Search Worlds Without End

Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.

Classic fantasy from the amazing Sheri S. Tepper. Women rule in Women's Country. Women live apart from men, sheltering the remains of civilization They have cut themselves off with walls and by ordinance from marauding males. Waging war is all men are good for. Men are allowed to fight their barbaric battles! amongst themselves, garrison against garrison. For the sake of his pride, each boy child ritualistically rejects his mother when he comes of age to be a warrior. But all the secrets of civilization are strictly the possession of women. Naturally, there are men who want to know what the women know! And when Stavia meets Chernon, the battle of the sexes begins all over again. Foolishly, she provides books for Chernon to read. Before long, Chernon is hatching a plan of revenge against women!

One of the original novels of post-nuclear holocaust America, The Long Tomorrow is considered by many to be one of the finest science fiction novels ever written on the subject. The story has inspired generations of new writers and is still as mesmerizing today as when it was originally written.

Len and Esau are young cousins living decades after a nuclear war has destroyed civilization as we know. The rulers of the post-war community have forbidden the existence of large towns and consider technology evil.

However Len and Esau long for more than their simple agrarian existence. Rumors of mythical Bartorstown, perhaps the last city in existence, encourage the boys to embark on a journey of discovery and adventure that will call into question not only firmly held beliefs, but the boys' own personal convictions.

In Jonathan Lethem's wryly funny second novel, we meet a young man named Chaos, who's living in a movie theater in post-apocalyptic Wyoming, drinking alcohol, and eating food out of cans.

It's an unusual and at times unbearable existence, but Chaos soon discovers that his post-nuclear reality may have no connection to the truth. So he takes to the road with a girl named Melinda in order to find answers. As the pair travels through the United States they find that, while each town has been affected differently by the mysterious source of the apocalypse, none of the people they meet can fill in their incomplete memories or answer their questions. Gradually, figures from Chaos's past, including some who appear only under the influence of intravenously administered drugs, make Chaos remember some of his forgotten life as a man named Moon.

This is the haunting story of an extraordinary woman and her dangerous quest to reclaim her healing powers. Revered healer Snake must undertake a journey in search of the dreamsnake, whose bite eases the fear and pain of death.

Hal Bregg is an astronaut who returns from a space mission in which only 10 biological years have passed for him, while 127 years have elapsed on earth. He finds that the earth has changed beyond recognition, filled with human beings who have been medically neutralized. How does an astronaut join a civilization that shuns risk?

Hugo, Nebula and Locus award nominated novella. It originally appeared in The Magazine of Fantasy and Science Fiction, March 1978. The story can also be found in the anthologies:

• The 1979 Annual World's Best SF, edited by Donald A. Wollheim, Arthur W. Saha
• The Best Science Fiction Novellas of the Year #1 (1979), edited by Terry Carr
• Best Science Fiction Stories of the Year: Eighth Annual Collection (1979), edited by Gardner Dozois
• Nebula Winners Fourteen (1980), edited by Frederik Pohl
• The Hugo Winners, Volume 4: (1976-79) (1985), edited by Isaac Asimov
• The Best of the Nebulas (1989), edtied by Ben Bova

It is half of Tor Double #29: Nanowire Time / The Persistence of Vision and is included in the collections The Persistence of Vision (1979) and The John Varley Reader (2004).

In this haunting and surreal novel, the narrator and a man known as 'the warden' search for an elusive girl in a frozen, seemingly post-nuclear, apocalyptic landscape. The country has been invaded and is being governed by a secret organisation. There is destruction everywhere; great walls of ice overrun the world. Together with the narrator, the reader is swept into a hallucinatory quest for this strange and fragile creature with albino hair. Acclaimed by Brian Aldiss on its publication in 1967 as the best science fiction book of the year, this extraordinary and innovative novel has subsequently been recognised as a major work of literature in its own right.

Extras, the final book in the Uglies series, is set a couple of years after the "mind-rain," a few earth-shattering months in which the whole world woke up. The cure has spread from city to city, and the pretty regime that kept humanity in a state of bubbleheadedness has ended. Boundless human creativity, new technologies, and old dangers have been unleashed upon the world. Culture is splintering, the cities becoming radically different from each other as each makes its own way into this strange and unpredictable future...

One of the features of the new world is that everyone has a "feed," which is basically their own blog/myspace/tv channel. The ratings of your feed (combined with how much the city interface overhears people talking about you) determines your social status--so everyone knows at all times how famous they are.

As Scott Westerfeld explored the themes of extreme beauty in the first three Uglies books, now he takes on the world's obsession with fame and popularity. And how anyone can be an instant celebrity.

Women rule the world in this suspenseful love story set in a postnuclear future. Having expelled men from their vast walled cities to a lower-class wilderness, the women in this futuristic universe dictate policy and chart the future through control of scientific and technological advances. Among their laws are the rules for reproductive engagement, an act now viewed as a means of procreation rather than an act of love. In this rigidly defined environment, a chance meeting between a woman exiled from the female world and a wilderness man triggers a series of feelings, actions, and events that ultimately threaten the fabric of the women's constricted society. Trying to evade the ever-threatening female forces and the savage wilderness men, the two lovers struggle to find a safe haven and reconcile the teachings of their upbringings with their newly awakened feelings.

The men of the Holdfast had long treated with contempt the degenerated creatures known as "fems." To give themselves the drive to survive and reconquer the world, the men needed a common enemy. Superstitious belief had ascribed to the fems the guilt for the terrible Wasting that had destroyed the world. They were the ideal scapegoat. The truth was lost in death and decay and buried in history. It was going to be a long journey back...

When Thomas wakes up in the lift, the only thing he can remember is his first name. His memory is blank. But he's not alone. When the lift doors open, Thomas finds himself surrounded by kids who welcome him into the Glade - a large, open expanse surrounded by stone walls. Just like Thomas, the Gladers don't know why or how they got into the Glade. All they know is that every morning the stone doors to the maze that surrounds them have opened. Every night they've closed tight. And every 30 days a new boy has been delivered in the lift. Thomas was expected. But the next day, a girl is sent up - the first girl to ever arrive in the Glade. And more suprising yet is the message she delivers. Thomas might be more important than he could ever guess. If only he could unlock the dark secrets buried within his mind.

A prominent turn-of-the-century social critic and lecturer, Charlotte Perkins Gilman is perhaps best known for her short story "The Yellow Wallpaper," a chilling study of a woman's descent into insanity, and Women and Economics, a classic of feminist theory that analyzes the destructive effects of women's economic reliance on men.

In Herland, a vision of a feminist utopia, Gilman employs humor to engaging effect in a story about three male explorers who stumble upon an all-female society isolated somewhere in South America. Noting the advanced state of the civilization they've encountered, the visitors set out to find some males, assuming that since the country is so civilized, "there must be men." A delightful fantasy, the story enables Gilman to articulate her then-unconventional views of male-female roles and capabilities, motherhood, individuality, privacy, the sense of community, sexuality, and many other topics.

Decades ahead of her time in evolving a humanistic, feminist perspective, Gilman has been rediscovered and warmly embraced by contemporary feminists. An articulate voice for both women and men oppressed by the social order of the day, she adeptly made her points with a wittiness often missing from polemical writings.

"That girl's got more wrong notions than a barn owl's got mean looks."

Esther is a stowaway. She's hidden herself away in the Librarian's book wagon in an attempt to escape the marriage her father has arranged for her--a marriage to the man who was previously engaged to her best friend. Her best friend who she was in love with. Her best friend who was just executed for possession of resistance propaganda.

The future American Southwest is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.