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In Alias Grace, bestselling author Margaret Atwood has written her most captivating, disturbing, and ultimately satisfying work since The Handmaid's Tale. She takes us back in time and into the life of one of the most enigmatic and notorious women of the nineteenth century.

Grace Marks has been convicted for her involvement in the vicious murders of her employer, Thomas Kinnear, and Nancy Montgomery, his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders.

Dr. Simon Jordan, an up-and-coming expert in the burgeoning field of mental illness, is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories? Is Grace a female fiend? A bloodthirsty femme fatale? Or is she the victim of circumstances?

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one.

But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision.

The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

On a day in April, just after three o'clock in the afternoon, Robert Maitland's car crashes over the concrete parapet of a high-speed highway onto the island below, where he is injured and, finally, trapped. What begins as an almost ludicrous predicament soon turns into horror as Maitland—a wickedly modern Robinson Crusoe—realizes that, despite evidence of other inhabitants, this doomed terrain has become a mirror of his own mind. Seeking the dark outer rim of the everyday, Ballard weaves private catastrophe into an intensely specular allegory.

"Two years after I killed Blyth, I murdered my young brother Paul, for quite different reasons and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did my young cousin Esmeralda, more or less on a whim. That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through."

For more than two decades, Clive Barker has twisted the worlds of horrific and surrealistic fiction into a terrifying, transcendent genre all his own. With skillful prose, he enthralls even as he horrifies; with uncanny insight, he disturbs as profoundly as he reveals. Evoking revulsion and admiration, anticipation and dread, Barker's works explore the darkest contradictions of the human condition: our fear of life and our dreams of death.

Table of Contents:

• Cabal - novel
• The Life of Death - (1985) - novelette
• How Spoilers Bleed - (1985) - novelette
• Twilight at the Towers - (1985) - novelette
• The Last Illusion - (1985) - novella

Only Georges Bataille could write, of an eyeball removed from a corpse, that "the caress of the eye over the skin is so utterly, so extraordinarily gentle, and the sensation is so bizarre that it has something of a rooster's horrible crowing." Bataille has been called a "metaphysician of evil," specializing in blasphemy, profanation, and horror.

Jason Wilkes's life takes a turn for the worse when his wife fails to come home from her book club. Jason calls Kate's 'book buddy', Dave, who assures him she left hours ago. Contacting the police, Jason finds them equal parts sympathetic and suspicious. He tells them almost everything, except that he's been hearing Kate's voice, calling as if from far away. He certainly doesn't mention that he's seeing shadows that reach for him.

With the police getting nowhere fast, Jason takes matters into his own hands, even as nightmare images and Kate's distant cries continue to haunt his waking moments and his dreams, and the strange, grasping shadows persist. Jason begins to unravel the mystery, but he's at odds with the police, he's being lied to by Kate's book club friends, and his chances of finding Kate slip ever further away.

It seems that everything is going to go as wrong as it possibly can.

Funny, frightening and moving, the stories in Simon Bestwick's new collection explore how our childhoods mark us, our regrets haunt us, and how our innocence is sometimes lost -- and sometimes taken away.

A young policewoman is drawn into a dreadful bargain. Murdered girls walk the streets of Manchester beside their still-living friends. Tormented children call on an urban legend for help, and the events of a long-ago summer and first love return with lethal consequences for four childhood friends. All this and more besides, in these fifteen short fiction works.

Table of Contents:

• The Man Who Put the Best in Bestwick (2019) essay by Ramsey Campbell
• Dermot (2011) short story
• Beneath the Sun (2004) short story
• The Moraine (2011) short story
• Comfort Your Dead (2019) short story
• The School House (2008) novella
• Left Behind (2008) short story
• Hushabye [Paul Hearn] (2007) short story
• A Small Cold Hand (2007) short story
• The Proving Ground (2009) short story
• Angels of the Silences (2011) novella
• ... And Dream of Avalon (2004) short story
• Winter's End [Paul Hearn] (2010) short story
• They Wait (2003) short story
• The Children of Moloch (2011) short story
• And Cannot Come Again (2019) novella
• Notes from the King of the Bastards (2019) essay

"An Occurrence at Owl Creek Bridge" (1890) is a short story by the American writer and Civil War veteran Ambrose Bierce. Described as "one of the most famous and frequently anthologized stories in American literature", it was originally published by The San Francisco Examiner on July 13, 1890, and was first collected in Bierce's book Tales of Soldiers and Civilians (1891). The story, which is set during the American Civil War, is known for its irregular time sequence and twist ending. Bierce's abandonment of strict linear narration in favor of the internal mind of the protagonist is an early example of the stream of consciousness narrative mode.

The condemned man stands on a bridge, his hands bound behind his back. A noose is tied around his neck. In a moment he will meet his fate: DEATH BY HANGING. There is no escape. Or is there? Find out in... An Occurrence at Owl Creek Bridge.

This short story originally appeared in The San Francisco Examiner, July 13, 1890. It has been anthologized numerous times, and can also be found in several collections, including The Complete Short Stories of Ambrose Bierce (1970) and Terror By Night: Classic Ghost and Horror Stories (2011).

It was the basis for the 1962 French short film La Rivière du hibou, later screened in 1964 as episode 142 of The Twilight Zone.

Between the incessant music of the stars and the spectre of a giant squid caught inside a locket ball, it is difficult for Don Horacio to maintain a restful mind.

This story is included in the collection The Door Gunner and Other Perilous Flights of Fancy: A Michael Bishop Retrospective (2012).

Read the full story for free at Tor.com.

His name is Philip Dempster.

Where he goes, fire follows.

Investigating a number of phoney "churches," Dempster becomes caught up in a web of intrigue, arson, and murder. Shortly after he visits each tabernacle, the building goes up in flames--often with the preacher still inside.

Each time, Dempster is found near the fire, not knowing what he is doing there or why he is wandering the night-darkened streets.

Is Dempster the firbug or merely an innocent victim? He must learn the truth before his sanity crumbles to white-hot ash.

Table of Contents:

• 7 - The Small Assassin - (1946) - short story
• 26 - The Next in Line - (1947) - novelette
• 63 - The Lake - (1944) - short story
• 70 - The Crowd - (1943) - short story
• 80 - Jack-in-the-Box - (1947) - short story
• 98 - The Man Upstairs - (1947) - short story
• 111 - The Cistern - (1947) - short story
• 119 - The Tombstone - (1945) - short story
• 126 - The Smiling People - (1946) - short story
• 137 - The Handler - (1947) - short story
• 148 - Let's Play "Poison" - (1946) - short story
• 154 - The Night - [Dandelion Wine] - (1946) - short story
• 163 - The Dead Man - (1945) - short story

To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his "art" to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his "art" to limits even Compton hadn't previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese-American runaway, Tran, whom they deem to be the perfect victim.

