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As part of the search for a serial murderer nicknames "Buffalo Bill," FBI trainee Clarice Starling is given an assignment. She must visit a man confined to a high-security facility for the criminally insane and interview him.

That man, Dr. Hannibal Lecter, is a former psychiatrist with unusual tastes and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of The Silence of the Lambs--an unforgettable classic of suspense fiction.

The year is 1738; the place, Paris. A baby is born under a fish-monger's bloody table in a marketplace, and abandoned. Orphaned, passed over to the monks as a charity case, already there is something in the aura of the tiny infant that is unsettling. No one will look after him; he is somehow too demanding, and, even more disturbing, something is missing: as his wet nurse tries to explain, he doesn't smell the way a baby should smell; indeed, he has no scent at all.

Slowly, as we watch Jean-Baptiste Grenouille cling stubbornly to life, we begin to realize that a monster is growing before our eyes. With mounting unease, yet hypnotized, we see him explore his powers and their effect on the world around him. For this dark and sinister boy who has no smell himself possesses an absolute sense of smell, and with it he can read the world to discover the hidden truths that elude ordinary men. He can smell the very composition of objects, and their history, and where they have been, he has no need of the light, and darkness is not dark to him, because nothing can mask the odors of the universe.

As he leaves childhood behind and comes to understand his terrible uniqueness, his obsession becomes the quest to identify, and then to isolate, the most perfect scent of all, the scent of life itself.

At first, he hones his powers, learning the ancient arts of perfume-making until the exquisite fragrances he creates are the rage of Paris, and indeed Europe. Then, secure in his mastery of these means to an end, he withdraws into a strange and agonized solitude, waiting, dreaming, until the morning when he wakes, ready to embark on his monstrous quest: to find and extract from the most perfect living creatures-the most beautiful young virgins in the land- that ultimate perfume which alone can make him, too, fully human. As his trail leads him, at an ever-quickening pace, from his savage exile to the heart of the country and then back to Paris, we are caught up in a rising storm of terror and mortal sensual conquest until the frenzy of his final triumph explodes in all its horrifying consequences.

Told with dazzling narrative brilliance and the haunting power of a grown-up fairy tale, Perfume is one of the most remarkable novels of the last fifty years.

This is the story of a murderer. A stolen child. Revenge. This is the story of Ted, who lives with his daughter Lauren and his cat Olivia in an ordinary house at the end of an ordinary street.

All these things are true. And yet some of them are lies.

You think you know what's inside the last house on Needless Street. You think you've read this story before. But you're wrong. In the dark forest at the end of Needless Street, something lies buried. But it's not what you think...

Stephen King's Holly marks the triumphant return of Holly Gibney. Readers have witnessed Holly's gradual transformation from a shy (but also brave and ethical) recluse in Mr. Mercedes to Bill Hodges's partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King's new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl's desperate voice makes it impossible for Holly to turn her down.

Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie's disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.

Holly must summon all her formidable talents to outthink and outmaneuver the shockingly twisted professors...

After an automobile accident, novelist Paul Sheldon meets his biggest fan. Annie Wilkes is his nurse-and captor. Now, she wants Paul to write his greatest work-just for her. She has a lot of ways to spur him on. One is a needle. Another is an ax. And if they don't work, she can get really nasty...

It is autumn 1981 when the inconceivable comes to Blackeberg, a suburb in Sweden. The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last---revenge for the bullying he endures at school, day after day.

But the murder is not the most important thing on his mind. A new girl has moved in next door---a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night....

Sweeping top honors at film festivals all over the globe, director Tomas Alfredsson's film of Let the Right One In has received the same kind of spectacular raves that have been lavished on the book. American readers of vampire fiction will be thrilled!

Johnny Smith awakens from a five-year coma after his car accident and discovers that he can see people's futures and pasts when he touches them. Many consider his talent a gift; Johnny feels cursed. His fiancée married another man during his coma and people clamor for him to solve their problems.

When Johnny has a disturbing vision after he shakes the hand of an ambitious and amoral politician, he must decide if he should take drastic action to change the future.

William Golding's classic novel of primitive savagery and survival is one of the most vividly realized and riveting works in modern fiction. The tale begins after a plane wreck deposits a group of English school boys, aged six to twelve on an isolated tropical island. Their struggle to survive and impose order quickly evolves from a battle against nature into a battle against their own primitive instincts. Golding's portrayal of the collapse of social order into chaos draws the fine line between innocence and savagery.

When the Bates Motel loomed up out of the storm, Mary Craine thought it was her salvation. The rooms were musty but clean, and the manager, Norman Bates, seemed like a nice enough fellow, if a little strange....

Then Mary met Norman's mother. And the butcher knife.

The nightmare had just begun....

The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels.

