Search Worlds Without End

Hugo-nominated Novella

In novels such as Chasm City and Revelation Space, Alastair Reynolds established himself as an indisputable master of the far-flung intergalactic epic. Reynolds brings that same deceptively effortless mastery to the shorter fictional forms, a fact that Troika, his elegant, compulsively readable new novella, amply demonstrates.

Troika tells the story of men and women confronting an enigma known as the Matryoshka, a vast alien construct whose periodic appearances have generated terror, wonder, and endless debate. During its third "apparition" in a remote corner of the galaxy, a trio of Russian cosmonauts approach this enigma and attempt to penetrate its mysteries. What they discover--and what they endure in the process--forms the centerpiece of an enthralling, constantly surprising narrative.

Troika is at once a wholly original account of First Contact and a meditation on time, history, and the essentially fluid nature of identity itself. Suspenseful, erudite, and gracefully written, it is a significant accomplishment in its own right and a welcome addition to a remarkable body of work.

A THOUSAND-YEAR EPIC, A GALACTIC STRUGGLE, A MONUMENTAL WORK IN THE ANNALS OF SCIENCE FICTION

FOUNDATION begins a new chapter in the story of man's future. As the Old Empire crumbles into barbarism throughout the million worlds of the galaxy, Hari Seldon and his band of psychologists must create a new entity, the Foundation-dedicated to art, science, and technology-as the beginning of a new empire.

FOUNDATION AND EMPIRE describes the mighty struggle for power amid the chaos of the stars in which man stands at the threshold of a new enlightened life which could easily be destroyed by the old forces of barbarism.

SECOND FOUNDATION follows the Seldon Plan after the First Empire's defeat and describes its greatest threat-a dangerous mutant strain gone wild, which produces a mind capable of bending men's wills, directing their thoughts, reshaping their desires, and destroying the universe.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall.

When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people - who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

This story takes place between the end of Exit Strategy and the flashbacks in Network Effect, after the short story "Home: Habitat, Range, Niche, Territory".

Boss, a loner, loved to dive derelict spacecraft adrift in the blackness of space...

But one day, she found a ship that would change everything-an ancient Dignity Vessel-and aboard the ship, the mysterious and dangerous Stealth Tech. Now, years after discovering that first ship, Boss has put together a large company that finds Dignity Vessels and finds "loose" stealth technology.

Following a hunch, Boss and her team come to investigate the city of Vaycehn, where fourteen archeologists have died exploring the endless caves below the city. Mysterious "death holes" explode into the city itself for no apparent reason, and Boss believes stealth tech is involved. As Boss searches for the answer to the mystery of the death holes, she will uncover the answer to her Dignity Vessel quest as well-and one more thing, something so important that it will change her life-and the universe-forever.

This novel includes, in slightly modified form, the complete text of the novella Becoming One With The Ghosts.

Viewed by many as the greatest science fiction writer on any planet, Philip K. Dick has written some of the most intriguing, original, and thought-provoking fiction of our time. This collection includes stories that will make you laugh, cringe... and stop and think.

In "The Minority Report," a special unit that employs those with the power of precognition to prevent crimes proves itself less than reliable. This story was the basis of the feature film Minority Report.

In, "We Can Remember It For You Wholesale," an everyguy's yearning for more exciting "memories" places him in a danger he never could have imagined. This story was the basis of the feature film Total Recall.

In "Paycheck," a mechanic who has no memory of the previous two years of his life finds that a bag of seemingly worthless and unrelated objects can actually unlock the secret of his recent past, and insure that he has a future. This story was the basis of the feature film Paycheck.

In "Second Variety," the UN's technological advances to win a global war veer out of control, threatening to destroy all of humankind. This story was the basis of the feature film Screamers.

And "The Eyes Have It" is a whimsical, laugh-out-loud play on the words of the title.

Table of Contents:

• Introduction - essay by Malcolm Edwards
• The Minority Report - (1956)
• Impostor - (1953)
• Second Variety - (1953)
• War Game - (1959)
• What the Dead Men Say - (1964)
• Oh, to Be a Blobel! - (1964)
• The Electric Ant - (1969)
• Faith of Our Fathers - (1967)
• We Can Remember It for You Wholesale - (1966)

In the far future, the Heliothane Dominion is triumphant in the solar system, after a bitter war with their Umbrathane progenitors. But some of the Umbrathane have escaped into the distant past, where they can position themselves to wreak havoc across time and undo their defeat. The most fanatical of them is the superhuman Cowl, more monstrous than any of the creatures outside his prehistoric redoubt.

Cowl sends his terrifying hyperdimensional pet, the torbeast, hunting through all the timelines for human specimens. It sheds its scales -- each one an organic time machine -- where its master orders. Anyone who picks one up is dragged back to the dawn of time, where Cowl awaits. Then the beast can feed, growing ever larger . . .

