Search Worlds Without End

Celia wakes up in a house that's supposed to be hers. There's a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family--and this life--is not hers...

Allie is supposed to be on a fun weekend trip--but then her friend's boyfriend unexpectedly invites the group to a remote cabin in the woods. No one else believes Allie, but she is sure that something about this trip is very, very wrong...

Maggie just wants to be home with her daughter, but she's in a dangerous situation and she doesn't know who put her there or why. She'll have to fight with everything she has to survive...

From the national bestselling author of Alice comes a familiar story with a dark hook--a tale about Peter Pan and the friend who became his nemesis, a nemesis who may not be the blackhearted villain Peter says he is...

There is one version of my story that everyone knows. And then there is the truth. This is how it happened. How I went from being Peter Pan's first--and favorite--lost boy to his greatest enemy.

Peter brought me to his island because there were no rules and no grownups to make us mind. He brought boys from the Other Place to join in the fun, but Peter's idea of fun is sharper than a pirate's sword. Because it's never been all fun and games on the island. Our neighbors are pirates and monsters. Our toys are knife and stick and rock--the kinds of playthings that bite.

Peter promised we would all be young and happy forever. Peter lies.

Mattie can't remember a time before she and William lived alone on a mountain together. She must never make him upset. But when Mattie discovers the mutilated body of a fox in the woods, she realizes that they're not alone after all.

There's something in the woods that wasn't there before, something that makes strange cries in the night, something with sharp teeth and claws.

When three strangers appear on the mountaintop looking for the creature in the woods, Mattie knows their presence will anger William. Terrible things happen when William is angry.

When the bodies of two girls are found torn apart in the town of Smiths Hollow, Lauren is surprised, but she also expects that the police won't find the killer. After all, the year before her father's body was found with his heart missing, and since then everyone has moved on. Even her best friend, Miranda, has become more interested in boys than in spending time at the old ghost tree, the way they used to when they were kids.

So when Lauren has a vision of a monster dragging the remains of the girls through the woods, she knows she can't just do nothing. Not like the rest of her town. But as she draws closer to answers, she realizes that the foundation of her seemingly normal town might be rotten at the center. And that if nobody else stands for the missing, she will.

It's not safe for anyone alone in the woods. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that was perfectly sane and normal until three months ago.

There are worse threats in the woods than the things that stalk their prey at night. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there's something worse than all of the horrible people and vicious beasts combined.

Red doesn't like to think of herself as a killer, but she isn't about to let herself get eaten up just because she is a woman alone in the woods...

Harry Adams has always loved horror movies, so it's not a total coincidence that she took the job cleaning house for movie director Javier Castillo. His forbidding graystone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes, as well as glittering awards from his career making films that thrilled audiences -- until family tragedy and scandal forced him to vanish from the industry.

Javier values discretion, and Harry has always tried to clean the house immaculately, keep her head down, and keep her job safe -- she needs the money to support her son. But then she starts hearing noises from behind a locked door. Noises that sound remarkably like a human voice calling for help, even though Javier lives alone and never has visitors. Harry knows that not asking questions is a vital part of working for Javier, but she soon finds that the sinister house may be home to secrets she can't ignore.

From the author of Lost Boy comes a beautiful historical fairy tale about a mermaid who leaves the sea, only to become the star attraction of history's greatest showman.

Once there was a mermaid called Amelia who could never be content in the sea, a mermaid who longed to know all the world and all its wonders, and so she came to live on land.

Once there was a man called P. T. Barnum, a man who longed to make his fortune by selling the wondrous and miraculous, and there is nothing more miraculous than a real mermaid.

Amelia agrees to play the mermaid for Barnum and walk among men in their world, believing she can leave anytime she likes. But Barnum has never given up a money-making scheme in his life, and he's determined to hold on to his mermaid.

In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls which echo the screams of the poor souls inside.

In the hospital, there is a woman. Her hair, once blond, hangs in tangles down her back. She doesn't remember why she's in such a terrible place. Just a tea party long ago, and long ears, and blood...

Then, one night, a fire at the hospital gives the woman a chance to escape, tumbling out of the hole that imprisoned her, leaving her free to uncover the truth about what happened to her all those years ago.

Only something else has escaped with her. Something dark. Something powerful.

And to find the truth, she will have to track this beast to the very heart of the Old City, where the rabbit waits for his Alice.

The land outside of the Old City was supposed to be green, lush, hopeful. But the verdant fields are nothing but ash--and hope is nowhere to be found. Still, Alice and Hatcher are on a mission to find his daughter: a quest they will not forsake even as it takes them deep into the clutches of the mad White Queen or into the realm of the twisted and cruel Black King. The pieces are set and the game has begun, and each move brings Alice closer to her destiny.

In four new novellas set in her Looking Glass universe, Christina Henry returns to the world of Alice and Red Queen, where magic runs as freely as secrets and blood.

Contents:

• Lovely Creature - novella

In the New City lives a girl with a secret: Elizabeth can do magic. But someone knows her secret – someone who has a secret of his own. That secret is a butterfly that lives in a jar, a butterfly that was supposed to be gone forever, a butterfly that used to be called the Jabberwock...

• Girl in Amber - novella

Alice and Hatcher are just looking for a place to rest. Alice has been dreaming of a cottage by a lake and a field of wildflowers, but while walking blind in a snowstorm she stumbles into a house that only seems empty and abandoned...

• When I First Came to Town - novella

Hatcher wasn't always Hatcher. Once, he was a boy called Nicholas, and Nicholas fancied himself the best fighter in the Old City. No matter who fought him he always won. Then his boss tells him he's going to battle the fearsome Grinder, a man who never leaves his opponents alive...

• The Mercy Seat - novella

There is a place hidden in the mountains, where all the people hate and fear magic and Magicians. It is the Village of the Pure, and though Alice and Hatcher would do anything to avoid it, it lies directly in their path...