Swiftly moving from the grimy streets of London's Piccadilly Circus to the decadence of the New Orleans French Quarter, and punctuated by rants from radio talk show host Lush Rimbaud, a.k.a. Luke Ransom, Tran's ex-lover, who is dying of AIDS and who intends to wreak ultimate havoc before leaving this world, Exquisite Corpse unfolds into a labyrinth of murder and love. Ultimately all four characters converge on a singular bloody night after which their lives will be irrevocably changed -- or terminated.

Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. Exquisite Corpse confirms Brite as a writer who defies categorization. It is a novel for those who dare trespass where the sacred and profane become one.

Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries.

The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.

Mid-list writer Daniel Ellis becomes obsessed with the life and work of novelist Vaughan Edwards, who disappeared in mysterious circumstances in 1996. Edwards' novels, freighted with foreboding tragedy and a lyrical sense of loss, echo something in Ellis's own life. His investigations lead Ellis ever deeper into the enigma that lies at the heart of Vaughan Edwards' country house, Edgecoombe Hall, and the horror that dwells there.

In a departure from his science fiction roots, Eric Brown has written a haunting novella that explores the essence of creativity, the secret of love, and the tragedy that lies at the heart of human existence.

Years earlier, John Tracker fled the insanity of his family and their house, a centuries-old monstrosity that his grandfather Theophilus rigged full of hallucinatory tricks and vicious death traps designed to capture the Devil. Now middle-aged, John receives word that the place is to be demolished to make way for a freeway, and he decides to revisit it with his girlfriend Amy Griffith before its destruction. But when a blizzard traps them inside the house, they will be forced to contend with the dangers hidden within: strange time-shifts, murderous traps, and something evil that stalks the halls in the form of John's grandmother Vera. As the terror mounts, John and Amy will make the horrifying discovery that Theophilus's mad ambition to trap the Devil may have succeeded only too well...

FROM HELL is the story of Jack the Ripper, perhaps the most infamous man in the annals of murder. Detailing the events leading up to the Whitechapel killings and the cover-up that followed, FROM HELL is a meditation on the mind of a madman whose savagery and violence gave birth to the 20th century. The serialized story, presented in its entirety in this volume, has garnered widespread attention from critics and scholars. Often regarded as one of the most significant graphic novels ever published, FROM HELL combines meticulous research with educated speculation, resulting in a masterpiece of historical fiction both compelling and terrifying.

WFA winning short story. It originally appeared in the anthology Whispers: An Anthology of Fantasy and Horror (1977), edited by Stuart David Schiff. The story can also be found in the anthologies The Twelve Frights of Christmas (1986), edited by Isaac Asimov, Martin H. Greenberg and Carol-Lynn Rössel Waugh, Urban Horrors (1990), edited by William F. Nolan and Martin H. Greenberg, and The Mammoth Book of New Terror (2004), edited by Stephen Jones. It is included in the collections Dark Companions (1982), Dark Feasts: The World of Ramsey Campbell (1987) and Alone with the Horrors (1993).

With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction. This series of vaguely connected stories is linked by the presence of a monstrous and suppressed book which brings fright, madness and spectral tragedy to all those who read it. An air of futility and doom pervade these pages like a sweet insidious poison. Dare you read it?

This collection has been called the most important book in American supernatural fiction between Poe and the moderns. H. P. Lovecraft, creator of the famed Cthulu mythos, whose own fiction was greatly influenced by this book stated that The King in Yellow 'achieves notable heights of cosmic fear'.

Table of Contents:

• The Repairer of Reputations
• The Mask
• In the Court of the Dragon
• The Yellow Sign
• The Demoiselle d'Ys
• The Prophets' Paradise
• The Street Of The Four Winds
• The Street of the First Shell
• The Street of Our Lady of the Fields
• Rue Barrée

A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin's parents, aunt, and uncle. The trial came to epitomize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.

Meanwhile, one of Dustin's patients has been plying him with stories of the drowning deaths of a string of drunk college boys. At first Dustin dismisses his patient's suggestions that a serial killer is at work as paranoid thinking, but as the two embark on an amateur investigation, Dustin starts to believe that there's more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries -- and putting his own family in harm's way.

After narrowly escaping a bomb blast during the Blitz, poet Jack Crofton is threatened with death and worse by a mysterious soldier. Fleeing through the war-torn streets of London, he seeks sanctuary in a pub and falls into company with two elderly gentlemen who claim to be Holmes and Watson, the real life detectives who inspired Conan Doyle's famous fictions. Unconvinced but desperate, Jack shares his story, and Holmes agrees to take his case...

Simon Clark is the author of several acclaimed novels including The Night of the Triffids--the official sequel to John Wyndham's classic The Day of the Triffids--and is widely acknowledged as one of the most original voices in modern dark fiction and horror.

Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged--a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence.

Emma Cline's remarkable debut novel is gorgeously written and spellbinding, with razor-sharp precision and startling psychological insight. The Girls is a brilliant work of fiction.

To Florence Hackett and her daughters Elinor and Louisa, Richard Baurie, a handsome young bookstore clerk and aspiring poet, seems a little odd but harmless enough. With his amusing conversation and his eager-to-please attitude, Richard works his way into the Hacketts' confidence until he is almost one of the family. When he suggests they rent Wisteria Cottage, a charming seaside residence, it seems to promise a summer of pleasant companionship and fun. What the Hacketts don't know is that Richard is a deeply troubled individual, recently released from a mental institution, and that their relaxing summer holiday will soon turn into a terrifying nightmare....

A brilliant psychological examination of criminal insanity, Robert M. Coates's Wisteria Cottage (1948) earned rave reviews on its initial publication and was adapted for the 1958 film noir Edge of Fury. As Mathilde Roza writes in the introduction to this new edition, "the novel has lost nothing of its remarkable power of taking the reader into a disturbed man's world."

Jeremy works at the Video Hut in Nevada, Iowa. It's a small town in the center of the state -- the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It's good enough for Jeremy: it's a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.

But when a local schoolteacher comes in to return her copy of Targets -- an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store? she has an odd complaint: "There's something on it," she says, but doesn't elaborate. Two days later, a different customer returns a different tape, a new release, and says it's not defective, exactly, but altered: "There's another movie on this tape."

