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Rock 'n' Roll. Hell. Two great tastes that taste great together. Long before Elvis gyrated on the Sullivan Show or the Beatles toiled the smoky red-light bars of Hamburg, music has been sowing the seeds of liberation. Or damnation. With each new generation the edge of rebellion pushed farther. Rhythms quickened. Volume increased. Lyrics coarsened. The rules continued to be broken, until it seemed that there were no rules at all.

And as waves of teens cranked it up and poured it on, parents built walls of accusation to explain their offspring's seeming corruption. Sex and drugs, demon worship and violence are the effects. Music is the cause. Or so the self-styled guardians of morality would have us believe.

Meet The Scream. Just your average everyday mega-cult band. Their music is otherworldly. Their words are disturbing. Their message is unholy. Their fans are legion. And they're not kidding. They're killing. Themselves. Each other. Everyone. Their gospel screams from the lips of babes. Their backbeat has a body count. And their encore is just the warm-up act to madness beyond belief.

It emerged from a war-torn jungle, where insanity was just another word for survival. It arrived in America with an insatiable lust for power and the means to fulfill it. In the amplified roar of arena applause there beats the heart of absolute darkness.

Paradise is a small industrial city in Pennsylvania that’s about to become Ground Zero for the end of the world. For far too long, we’ve been poisoning the planet with toxic waste. Not any more. This morning something finally woke up in Paradise. It’s intelligent, virulent and ambitious. It’s everywhere, in the water we drink, the air we breathe. And it won’t be satisfied until we’re gone.

Book of the Dead is an anthology of horror stories first published in 1989, edited by John Skipp and Craig Spector. All the stories in the anthology are united by the same premise seen in the apocalyptic films of George A. Romero, depicting a worldwide outbreak of zombies and various reactions to it. The first book was followed three years later by a follow-up, Still Dead: Book of the Dead 2, with a new group of writers tackling the same premise, though the second book put the stories in order according to their imagined chronology of the zombie takeover.

An anthology of horror stories based on the universe of George A. Romero features stories by Nancy Collins, Douglas Winter, and Bram Stoker Award-winner Elizabeth Massie, and includes the lost original script for Romero's Day of the Dead.