In our own near-future, Tack is one of U-gov's programmable killers. When a scale latches onto him, his doom seems inevitable, but the Heliothane have other ideas: they can use Tack against Cowl. Tack is no stranger to violence, but the Heliothane, hardened in their struggle for humanity's very existence, have much to teach him. He will need it all for his encounter with Cowl.

Once one of Tack's targets, Polly escaped with her life when a torbeast scale snatched her. Now, like Tack, she must learn fast as she is dragged back to Day Zero. To cheat death again, she will have to help him save the human race.

With Cowl, Neal Asher, acclaimed author of Gridlinked and The Skinner, has created his most powerful novel yet.

Altar the thief, a man of mystery and secret master of a gaudily decadent world.... a gargantuan spaceship designed to span civilisations... a desperate plunge into the heart of the sun... just the basic ingredients of the volcanic recipe that produces Charles L. Harness's shattering masterpiece.

After saving the world, diGriz is called on to save the universe. Liberating his two, now teenage, twin' sons from a military boarding school and penitentiary, diGriz sets out to free his wife, who has been arrested by the tax men. But the family is soon fighting an enemy of a different sort, when the humans-only galaxy of the League is invaded by all manner of hideous aliens. The Rat, disguised in the most hideous combination of alien physical features, is sent into the centre of the aliens' stronghold, where he finds himself the object of desire among the aliens. His task is to stop the aliens, who plan to wipe out every human in the universe.

Isaac Asimov's Foundation Trilogy is one of the highwater marks of science fiction.The monumental story of a Galactic Empire in decline and a secret society of scientists who seek to shorten the coming Dark Age with tools of Psychohistory, Foundation pioneered many themes of modern science fiction.Now, with the approval of the Asimov estate, three of today's most acclaimed authors have completed the epic the Grand Master left unfinished.

The Second Foundation Trilogy begins with Gregory Benford's Foundation's Fear, telling the origins of Hari Seldon, the Foundation's creator. Greg Bear's Foundation and Chaos relates the epic tale of Seldon's downfall and the first stirrings of robotic rebellion. Now, in David Brin's Foundation's Triumph, Seldon is about to escape exile and risk everything for one final quest-a search for knowledge and the power it bestows. The outcome of this final journey may secure humankind's future-or witness its final downfall...

A worldwide diaspora has left a quarter of a million people at the foot of a space station. Cultures collide in real life and virtual reality. The city is a weed, its growth left unchecked. Life is cheap and data is cheaper.

When Boris Chong returns to Tel Aviv from Mars, much has changed. Boris's ex-lover Miriam is raising a strangely familiar child who can tap into the data stream of a mind with the touch of a finger. His cousin Isobel is infatuated with a robotnik--a cyborg ex-Israeli soldier who might well be begging for parts. Even his old flame Carmel--a hunted data-vampire--has followed him back to a planet where she is forbidden to return.

Rising above all is Central Station, the interplanetary hub between all things: the constantly shifting Tel Aviv; a powerful virtual arena, and the space colonies where humanity has gone to escape the ravages of poverty and war. Everything is connected by the Others, powerful entities who, through the Conversation--a shifting, flowing stream of consciousness--are just the beginning of irrevocable change.

Earth: expensive, elite graveyard to the galaxy. Ravaged 10,000 years earlier by war, Earth was reclaimed by its space-dwelling offspring as a planet of landscaping and tombstones. None of them fully human, Fletcher, Cynthia, and Elmer journey through this dead world, discovering human traits and undertaking a quest to rebuild a human world on Earth.

Gridlinked is a science fiction adventure in the classic, fast-paced, action-packed tradition of Harry Harrison and Poul Anderson, with a dash of cyberpunk and a splash of Ian Fleming added to spice the mix.

Cormac is a legendary Earth Central Security agent, the James Bond of a wealthy future where "runcibles" (matter transmitters controlled by AIs) allow interstellar travel in an eye blink throughout the settled worlds of the Polity. Unfortunately Cormac is nearly burnt out, "gridlinked" to the AI net so long that his humanity has begun to drain away. He has to take the cold-turkey cure and shake his addiction to having his brain on the net.

Now he must do without just as he’s sent to investigate the unique runcible disaster that's wiped out the entire human colony on planet Samarkand in a thirty-megaton explosion. With the runcible out, Cormac must get there by ship, but he has incurred the wrath of a vicious psychopath called Arian Pelter, who now follows him across the galaxy with a terrifying psychotic killer android in tow. And deep beneath Samarkand's surface there are buried mysteries, fiercely guarded.

This is fast-moving, edge-of-the-seat entertainment, and a great introduction to the work of one of the most exciting new SF talents in years.

They have gathered now on Damien and are about to witness the last rising of a manmade nova. They are 16 humans in a distant world about to be enveloped by an eruption of violence--horror and murder oddly complemented by a bizarre unforgiving love. But justice is not all that's about to be found. Judgment is coming and the 16 unsuspecting ones are on the threshold of the murdered star.