Jeremy doesn't want to be curious, but he brings the movies home to take a look. And, indeed, in the middle of each movie, the screen blinks dark for a moment and the movie is replaced by a few minutes of jagged, poorly lit home video. The scenes are odd and sometimes violent, dark, and deeply disquieting. There are no identifiable faces, no dialogue or explanation? the first video has just the faint sound of someone breathing? but there are some recognizable landmarks. These have been shot just outside of town.

In Universal Harvester, the once placid Iowa fields and farmhouses now sinister and imbued with loss and instability and profound foreboding. The novel will take Jeremy and those around him deeper into this landscape than they have ever expected to go. They will become part of a story that unfolds years into the past and years into the future, part of an impossible search for something someone once lost that they would do anything to regain.

Blackburn is a serial killer. But, like the rest of us, he confronts the same hypocrisies and frustrations of the world and, unable to help himself, or at the mercy of circumstance, he crosses a dangerous threshold--and he kills. In this novel, we meet many of his twenty-one victims: law enforcers, writers, adulterers, auto mechanics, and other liars. And each crime reveals another side of his psyche . . . and his disturbing rationale for murder.

In a world reeling from an unusual plague, monsters lurk in the streets while terrified survivors arm themselves and roam the countryside in packs. Or perhaps something very different is happening. When a disease affects how reality is perceived, it's hard to be certain of anything...

Spence is one of the "cured" living at the Ironside rehabilitation facility. Haunted by guilt, he refuses to face the changed world until a new inmate challenges him to help her find her old crew. But if he can't tell the truth from the lies, how will he know if he has earned the redemption he dreams of? How will he know he hasn't just made things worse?

When Hilton was just a boy, his grandmother sacrificed her life to save him from drowning. Thirty years later, he begins to suspect that he was never meant to survive that accident, and that dark forces are working to rectify that mistake.

When Hilton's wife, the only elected African-American judge in Dade County, FL, begins to receive racist hate mail, he becomes obsessed with protecting his family. Soon, however, he begins to have horrible nightmares, more intense and disturbing than any he has ever experienced. Are the strange dreams trying to tell him something? His sense of reality begins to slip away as he battles both the psychotic threatening to destroy his family and the even more terrifying enemy stalking his sleep. Chilling and utterly convincing, The Between follows the struggles of a man desperately trying to hold on to the people and life he loves, but may have already lost. The compelling plot holds readers in suspense until the final, profound moment of resolution.

First published as a limited-edition hardcover (DreamHaven Books, 2000), The Death Artist presents 12 daring, unforgettable tales that define the state of the art in modern horror.

"You have seen him but you did not recognize him. When he passed you on the street you would not look his way. He stood with you in the line and took a seat as the lights went down but when you heard his footsteps later, going home, you told yourself he was not there. He is the one who sent the letter, the one on the telephone who never speaks, the one who waits behind the door. He stops for every accident and never turns away from the chalk marks and the blood, for there is a lifemap in each dying and if he does not see it all his portraits will not be true. He wants to pass it on, the laughter and the cry in the night, so much the same at the end. It is not a hobby or a diversion. It is a method and an esthetic and a religion. He does not seek to convert you. He only wants you to know. He thinks you are ready. He is an artist and his subject is the high and the low rather than what lies between. You do not have to find him. He has already found you..."

Contents:

• The Dog Park
• The Last Reel
• When They Gave Us Memory
• On Call
• Deadtime Story
• Call Home
• No One You Know
• A Wind From the South
• The Scar
• The Detailer
• The Dead Cop
• Inside the Cackle Factory

A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men: of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration. Combining psychological and ecological horror, each tale thrums with Evenson's award-winning literary craftsmanship, dark humor, and thrilling suspense.

Table of Contents:

• Leg - (2020) - short story
• In Dreams - short story
• Myling Kommer - (2020) - short story
• Come Up - (2017) - short story
• Palisade - (2018) - short fiction
• Curator - (2019) - short story
• To Breathe the Air - (2020) - short story
• The Barrow-Men - short story
• The Shimmering Wall - (2021) - short story
• Grauer in the Snow - (2019) - short story
• Justle - (2019) - short story
• The Devil's Hand - (2020) - short story
• Nameless Citizen - (2017) - short story
• The Coldness of His Eye - (2019) - short story
• Daylight Come - short story
• Elo Havel - (2020) - short story
• His Haunting - (2019) - short story
• Haver - (2018) - short story
• The Extrication - short story
• A Bad Patch - (2019) - short story
• Hospice - short story
• The Glassy, Burning Floor of Hell - (2020) - short story

"There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson."--George Saunders

"A contemporary gothic tale about the apocalyptic connection between religion and violence."--Publishers Weekly

When Rudd, a troubled teenager, embarks on a school research project, he runs across the secret Mormon ritual of blood sacrifice, and its role in a 1902 murder committed by the grandson of Brigham Young. Along with his newly discovered half-brother, Rudd becomes swept up in the psychological and atavistic effects of this violent, antique ritual.

"Come home." Vera's mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories ? she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.

Coming home is hard enough for Vera, and to make things worse, she and her mother aren't alone. A parasitic artist has moved into the guest house out back and is slowly stripping Vera's childhood for spare parts. He insists that he isn't the one leaving notes around the house in her father's handwriting... but who else could it possibly be?

There are secrets yet undiscovered in the foundations of the notorious Crowder House. Vera must face them and find out for herself just how deep the rot goes.

William Golding's classic novel of primitive savagery and survival is one of the most vividly realized and riveting works in modern fiction. The tale begins after a plane wreck deposits a group of English school boys, aged six to twelve on an isolated tropical island. Their struggle to survive and impose order quickly evolves from a battle against nature into a battle against their own primitive instincts. Golding's portrayal of the collapse of social order into chaos draws the fine line between innocence and savagery.

Returning home through a bog late one night, sixteen-year-old Dick Dodds passes a trail that for some reason sends a chill up his spine. He feels the same inexplicable terror the next day when he explores the trail further and meets a girl, Helen Johnson, who saw something that looked like a man with no arms or legs moving and gliding across the landscape. The mystery deepens when a local widow, Mrs Knowles, becomes convinced that something evil has emerged from the river near her house. What is the secret of the strange and terrifying mystery of the bog? And what does it have to do with a local legend of a man who died there in the reign of King John while guarding a fabulous treasure? Dick and Helen are determined to find out, but they may soon find themselves in greater danger than they ever imagined.

What if you could fix the worst parts of yourself by confronting your worst fears?

Dr. Jennifer Webb has invented proprietary virtual reality technology that purports to heal psychological wounds by running clients through scenarios straight out of horror movies and nightmares. In a carefully controlled environment, with a medical cocktail running through their veins, sisters might develop a bond they've been missing their whole lives -- while running from the bogeyman through a simulated forest. But... can real change come so easily?

