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Gothic Science Fiction:  1980-2010

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Gothic Science Fiction: 1980-2010

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Author: Emily Alder
Sara Wasson
Publisher: Liverpool University Press, 2011
Series: Liverpool SF Studies: Book 41

1. Olaf Stapledon: Speaking for the Future
2. Anticipations
3. Utopian and Science Fiction by Women
4. The Detached Retina
5. Charlotte Perkins Gilman
6. Shadows of the Future
7. Tales of the Next Great War, 1871-1914
9. Female Rule in Chinese and English Literary Utopias
10. Look at the Evidence
11. The Angle Between Two Walls
12. The Great War with Germany, 1890-1914
13. View From Another Shore
14. Very Different Story
15. The Mechanics of Wonder
16. Deconstructing the Starships
17. Learning from Other Worlds
18. Demand My Writing
19. Narrating Utopia
20. Jules Verne
21. Speaking Science Fiction
22. Alien Plots
23. Ramsey Campbell and Modern Horror Fiction
24. The Time Machines
25. Communities of the Heart
26. Philip K Dick
27. A Dreamer and a Visionary
28. Rumors of War and Infernal Machines
29. Attending Daedalus
30. Transformations
31. The Country You Have Never Seen
32. Visions and Revisions
33. Shadows of the New Sun
34. Gateways To Forever
35. Science Fiction and Empire
36. H. G. Wells, Modernity and the Movies
37. Queer Universes
38. Plan for Chaos
39. Animal Alterity
40. Race, Ethnicity and Nuclear War
41. Gothic Science Fiction
42. Future Wars
43. Solar Flares
44. Locating Science Fiction
45. Singularities
46. Stanislaw Lem
47. The Liverpool Companion to World Science Fiction Film
48. Irish Science Fiction
49. Lemography
50. Surrealism, Science Fiction and Comics
51. Stanislaw Lem
52. Science Fiction Double Feature
53. Science Fiction Rebels
54. Hard Reading
55. Terraforming
56. Biopunk Dystopias
57. Excavating the Future
58. Sport and Monstrosity in Science Fiction
59. Sideways in Time
60. Dread Trident
61. Final Frontiers
62. Science Fiction and Psychology
63. Science Fiction and Climate Change
64. Biology and Manners
66. Futuristic Cars and Space Bicycles
67. Fighting for the Future

Book Type: Non-Fiction
Genre: Science-Fiction
Sub-Genre Tags: Steampunk
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Synopsis

This timely book explores what might be termed 'Gothic science fiction' from 1980 to 2010. This designation may at first appear contradictory, as the Gothic's connotations of the irrational and supernatural seem to conflict with the rational foundations of science fiction. However, this collection demonstrates that the two categories in fact overlap and intersect in creatively and critically fruitful ways. Understanding texts of this period by means of this hybrid category allows a fresh examination of their engagement with the dramatic socio-economic changes - in communication technology, medical science, globalization, and global politics - that have transformed the way we live, and for which Gothic science fiction texts provide compelling narrative modes.

The essays in this collection reflect the current willingness among researchers to explore interpretations across genre, form, and discipline, as well as revealing a buoyant field of research in contemporary Gothic and science fiction studies. The collection ranges across narrative media (including literature, film, graphic novels and trading card games) and across genres, taking in horror, science fiction, the Gothic, the New Weird and more. The essays explore questions of genre, medical science, gender, biopower and capitalism, demonstrating the ways in which Gothic science fiction texts stage contemporary concerns around power, anxiety, resistance and capital.


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