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Science Fiction Double Feature:  The Science Fiction Film as Cult Text

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Science Fiction Double Feature: The Science Fiction Film as Cult Text

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Author: Gerald Duchovnay
J. P. Telotte
Publisher: Liverpool University Press, 2015
Series: Liverpool SF Studies: Book 52

1. Olaf Stapledon: Speaking for the Future
2. Anticipations
3. Utopian and Science Fiction by Women
4. The Detached Retina
5. Charlotte Perkins Gilman
6. Shadows of the Future
7. Tales of the Next Great War, 1871-1914
9. Female Rule in Chinese and English Literary Utopias
10. Look at the Evidence
11. The Angle Between Two Walls
12. The Great War with Germany, 1890-1914
13. View From Another Shore
14. Very Different Story
15. The Mechanics of Wonder
16. Deconstructing the Starships
17. Learning from Other Worlds
18. Demand My Writing
19. Narrating Utopia
20. Jules Verne
21. Speaking Science Fiction
22. Alien Plots
23. Ramsey Campbell and Modern Horror Fiction
24. The Time Machines
25. Communities of the Heart
26. Philip K Dick
27. A Dreamer and a Visionary
28. Rumors of War and Infernal Machines
29. Attending Daedalus
30. Transformations
31. The Country You Have Never Seen
32. Visions and Revisions
33. Shadows of the New Sun
34. Gateways To Forever
35. Science Fiction and Empire
36. H. G. Wells, Modernity and the Movies
37. Queer Universes
38. Plan for Chaos
39. Animal Alterity
40. Race, Ethnicity and Nuclear War
41. Gothic Science Fiction
42. Future Wars
43. Solar Flares
44. Locating Science Fiction
45. Singularities
46. Stanislaw Lem
47. The Liverpool Companion to World Science Fiction Film
48. Irish Science Fiction
49. Lemography
50. Surrealism, Science Fiction and Comics
51. Stanislaw Lem
52. Science Fiction Double Feature
53. Science Fiction Rebels
54. Hard Reading
55. Terraforming
56. Biopunk Dystopias
57. Excavating the Future
58. Sport and Monstrosity in Science Fiction
59. Sideways in Time
60. Dread Trident
61. Final Frontiers
62. Science Fiction and Psychology
63. Science Fiction and Climate Change
64. Biology and Manners
66. Futuristic Cars and Space Bicycles
67. Fighting for the Future

Book Type: Non-Fiction
Genre: Science-Fiction
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Synopsis

Critical discussion of cult cinema has often noted its tendency to straddle or ignore boundaries, to pull together different sets of conventions, narrative formulas, or character types for the almost surreal pleasure to be found in their sudden juxtapositions or narrative combination. With its own boundary-blurring nature - as both science and fiction, reality and fantasy - science fiction has played a key role in such cinematic cult formation. This volume examines that largely unexplored relationship, looking at how the sf film's own double nature neatly matches up with a persistent double vision common to the cult film. It does so by bringing together an international array of scholars to address key questions about the intersections of sf and cult cinema: how different genre elements, directors, and stars contribute to cult formation; what role fan activities, including "con" participation, play in cult development; and how the occulted or "bad" sf cult film works. The volume pursues these questions by addressing a variety of such sf cult works, including Robot Monster (1953), Zardoz (1974), A Boy and His Dog (1975), Tetsuo: The Iron Man (1989), Space Truckers (1996), Ghost in the Shell 2 (2004), and Iron Sky (2012). What these essays afford is a revealing vision of both the sf aspects of much cult film activity and the cultish aspects of the whole sf genre.


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