Esther Hoffman doubts it. Esther has spent her entire journalism career debunking pseudoscience, after phony regression therapy ruined her father's life. She's determined to unearth the truth about Dr. Webb's budding company. Dr. Webb's willing to let her, of course, for reasons of her own. What better advertisement could she get than that of a convinced skeptic? But Esther's not the only one curious about how this technology works. Enter real-world threats just as frightening as those created in the lab. Dr. Webb and Esther are at odds, but they may also be each other's only hope of survival.

This Nebula Award nominated short story originally appeared in Uncanny Magazine, Issue 21, March-April 2018.

Read the full story for free in Uncanny.

Oliver Gooch comes across a tooth in a velvet box, with a note from 1888 saying it belonged to a young Edgar Allan Poe. When he converts an old church to a bookshop selling strange and occult titles, he displays the tooth there, calling the store Poe's Tooth Books.

But the bookstore has been bought with blood money: Oliver and his wife Rosie received a large cash settlement when their young daughter Chloe was left brain-damaged after a hit-and-run accident. Rosie hopes the child will soon return to normal, but Oliver is secretly relieved by his daughter's condition, dreading that if she recovers she'll reveal a terrible truth about him. Then one freezing night a raggedy, skeletal crow comes into the shop and refuses to leave. The bird infiltrates their lives, altering Oliver and Rosie's relationship and affecting Chloe in strange ways. It becomes a dangerous presence in the firelit, shadowy old church. Inexorably, the family, the tooth, the crow, and their story will draw to a terrifying climax.

Confused and disoriented, Georgina Ferrars awakens in a small room in Tregannon House, a remote asylum in England. She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: "Your patient must be an imposter." Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle's house? Georgina's perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends.

Jonathan Hoag has a curious problem. Every evening, he finds a mysterious reddish substance under his fingernails, with no memory what he was doing during the day to get it there. Jonathan hires the husband and wife detective team of Ted and Cynthia Randall to follow him during the day and find out. But Ted and Cynthia find themselves instantly out of their depth. Jonathan leaves no fingerprints. His few memories about his profession turn out to be false. Even stranger, Ted and Cynthia's own memories of what happens during their investigation do not match. There is a thirteenth floor to Jonathan's building that does not exist, there are mysterious and threatening beings living inside mirrors, and all of reality is not what they thought it was. Part supernatural thriller, part noir detective story, Heinlein's trip down the rabbit hole leads where you never expected.

Originally published in Unknown Worlds, October 1942, and later collected in The Unpleasant Profession of Jonathan Hoag, The Fantasies of Robert A. Heinlein, and The Best of Robert Heinlein 1939-1959.

Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes. Sales are down, security cameras reveal nothing, and store managers are panicking.

To unravel the mystery, three employees volunteer to work a nine-hour dusk-till-dawn shift. In the dead of the night, they'll patrol the empty showroom floor, investigate strange sights and sounds, and encounter horrors that defy the imagination.

A traditional haunted house story in a thoroughly contemporary setting, Horrorstör comes packaged in the form of a glossy mail order catalog, complete with product illustrations, a home delivery order form, and a map of Orsk's labyrinthine showroom. It's "a treat for fans of The Evil Dead or Zombieland, complete with affordable solutions for better living."--Kirkus Reviews.

The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act... different. She's moody. She's irritable. And bizarre incidents keep happening whenever she's nearby. Abby's investigation leads her to some startling discoveries--and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil?

The narrator of Tenebrae inhabits a decaying, desolate mansion in the remote and wild countryside with his younger brother and their mad old uncle, driven insane by abuse of opium and alcohol. This nameless narrator is a morbid young man who passes most of his time in a room painted all black, poring over arcane manuscripts dealing with the mysteries of death, while sipping garishly coloured liquors brewed by his uncle or cups of coffee flavoured with arsenic.

When he falls in love with a neighbour, he looks forward to marrying her and trading his life of despondency for one of joy. Perhaps unsurprisingly, though, she finds him rather unpleasant company and instead falls in love with his brother. Driven to murderous jealousy, he resolves upon a brutal crime. But after the consummation of his terrible act, he finds himself haunted by a huge, monstrous spider. Is it a delusion brought on by incipient madness? the reincarnated soul of his murdered victim, returned for vengeance? or does it foretell a fate even more horrifying than can be possibly imagined?

Published in 1898, at the end of a decade in which English writers explored the literary possibilities of the Gothic with such characters as Dorian Gray, Dr Jekyll and Mr Hyde, Dracula, and The Beetle, Ernest G. Henham's weird horror novel Tenebrae is reminiscent of the works of Poe. Perhaps unequalled in its extreme darkness and gloom, and yet at times grimly, though possibly unintentionally, hilarious, Tenebrae remains one of the strangest productions of this fertile literary period. This newly typeset edition includes the unabridged text of the first edition, as well as an introduction and notes by Gerald Monsman, the foremost scholar of Henham (1870-1946), who later published under the name John Trevena. Also featured is a reproduction of the cover of the incredibly scarce first edition.

Contents:

• The Human Chair - (1956) - short story
• The Hell of Mirrors - (1926) - short story
• The Caterpillar - (1929) - short story
• Preface (Japanese Tales of Mystery & Imagination) - (1956) - essay by James B. Harris
• The Psychological Test - (1956) - novelette
• The Cliff - (1956) - short story
• The Twins - (1956) - short story
• The Red Chamber - (1956) - novelette
• Two Crippled Men - (1956) - short story
• The Traveler with the Pasted Rag Picture - (1956) - novelette

Big-band frontman Johnny Favorite was singing for the troops when a Luftwaffe fighter squadron strafed the bandstand, killing the crowd and leaving the singer near death. The army returned him to a private hospital in upstate New York, leaving him to live out his days as a vegetable while the world forgot him. But Louis Cyphre never forgets.

Cyphre had a contract with the singer, stipulating payment upon Johnny's death--payment that will be denied as long as Johnny clings to life. When Cyphre hires private investigator Harry Angel to find Johnny at the hospital, Angel learns that the singer has disappeared. It is no ordinary missing-person's case. Everyone he questions dies soon after, as Angel's investigation ensnares him in a bizarre tangle of black magic, carnival freaks, and grisly voodoo. When the sinister Louis Cyphre begins appearing in Angel's dreams, the detective fears for his life, his sanity, and his soul.

The story of an adventure in time and space that spans all of creation. A building, constructed across an invisible chasm of space-time, fated to witness the very end of the world, is waiting with open doors for anyone who dares to enter it.

