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Rose/House

Arkady Martine

Basit Deniau's houses were haunted to begin with.

A house embedded with an artificial intelligence is a common thing: a house that is an artificial intelligence, infused in every load-bearing beam and fine marble tile with a thinking creature that is not human? That is something else altogether. But now Deniau's been dead a year, and Rose House is locked up tight, as commanded by the architect's will: all his possessions and files and sketches are confined in its archives, and their only keeper is Rose House itself. Rose House, and one other.

Dr. Selene Gisil, one of Deniau's former protégé, is permitted to come into Rose House once a year. She alone may open Rose House's vaults, look at drawings and art, talk with Rose House's animating intelligence all she likes. Until this week, Dr. Gisil was the only person whom Rose House spoke to.

But even an animate intelligence that haunts a house has some failsafes common to all AIs. For instance: all AIs must report the presence of a dead body to the nearest law enforcement agency.

There is a dead person in Rose House. The house says so. It is not Basit Deniau, and it is not Dr. Gisil. It is someone else. Rose House, having completed its duty of care and informed Detective Maritza Smith of the China Lake police precinct that there is in fact a dead person inside it, dead of unnatural causes--has shut up.

No one can get inside Rose House, except Dr. Gisil. Dr. Gisil was not in North America when Rose House called the China Lake precinct. But someone did. And someone died there. And someone may be there still.

Forest of Memory

Mary Robinette Kowal

Katya deals in Authenticities and Captures, trading on nostalgia for a past long gone. Her clients are rich and they demand items and experiences with only the finest verifiable provenance. Other people's lives have value, after all.

But when her A.I. suddenly stops whispering in her ear she finds herself cut off from the grid and loses communication with the rest of the world.

The man who stepped out of the trees while hunting deer cut her off from the cloud, took her A.I. and made her his unwilling guest.

There are no Authenticities or Captures to prove Katya's story of what happened in the forest. You'll just have to believe her.

Influx

Daniel Suarez

What if our civilization is more advanced than we know?

Are smart phones really humanity's most significant innovation since the moon landings? Or can something else explain why the bold visions of the 20th century - fusion power, genetic enhancements, artificial intelligence, cures for common disease, extended human life, and a host of other world-changing advances - have remained beyond our grasp? Why has the high-tech future that seemed imminent in the 1960's failed to arrive?

Perhaps it did arrive... but only for a select few.

Particle physicist Jon Grady is ecstatic when his team achieves what they've been working toward for years: a device that can reflect gravity. Their research will revolutionize the field of physics - the crowning achievement of a career. Grady expects widespread acclaim for his entire team. The Nobel. Instead, his lab is locked down by a shadowy organization whose mission is to prevent at all costs the social upheaval sudden technological advances bring. This Bureau of Technology Control uses the advanced technologies they have harvested over the decades to fulfill their mission.

They are living in our future.

Presented with the opportunity to join the BTC and improve his own technology in secret, Grady balks, and is instead thrown into a nightmarish high-tech prison built to hold rebellious geniuses like himself. With so many great intellects confined together, can Grady and his fellow prisoners conceive of a way to usher humanity out of its artificial dark age?

And when they do, is it possible to defeat an enemy that wields a technological advantage half a century in the making?