Bormgans
9/18/2023
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Halfway through the book, I started thinking about narrative voice. I don't know how he did it, nor what the qualities are that make it so, but in this collection Lem sounds completely in control and authentic, even though he writes about future goofy rusty robots, doing completely impossible stuff, in situations that are, at times, insane. On top of that, he does so in a seemingly effortless, haphazard way -- not at all like the polished stories of Borges or Chiang -- even though Lem's stories are clearly thought out as well.
Maybe it is the mixture of a future setting and the medieval stuff that makes for a voice that is timeless? Maybe the short story format helps the quasi mythical vibes that imbue the collection? Maybe it is Lem's oblique portrayal of certain truths about the human condition that manages to make his authorial voice ring utterly true, and resonate with my own conception of reality?
I have a hard time parsing it, but, even in translation, Lem has managed to write something singular, authoritative, something that commands attention, and that quality becomes clear very quickly, after having read a few pages only.
(...)
Full review on Weighing A Pig Doesn't Fatten It
https://schicksalgemeinschaft.wordpress.com/2023/09/18/the-cyberiad-stanislav-lem-1965/