Table of Contents:

• Introduction: "And Yet": The Antinomies of William Hope Hodgson - essay by China Miéville
• The Boats of the "Glen Carrig" - (1907) - novel
• The House on the Borderland - (1908) - novel
• The Ghost Pirates - (1909) - novel
• The Night Land - (1912) - novel
• The Hog - (1947) - novelette

There's a killer loose in Los Angeles and super-sleuth L is on the case.

The story is narrated by Mello. It recounts the time the detective L worked with FBI agent Naomi Misora to stop a violent serial killer. The murderer turns out to be one of the original children raised to succeed L in his detective work: B, who calls himself "Beyond Birthday", or BB.

On hearing about the murders, L recruits Misora to investigate. She meets a detective who introduces himself as Rue Ryuzaki. The investigation reveals that each murder leaves clues to the next, and Misora and Ryuzaki follow the trail to the point where they can predict the final murder.

At the end of the story, Misora meets a strange young man who reminds her of B. Despite Misora's belief that she never spoke to L in person, this anonymous encounter might be their only face-to-face meeting.

This is the 1976 Popular Library paperback edition of this 1951 novel. "Hangsaman," Jackson's second novel, contains certain elements similar to the mysterious real-life December 1946 disappearance of 18-year-old Bennington College sophomore Paula Jean Welden of Stamford, Connecticut. This event, which remains unsolved to this day, took place in the wooded wilderness of the Glastenbury Mountain near Bennington in southern Vermont, where Jackson and her family were living at the time. The fictional college depicted in Hangsaman is based in part on Jackson's experiences at Bennington College.

First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers-and soon it will choose one of them to make its own.

"The Lottery" is a short story written by Shirley Jackson, first published in the June 26, 1948 issue of The New Yorker. It has been described as "one of the most famous short stories in the history of American literature".

The story describes a fictional small town in contemporary America which observes an annual rite known as "the lottery". The purpose of the lottery is to choose a human sacrificial victim to be stoned to death to ensure the community's continued well being.

It has been anthologized many times, and can also be found in the collection The Lottery and Other Stories.

It was the basis for the 1996 TV Movie The Lottery.

The Lottery, one of the most terrifying stories written in this century, created a sensation when it was first published in The New Yorker. "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jack son's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.

Table of Contents:

• The Intoxicated - non-genre - (1949)
• The Daemon Lover - (1949)
• Like Mother Used to Make - non-genre - (1949)
• Trial by Combat - non-genre - (1944)
• The Villager - non-genre - (1944)
• My Life with R. H. Macy - non-genre - (1941)
• The Witch - non-genre - (1949)
• The Renegade - non-genre - (1948)
• After You, My Dear Alphonse - non-genre - (1943)
• Charles - non-genre - (1948)
• Afternoon in Linen - non-genre - (1943)
• Flower Garden - non-genre - (1949)
• Dorothy and My Grandmother and the Sailors - non-genre - (1949)
• Colloquy - non-genre - (1944)
• Elizabeth - non-genre - (1949)
• A Fine Old Firm - non-genre - (1944)
• The Dummy - non-genre - (1949)
• Seven Types of Ambiguity - non-genre - (1946)
• Come Dance with Me in Ireland - non-genre - (1943)
• Of Course - non-genre - (1949)
• Pillar of Salt - (1948)
• Men with Their Big Shoes - non-genre - (1947)
• The Tooth - (1949)
• Got a Letter from Jimmy - non-genre - (1949)
• The Lottery - (1948)
• James Harris, the Daemon Lover - (1949) - poem by uncredited (variant of The Demon Lover 1737)

Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate haunted by a beckoning evil.

Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls.

But worse - much worse - the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

Touring their prospective suburban home, Julie and James are stopped by a noise. Deep and vibrating, like throat singing. Ancient, husky, and rasping, but underwater. "That's just the house settling," the real estate agent assures them with a smile. He is wrong.

The move--prompted by James's penchant for gambling and his general inability to keep his impulses in check--is quick and seamless; both Julie and James are happy to start afresh. But this house, which sits between a lake and a forest, has its own plans for the unsuspecting couple. As Julie and James try to establish a sense of normalcy, the home and its surrounding terrain become the locus of increasingly strange happenings. The framework-- claustrophobic, riddled with hidden rooms within rooms--becomes unrecognizable, decaying before their eyes. Stains are animated on the wall--contracting, expanding--and map themselves onto Julie's body in the form of painful, grisly bruises.

Like the house that torments the troubled married couple living within its walls, The Grip of It oozes with palpable terror and skin-prickling dread. Its architect, Jac Jemc, meticulously traces Julie and James's unsettling journey through the depths of their new home as they fight to free themselves from its crushing grip.

Born just ten months apart, July and September are thick as thieves, never needing anyone but each other. Now, following a case of school bullying, the teens have moved away with their single mother to a long-abandoned family home near the shore. In their new, isolated life, July finds that the deep bond she has always shared with September is shifting in ways she cannot entirely understand. A creeping sense of dread and unease descends inside the house. Meanwhile, outside, the sisters push boundaries of behavior--until a series of shocking encounters tests the limits of their shared experience, and forces shocking revelations about the girls' past and future.

We thought we'd play a fun prank on her, and now most of us are dead.

One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until it starts killing.

Luckily, Sawyer has a plan. He'll be a hero. He'll save everyone to the best of his ability. He'll do whatever he needs to so he can save the day. That's the thing about heroes--sometimes you have to become a monster first.

Waking after a night of troubled dreams, Gregor is surprised to find himself trapped in the body of a hideous man-sized bug. As he lies on his shell and gazes into space, his mother and father begin calling to him from outside his bedroom door. He must get out of bed, they tell him. He has to go to work. They need his money to live. Gregor replies to them nervously, his voice sounding strange to his ears. He'll be out very soon, he says. He's just getting ready! But he can't keep saying that forever.

One of the great works of the twentieth century, Kafka's The Trial has been read as a study of political power, a pessimistic religious parable, or a crime novel where the accused man is himself the problem. In it, a man wakes up one morning to find himself under arrest for an offence which is never explained. Faced with this ambiguous but threatening situation, Josef K. gradually succumbs to its psychological pressure. One of the iconic figures of modern world literature, Kafka writes about universal problems of guilt, responsibility, and freedom. He offers no solutions, but provokes his readers to arrive at meanings of their own.

On retreat in the wintry Alps with his family, a writer is optimistic about completing the sequel to his breakthrough film. Nothing to disturb him except the wind whispering around their glassy house. The perfect place to focus.

Intruding on that peace of mind, the demands of his four-year-old daughter splinter open long-simmering arguments with his wife. I love her, he writes in the notebook intended for his script. Why do we fight all the time?