The newly appointed police commissioner, Theodore Roosevelt, in a highly unorthodox move, enlists the two men in the murder investigation, counting on the reserved Kreizler's intellect and Moore's knowledge of New York's vast criminal underworld. They are joined by Sara Howard, a brave and determined woman who works as a secretary in the police department. Laboring in secret (for alienists, and the emerging discipline of psychology, are viewed by the public with skepticism at best), the unlikely team embarks on what is a revolutionary effort in criminology-- amassing a psychological profile of the man they're looking for based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who has killed before. and will kill again before the hunt is over.

Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its untarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences.

Heart of Darkness is a short novel by Polish novelist Joseph Conrad, written as a frame narrative, about Charles Marlow's experience as an ivory transporter down the Congo River in Central Africa.

The river is "a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land". In the course of his travel in central Africa, Marlow becomes obsessed with Mr. Kurtz.

The story is a complex exploration of the attitudes people hold on what constitutes a barbarian versus a civilized society and the attitudes on colonialism and racism that were part and parcel of European imperialism.

Originally published as a three-part serial story, in Blackwood's Magazine, the novella Heart of Darkness has been variously published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century.

A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River, during the off season; awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall. This novel appears for the first time in its original unexpurgated of the authors vision. The original publisher refused to publish it in this version in 1980. Now available only in this edition with an introduction by Douglas E. Winter.

A quiet summer night...a neat suburban house...and another innocent, happy family is shattered - the latest victims of a grisly series of hideous sacrificial killings that no one understands, and no one can stop. Nobody lives to tell of the unimaginable carnage. Only the blood-stained walls bear witness.

All hope rests on Special Agent Will Graham, who must peer inside the killer's tortured soul to understand his rage, to anticipate and prevent his next vicious crime. Desperate for help, Graham finds himself locked in a deadly alliance with the brilliant Dr. Hannibal Lecter, the infamous mass murderer who Graham put in prison years ago.

As the imprisoned Lecter tightens the reins of revenge, Graham's feverish pursuit of the Red Dragon draws him inside the warped mind of a psychopath, into an unforgettable world of demonic ritual and violence, beyond the limits of human terror.

"Two years after I killed Blyth, I murdered my young brother Paul, for quite different reasons and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did my young cousin Esmeralda, more or less on a whim. That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through."

A masterful, intensely suspenseful novel about a reader whose obsession with a reclusive writer goes far too far--a book about the power of storytelling, starring the same trio of unlikely and winning heroes King introduced in Mr. Mercedes.

"Wake up, genius." So begins King's instantly riveting story about a vengeful reader. The genius is John Rothstein, an iconic author who created a famous character, Jimmy Gold, but who hasn't published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel.

Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Saubers finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he's released from prison after thirty-five years.

Not since Misery has King played with the notion of a reader whose obsession with a writer gets dangerous. Finders Keepers is spectacular, heart-pounding suspense, but it is also King writing about how literature shapes a life--for good, for bad, forever.

A cat-and-mouse suspense thriller featuring a retired homicide detective who's haunted by the few cases he left open, and by one in particular - the pre-dawn slaughter of eight people among hundreds gathered in line for the opening of a jobs fair when the economy was guttering out. Without warning, a lone driver ploughed through the crowd in a stolen Mercedes. The plot is kicked into gear when Bill Hodges receives a letter in the mail, from a man claiming to be the perpetrator. He taunts Hodges with the notion that he will strike again.

Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing that from happening.

Brady Hartfield lives with his alcoholic mother in the house where he was born. And he's preparing to kill again.

Only Hodges, with a couple of misfit friends, can apprehend the killer in this high-stakes race against time. Because Brady's next mission, if it succeeds, will kill or maim hundreds, even thousands.

"Come home." Vera's mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories ? she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.

Coming home is hard enough for Vera, and to make things worse, she and her mother aren't alone. A parasitic artist has moved into the guest house out back and is slowly stripping Vera's childhood for spare parts. He insists that he isn't the one leaving notes around the house in her father's handwriting... but who else could it possibly be?

There are secrets yet undiscovered in the foundations of the notorious Crowder House. Vera must face them and find out for herself just how deep the rot goes.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis's parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents--telekinesis and telepathy--who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, "like the roach motel," Kalisha says. "You check in, but you don't check out."

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don't, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King's gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don't always win.

You remember Hannibal Lecter: gentleman, genius, cannibal. Seven years have passed since Dr. Lecter escaped from custody. And for seven years he's been at large, free to savor the scents, the essences, of an unguarded world. 

But intruders have entered Dr. Lecter's world, piercing his new identity, sensing the evil that surrounds him. For the multimillionaire Hannibal left maimed, for a corrupt Italian policeman, and for FBI agent Clarice Starling, who once stood before Lecter and who has never been the same, the final hunt for Hannibal Lecter has begun. All of them, in their separate ways, want to find Dr. Lecter. And all three will get their wish. But only one will live long enough to savor the reward.

