling take on a beloved classic tale.

Ten years ago this season, Gregory Maguire wrapped up the series he began with Wicked by giving us the fourth and final volume of the Wicked Years, his elegiac Out of Oz.

But "out of Oz" isn't "gone for good." Maguire's new series, Another Day, is here, twenty-five years after Wicked first flew into our lives.

Volume one, The Brides of Maracoor, finds Elphaba's granddaughter, Rain, washing ashore on a foreign island. Comatose from crashing into the sea, Rain is taken in by a community of single women committed to obscure devotional practices.

As the mainland of Maracoor sustains an assault by a foreign navy, the island's civil-servant overseer struggles to understand how an alien arriving on the shores of Maracoor could threaten the stability and wellbeing of an entire nation. Is it myth or magic at work, for good or for ill?

The trilogy Another Day will follow this green-skinned girl from the island outpost into the unmapped badlands of Maracoor before she learns how, and becomes ready, to turn her broom homeward, back to her family and her lover, back to Oz, which--in its beauty, suffering, mystery, injustice, and possibility--reminds us all too clearly of the troubled yet sacred terrain of our own lives.

The Oracle of Maracoor, the second in the trilogy called Another Day, continues the story of Elphaba's green-skinned granddaughter, Rain. That strange land, Maracoor--across the ocean from Oz--is beset by an invading army. In the mayhem, Rain and Cossy, a child felon, break out of prison. Helped by a few flying monkeys, they struggle to escape the city before it falls under siege. Their arresting officer, Lucikles, also retreats with his family to a highland redoubt. But safety eludes them all. Chaos thunders upon them in the form of warriors, refugees, and brigands. The very fabric of reality loosens, liberating creatures of myth and legend--huge blue wolves, harpies, and giants made of the very landscape.

Cued in by secrets known only to the most highly placed members of the royal court, Rain and her companions hunt the fabled Oracle of Maracoor for guidance and soothsaying. Rain has to recover her forgotten past if she is to consider returning home. Cossy, the ten-year-old convicted of murder, must become invisible to avoid being taken into custody again. Meanwhile, the Fist of Mara, an arcane artifact that renders all around it barren, hammers against human lives. If the reclusive Oracle should spin a prophecy, might the desperate wicked years promise another day, one less perilous?

Following a confrontation with her reclusive great-grandfather, the one-time Wizard of Oz, Rainary Ko--the granddaughter of Oz's Wicked Witch of the West--has re-upped in a mission to settle a few scores and right a wrong or two. Her memory and her passions reviving, Rain turns her gaze back to her native Oz. Though the Grimmerie, which she had cast into the sea, retains its arcane power over her, the lover she left behind in Oz proves no less haunting. Traveling companions and arrivistes can befuddle a young witch coming into her own, but Rain marshals a steely determination to stare her troubles in the eye and see who blinks first.

In the Another Day cycle, a lost young woman grows through a cautious adolescence into an adult state of fervor and daring. Enchantment imprisons and it also liberates. Pay heed, pay respect, but above all, pay attention.

When Dorothy triumphed over the Wicked Witch of the West in L. Frank Baum's classic tale, we heard only her side of the story. But what about her arch-nemesis, the mysterious witch? Where did she come from? How did she become so wicked? And what is the true nature of evil?

Gregory Maguire creates a fantasy world so rich and vivid that we will never look at Oz the same way again. Wicked is about a land where animals talk and strive to be treated like first-class citizens, Munchkinlanders seek the comfort of middle-class stability and the Tin Man becomes a victim of domestic violence. And then there is the little green-skinned girl named Elphaba, who will grow up to be the infamous Wicked Witch of the West, a smart, prickly and misunderstood creature who challenges all our preconceived notions about the nature of good and evil.

In this captivating New York Times bestseller, beloved author Gregory Maguire returns to the land of Oz and introduces us to Liir, an adolescent boy last seen hiding in the shadows of the castle after Dorothy did in the Witch. Is he really Elphaba's son? He has her broom and her cape-but what of her powers? In an Oz that, since the Wizard's departure, is under new and dangerous management, can Liir keep his head down long enough to grow up?

Since the publication of Wicked, millions of readers have discovered Gregory Maguire's fantastically encyclopedic Oz, a world filled with characters both familiar and new, darkly conceived and daringly reimagined. In the third volume of the Wicked Years, we return to Oz, seen now through the eyes of the Cowardly Lion.

The stunning conclusion to the smash New York Times bestselling series the Wicked Years

Hailed as "bewitching," "remarkable," "extraordinary," "engrossing," "amazing," and "delicious," Gregory Maguire's Wicked Years series-a sophisticated fantasy cycle inspired by the classic children's novel The Wizard of Oz-became national bestsellers and the basis for a hit Tony-winning Broadway musical. Now, Maguire returns with the final installment in his transformative work, a thrilling and compulsively readable saga in which the fate of Oz is decided at last....

Once peaceful and prosperous, the spectacular Land of Oz is knotted with social unrest: The Emerald City is mounting an invasion of Munchkinland, Glinda is under house arrest, and the Cowardly Lion is on the run from the law. And look who's knocking at the door. It's none other than Dorothy. Yes. That Dorothy.

Yet amidst all this chaos, Elphaba's granddaughter, the tiny green baby born at the close of Son of a Witch, has come of age. Now it is up to Rain to take up her broom-and her legacy-in an Oz wracked by war.

The stirring, long-awaited conclusion to the bestselling series begun with Wicked, Out of Oz is a magical journey rife with revelations and reversals, reprisals and surprises-the hallmarks of the unique imagination of Gregory Maguire.