Guilt and expectation strain at his concentration, and strain, too, at the walls of the house. They warp under his watch; at night, looking through the window, he sees impossible reflections on the snow outside.

Then the words start to appear in his notebook; the words he didn't write.

Translated from German by Ross Benjamin

In The Ape's Wife and Other Stories -- Kiernan's twelfth collection of short fiction since 2001 -- she displays the impressive range that characterizes her work. With her usual disregard for genre boundaries, she masterfully navigates the territories that have traditionally been labeled dark fantasy, sword and sorcery, science fiction, steampunk, and neo-noir. From the subtle horror of 'One Tree Hill (The World as Cataclysm)' and 'Tall Bodies' to a demon-haunted, alternate reality Manhattan, from Mars to a near-future Philadelphia, and from ghoulish urban legends of New England to a feminist-queer retelling of Beowulf, these thirteen stories keep reader always on their toes, ever uncertain of the next twist or turn.

Table of Contents:

• The Ape's Wife and Other Stories - interior artwork by Vince Locke
• The Steam Dancer (1896) - (2008) - short story
• The Maltese Unicorn - (2011) - novelette
• One Tree Hill (The World as Cataclysm) - (2013) - short story
• The Colliers' Venus (1893) - (2011) - novelette
• Galápagos - (2009) - novelette
• Tall Bodies - (2012) - short story
• As Red as Red - (2010) - short story
• Hydraguros - (2011) - novelette
• Slouching Towards the House of Glass Coffins - (2011) - short story
• Tidal Forces - (2011) - short story
• The Sea Troll's Daughter - (2010) - novelette
• Random Notes Before a Fatal Crash - (2012) - novelette
• The Ape's Wife - (2007) - short story
• Notes (The Ape's Wife and Other Stories) - essay

Sarah Crowe left Atlanta, and the remnants of a tumultuous relationship, to live alone in an old house in rural Rhode Island. Within its walls she discovers an unfinished manuscript written by the house's former tenant-a parapsychologist obsessed with the ancient oak growing on a desolate corner of the property. And as the gnarled tree takes root in her imagination, Sarah risks her health and her sanity to unearth a revelation planted centuries ago...

Judas Coyne is a collector of the macabre: a cookbook for cannibals... a used hangman's noose... a snuff film. An aging death-metal rock god, his taste for the unnatural is as widely known to his legions of fans as the notorious excesses of his youth. But nothing he possesses is as unlikely or as dreadful as his latest discovery, an item for sale on the Internet, a thing so terribly strange, Jude can't help but reach for his wallet.

I will "sell" my stepfather's ghost to the highest bidder....

For a thousand dollars, Jude will become the proud owner of a dead man's suit, said to be haunted by a restless spirit. He isn't afraid. He has spent a lifetime coping with ghosts-of an abusive father, of the lovers he callously abandoned, of the bandmates he betrayed. What's one more?

But what UPS delivers to his door in a black heart-shaped box is no imaginary or metaphorical ghost, no benign conversation piece. It's the real thing.

And suddenly the suit's previous owner is everywhere: behind the bedroom door... seated in Jude's restored vintage Mustang... standing outside his window... staring out from his widescreen TV. Waiting-with a gleaming razor blade on a chain dangling from one bony hand....

NOS4A2 is a spine-tingling novel of supernatural suspense from master of horror Joe Hill, the New York Times bestselling author of Heart-Shaped Box and Horns.

Victoria McQueen has a secret gift for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. On her Raleigh Tuff Burner bike, she makes her way to a rickety covered bridge that, within moments, takes her wherever she needs to go, whether it's across Massachusetts or across the country.

Charles Talent Manx has a way with children. He likes to take them for rides in his 1938 Rolls-Royce Wraith with the NOS4A2 vanity plate. With his old car, he can slip right out of the everyday world, and onto the hidden roads that transport them to an astonishing – and terrifying – playground of amusements he calls "Christmasland."

Then, one day, Vic goes looking for trouble-and finds Manx. That was a lifetime ago. Now Vic, the only kid to ever escape Manx's unmitigated evil, is all grown up and desperate to forget. But Charlie Manx never stopped thinking about Victoria McQueen. He's on the road again and he's picked up a new passenger: Vic's own son.

Exclusive to the print editions of NOS4A2 are more than 15 illustrations by award-winning Locke & Key artist Gabriel Rodríguez.

Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates.

Carrie White may have been unfashionable and unpopular, but she had a gift. Carrie could make things move by concentrating on them. A candle would fall. A door would lock. This was her power and her sin. Then, an act of kindness, as spontaneous as the vicious taunts of her classmates, offered Carrie a chance to be a normal and go to her senior prom. But another act--of ferocious cruelty--turned her gift into a weapon of horror and destruction that her classmates would never forget.

Outside a peaceful town in central Maine, a monster is waiting. Cujo is a two-hundred-pound Saint Bernard, the best friend Brett Camber has ever had. One day, Cujo chases a rabbit into a cave inhabited by sick bats and emerges as something new altogether.

Meanwhile, Vic and Donna Trenton, and their young son Tad, move to Maine. They are seeking peace and quiet, but life in this small town is not what it seems. As Tad tries to fend off the terror that comes to him at night from his bedroom closet, and as Vic and Donna face their own nightmare of a marriage on the rocks, there is no way they can know that a monster, infinitely sinister, waits in the daylight.

What happens to Cujo, how he becomes a horrifying vortex inescapably drawing in all the people around him, makes for one of the most heart-stopping novels Stephen King has ever written. "A genuine page-turner that grabs you and holds you and won't let go" (Chattanooga Times), Cujo will forever change how you view man's best friend.

Dolores Claiborne has a story to tell.

But not quite what the police had expected.

Dolores Claiborne has a confession to make...

She will take her time. Won't be hurried. Will do it her way, sparing neither details nor feelings. Hers or anyone else's.

This is the truth, the whole truth and nothing but the truth. Truth that takes you to the edge of darkness.

Dolores Claiborne has a story to tell and you'd better pay attention--or else.

On a warm October day, Jessie Burlingame lies in the bedroom of her secluded lake home, listening to the far-off sounds of the country; the cry of a loon, the growl of a chain saw, the bark of a lonesome dog. Nearer, she hears the banging of the screen door, left unlatched in the autumn breeze; nearer still, the click of the key locking the second pair of handcuffs that chain her to the bed. Gerald Burlingame, her husband of 17 years, looms over her, grin on his face, gleam in his eye, lust in his heart. This is Gerald's favorite game - a little kinky, perhaps, but all in good fun.