Something strange is happening in the town of Stepford where the men spend their nights doing something secret and the women act like every man's dream of a "perfect" wife. One young woman watches the dream turn into a nightmare which engulfs her best friend, and realizes that her turn is coming.

The world had teeth and it could bite you with them anytime it wanted. Trisha McFarland discovered this when she was nine years old. Lost in the woods.

Trisha has only veered a little way off the path. But in her panic to get back to her family, she takes a turning that leads into the tangled undergrowth, deeper into the woods.

At first it's just the bugs, midges and mosquitoes. Then comes the hunger. For comfort she tunes her Walkman into broadcasts of the Red Sox baseball games and the performances of her hero Tom Gordon.

As darkness begins to fall and Trisha struggles for survival and a way out, she realises that she is not alone. There's something else in the woods--watching. Waiting...

Curse of the Old Gypsy Man...

Billy Halleck, good husband, loving father, is both beneficiary and victim of the American Good Life: he has an expensive home, a nice family, and a rewarding career as a lawyer. But he is also fifty pounds overweight and, as his doctor keeps reminding him, heading into heart attack country.

Then, in a moment of carelessness, Billy sideswipes an old gypsy woman as she is crossing the street--and her ancient father passes a bizarre and terrible judgment on him.

"Thinner," the old gypsy man whispers, and caresses his cheeks like a lover. Just one word... but six weeks later and ninety-three pounds lighter, Billy Halleck is more than worried. He's terrified. And desperate enough for one last gamble... that will lead him to a nightmare showdown with the forces of evil melting his flesh away.

We thought we'd play a fun prank on her, and now most of us are dead.

One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing.

Luckily, Sawyer has a plan. He'll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes--sometimes you have to become a monster first.

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what's going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won't want to let us in, Wen. But they have to. We need your help to save the world."

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

A mother fights to rescue her newborn from a six-foot-tall madwoman

No one knows Mary Terrell's real name. She killed a man during the climax of the Summer of Love, and for two decades she has changed her name and location regularly, always keeping watch over her shoulder for the FBI. She has three passions: LSD, firearms, and children. She visits toy stores a few times a week, picking out a baby doll to take home and treat as a child. The new family always starts out happy, but when the baby refuses to eat, Mary gets angry. Murdered dolls fill her closet, and the woman who calls herself Mary Terror is tired of children made of plastic.

Laura Clayborne's marriage gives her little joy, but she can't wait for her son to come into the world. But if Mary Terror has her way, it won't be long before he leaves it again.

'KOKO ' Only four men knew what it meant. Vietnam vets. One was a doctor. One was a lawyer. One was a working stiff. One was a writer. All were as different as men could be - yet all were bound eternally together by a single shattering secret. And now they are joined together again on a quest that could take them from the graveyards and fleshpots of the Far East to the human jungle of New York, hunting an inhuman ghost of the past risen from nightmare darkness to kill and kill...

On an island off the coast of Maine, a man is found dead. There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues.

But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...?

No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

Roused by a single drop of blood, Rosie Daniels wakes up to the chilling realisation that her husband is going to kill her. And she takes flight - with his credit card. Alone in a strange city, Rosie begins to build a new life: she meets Bill Steiner and she finds an odd junk shop painting, Rose Madder, which strangely seems to want her as much as she wants it.

Outside a peaceful town in central Maine, a monster is waiting. Cujo is a two-hundred-pound Saint Bernard, the best friend Brett Camber has ever had. One day, Cujo chases a rabbit into a cave inhabited by sick bats and emerges as something new altogether.

Meanwhile, Vic and Donna Trenton, and their young son Tad, move to Maine. They are seeking peace and quiet, but life in this small town is not what it seems. As Tad tries to fend off the terror that comes to him at night from his bedroom closet, and as Vic and Donna face their own nightmare of a marriage on the rocks, there is no way they can know that a monster, infinitely sinister, waits in the daylight.

What happens to Cujo, how he becomes a horrifying vortex inescapably drawing in all the people around him, makes for one of the most heart-stopping novels Stephen King has ever written. "A genuine page-turner that grabs you and holds you and won't let go" (Chattanooga Times), Cujo will forever change how you view man's best friend.

Haunted is a novel made up of twenty-three horrifying, hilarious, and stomach-churning stories. They're told by people who have answered an ad for a writer's retreat and unwittingly joined a "Survivor"-like scenario where the host withholds heat, power, and food. As the storytellers grow more desperate, their tales become more extreme, and they ruthlessly plot to make themselves the hero of the reality show that will surely be made from their plight. This is one of the most disturbing and outrageous books you'll ever read, one that could only come from the mind of Chuck Palahniuk.

Suburbia. Shady, tree-lined streets, well-tended lawns and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their, cruel, torturous deaths. A boy with a very adult decision to make.