And then, quite suddenly, the fun is over. Gerald's heart fails him in the heat of passion, leaving Jessie hideously trapped and dreadfully alone. As darkness gathers in the room that is now Jessie's whole world, she must face not only the terror of never escaping, but the most excruciating truths about her life: the murky secrets that brought her here in the first place.

Although it is difficult to believe, the Sixties are not fictional:

THEY ACTUALLY HAPPENED.

No matter the format, Stephen King's work is spellbinding because the author himself is spellbound. The first hugely popular writer of the TV generation, King published his first novel, Carrie, in 1974, the year before the last U.S. troops withdrew from Vietnam. Images from that war -- and protests against it -- had flooded America's living rooms for nearly ten years. In Hearts in Altantis, King mesmerizes readers with fiction deeply rooted in the Sixties, and explores -- through four defining decades -- the haunting legacy of the Vietmnam War.

As the characters in Hearts in Atlantis are tested in every way, King probes and unlocks the secrets of his generation for us all. Full of danger, full of suspense, and most of all full of heart, Stephen King's new book will take some readers to a place they have never been able to leave completely.

A stunning collection from international bestseller Stephen King that displays his phenomenally broad readership (stories published in The New Yorker, Playboy,and McSweeney's and including the 25,000 word story "Gingerbread Girl" published in Esquire).

Stephen King--who has written more than fifty books, dozens of number one New York Times bestsellers, and many unforgettable movies--delivers an astonishing collection of short stories, his first since Everything's Eventual six years ago. As guest editor of the bestselling Best American Short Stories 2007, King spent over a year reading hundreds of stories. His renewed passion for the form is evident on every page of Just After Sunset. The stories in this collection have appeared in The New Yorker, Playboy, McSweeney's, The Paris Review, Esquire, and other publications.

Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating--and then terrifying--journey. Set on a remote key in Florida, "The Gingerbread Girl" is a riveting tale featuring a young woman as vulnerable--and resourceful--as Audrey Hepburn's character in Wait Until Dark. In "Ayana," a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, "N.," which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient's irrational thinking might create an apocalyptic threat in the Maine countryside...or keep the world from falling victim to it.

Just After Sunset--call it dusk, call it twilight, it's a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It's the perfect time for Stephen King.

After an automobile accident, novelist Paul Sheldon meets his biggest fan. Annie Wilkes is his nurse-and captor. Now, she wants Paul to write his greatest work-just for her. She has a lot of ways to spur him on. One is a needle. Another is an ax. And if they don't work, she can get really nasty...

In Castle Rock, Maine, Leland Gaunt is a stranger. He runs a shop called Needful Things, where there's something for everyone-and a price for everyone, too. For Gaunt, the pleasure of doing business lies in seeing how much people will pay for their most secret desires. When two townspeople oppose him, it becomes an epic clash of good vs. evil.

A high-school student goes berserk in the classroom, killing the teacher and holding the class hostage.

Rita Hayworth and Shawshank Redemption is a novella by Stephen King. It originally appeared in the collection Different Seasons (1982).

What happens when one good-and-angry man fights back is murder--and then some....

Bart Dawes is standing in the way of progress. A new highway extension is being built right over the laundry plant where he works--and right over his home. The house he has lived in for twenty years... where he has made love with his wife...played with his son.... But before the city paves over that part of Dawes' life, he's got one more party to throw--and it'll be a blast....

Roused by a single drop of blood, Rosie Daniels wakes up to the chilling realisation that her husband is going to kill her. And she takes flight - with his credit card. Alone in a strange city, Rosie begins to build a new life: she meets Bill Steiner and she finds an odd junk shop painting, Rose Madder, which strangely seems to want her as much as she wants it.

On an island off the coast of Maine, a man is found dead. There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues.

But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...?

No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

Creating George Stark was easy. Getting rid of him won't be...

The sparrows are flying again. The idea - unbidden, inexplicable - haunts the edge of Thad Beaumont's mind.

Thad should be happy. For years now it is his secret persona 'George Stark', author of super-violent pulp thrillers, who has paid the family bills. But now, Thad is writing seriously again under his own name, and his menacing pseudonym has been buried forever.

And yet... the sparrows are flying again, and something is terribly wrong in Thad Beaumont's world.

Johnny Smith awakens from a five-year coma after his car accident and discovers that he can see people's futures and pasts when he touches them. Many consider his talent a gift; Johnny feels cursed. His fiancée married another man during his coma and people clamor for him to solve their problems.

When Johnny has a disturbing vision after he shakes the hand of an ambitious and amoral politician, he must decide if he should take drastic action to change the future.

Set in the 1930s at the Cold Mountain Penitentiary's death-row facility, The Green Mile is the riveting and tragic story of John Coffey, a giant, preternaturally gentle inmate condemned to death for the rape and murder of twin nine-year-old girls. It is a story narrated years later by Paul Edgecomb, the ward superintendent compelled to help every prisoner spend his last days peacefully and every man walk the green mile to execution with his humanity intact.

Edgecomb has sent seventy-eight inmates to their date with "old sparky," but he's never encountered one like Coffey -- a man who wants to die, yet has the power to heal. And in this place of ultimate retribution, Edgecomb discovers the terrible truth about Coffey's gift, a truth that challenges his most cherished beliefs -- and ours.

Against the wishes of his mother, sixteen-year-old Ray Garraty is about to compete in the annual grueling match of stamina and wits known as The Long Walk. One hundred boys must keep a steady pace of four miles per hour without ever stopping...with the winner being awarded "The Prize"--anything he wants for the rest of his life. But, as part of this national tournament that sweeps through a dystopian America year after year, there are some harsh rules that Garraty and ninety-nine others must adhere to in order to beat out the rest. There is no finish line--the winner is the last man standing. Contestants cannot receive any outside aid whatsoever. Slow down under the speed limit and you're given a warning. Three warnings and you're out of the game--permanently....

...Tommyknockers, tommyknockers, knocking at the door.

Something was happening in Bobbi Anderson's idyllic small town of Haven, Maine. Something that gave every man, woman, and child in town powers far beyond ordinary mortals. Something that turned the town into a death trap for all outsiders. Something that came from a metal object, buried for millennia, that Bobbi stumbled across.

It wasn't that Bobbi and the other good folks of Haven had sold their souls to reap the rewards of the most deadly evil this side of hell. It was more like a diabolical takeover... and invasion of body and soul--and mind.

Curse of the Old Gypsy Man...

Billy Halleck, good husband, loving father, is both beneficiary and victim of the American Good Life: he has an expensive home, a nice family, and a rewarding career as a lawyer. But he is also fifty pounds overweight and, as his doctor keeps reminding him, heading into heart attack country.

Then, in a moment of carelessness, Billy sideswipes an old gypsy woman as she is crossing the street--and her ancient father passes a bizarre and terrible judgment on him.

"Thinner," the old gypsy man whispers, and caresses his cheeks like a lover. Just one word... but six weeks later and ninety-three pounds lighter, Billy Halleck is more than worried. He's terrified. And desperate enough for one last gamble... that will lead him to a nightmare showdown with the forces of evil melting his flesh away.

Heart of Darkness is a short novel by Polish novelist Joseph Conrad, written as a frame narrative, about Charles Marlow's experience as an ivory transporter down the Congo River in Central Africa.

The river is "a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land". In the course of his travel in central Africa, Marlow becomes obsessed with Mr. Kurtz.

The story is a complex exploration of the attitudes people hold on what constitutes a barbarian versus a civilized society and the attitudes on colonialism and racism that were part and parcel of European imperialism.

Originally published as a three-part serial story, in Blackwood's Magazine, the novella Heart of Darkness has been variously published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century.

Grave-robbing. What kind of monster would do such a thing? It's true that Leonardo da Vinci did it, Shakespeare wrote about it, and the resurrection men of nineteenth-century Scotland practically made it an art. But none of this matters to Joey Crouch, a sixteen-year-old straight-A student living in Chicago with his single mom. For the most part, Joey's life is about playing the trumpet and avoiding the daily humiliations of high school.

Everything changes when Joey's mother dies in a tragic accident and he is sent to rural Iowa to live with the father he has never known, a strange, solitary man with unimaginable secrets. At first, Joey's father wants nothing to do with him, but once father and son come to terms with each other, Joey's life takes a turn both macabre and exhilarating.

Daniel Kraus's masterful plotting and unforgettable characters make Rotters a moving, terrifying, and unconventional epic about fathers and sons, complex family ties, taboos, and the ever-present specter of mortality.

In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

'I promise,' said Rosa. 'I won't kill and I won't make anyone else kill.'

As far as I know.

Che Taylor has four items on his list: 1. He wants to spar, not just train in the boxing gym. 2. He wants a girlfriend. 3. He wants to go home. 4. He wants to keep Rosa under control.

Che's little sister Rosa is smart, talented, pretty, and so good at deception that Che's convinced she must be a psychopath. She hasn't hurt anyone yet, but he's certain it's just a matter of time. And when their parents move them to New York City, Che longs to return to Sydney and his three best friends. But his first duty is to his sister Rosa, who is playing increasingly complex and disturbing games. Can he protect Rosa from the world - and the world from Rosa?

My Sister Rosa will have you on the edge of your seat from the very first page to the last.

New Hyde Hospital's psychiatric ward has a new resident. It also has a very, very old one.

Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He's not mentally ill, but that doesn't seem to matter. He is accused of a crime he can't quite square with his memory. In the darkness of his room on his first night, he's visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It's no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who's been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group's enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that's stalking them. But can the Devil die?

The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle's radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it's a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

Something strange is happening in the town of Stepford where the men spend their nights doing something secret and the women act like every man's dream of a "perfect" wife. One young woman watches the dream turn into a nightmare which engulfs her best friend, and realizes that her turn is coming.

Lambda Award Finalist

When up-and-coming chef Michael "Blue" Whitley returns with three friends to the remote Canadian community of his birth, it appears to be the perfect getaway from New York. He soon discovers, however, that everything he thought he knew about himself is a carefully orchestrated lie. Though he had no recollection of the event, as a young boy, Blue and another child went missing for weeks in the idyllic, mysterious woods of Starling Cove. Soon thereafter, his mother suddenly fled with him to America, their homeland left behind.

But then Blue begins to remember. And once the shocking truth starts bleeding back into his life, his closest friends -- Elisa, his former partner in crime; her stalwart husband, Jason; and Gabe, Blue's young and admiring coworker -- must unravel the secrets of Starling Cove and the artists' colony it once harbored. All four will face their troubled pasts, their most private demons, and a mysterious race of beings that inhabits the land, spoken of by the locals only as the Other Kind...

Two terrifying classics by "the best kept secret in contemporary horror fiction" (The Washington Post)

Thomas Ligotti's debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

Ligotti's stories take on decaying cities and lurid dreamscapes in a style ranging from rich, ornamental prose to cold, clinical detachment. His raw and experimental work lays bare the unimportance of our world and the sickening madness of the human condition. Like the greatest writers of cosmic horror, Ligotti bends reality until it cracks, opening fissures through which he invites us to gaze on the unsettling darkness of the abyss below.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This collection features tormented individuals who play out their doom in various odd little towns, as well as in dark sectors frequented by sinister and often blackly comical eccentrics. The cycle of narratives that includes the title work of this collection, for instance, introduces readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives.

These are selected examples of the forbidding array of persons and places that compose the mesmerizing fiction of Thomas Ligotti.

Contents:

• 1 - Purity - (2003) - shortstory
• 21 - The Town Manager - (2003) - shortstory
• 37 - Sideshow and Other Stories - (2003) - novelette
• 53 - The Clown Puppet - (1996) - shortstory
• 65 - The Red Tower - (1996) - shortstory
• 79 - My Case for Retributive Action - (2001) - novelette
• 97 - Our Temporary Supervisor - (2001) - shortstory
• 117 - His Shadow Shall Rise to a Higher House - (1997) - shortstory
• 125 - The Bells Will Sound Forever - (1997) - shortstory
• 135 - A Soft Voice Whispers Nothing - (1997) - shortstory
• 145 - When You Hear the Singing, You Will Know It Is Time - (1997) - shortstory
• 157 - Teatro Grottesco - (1996) - shortstory
• 179 - Gas Station Carnivals - (1996) - shortstory
• 199 - The Bungalow House - (1995) - novelette
• 225 - Severini - (1996) - shortstory
• 241 - The Shadow, The Darkness - (1999) - novelette
• 281 - Things They Will Never Tell You - poem
• 307 - This Degenerate Little Town - poem
• 329 - Envoi - poem

Shirley Jackson, Tiptree, Lambda, and Locus Award-nominated Collection

In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.

A wife refuses her husband's entreaties to remove the mysterious green ribbon from around her neck. A woman recounts her sexual encounters as a plague spreads across the earth. A salesclerk in a mall makes a horrifying discovery about a store's dresses. One woman's surgery-induced weight loss results in an unwanted house guest.

Bodies become inconsequential, humans become monstrous, and anger becomes erotic. A dark, shimmering slice into womanhood, Her Body and Other Parties is wicked and exquisite.

Table of Contents:

• The Husband Stitch - (2014) - novelette
• Inventory - (2013) - short story
• Mothers - (2014) - short story
• Especially Heinous - (2013) - novella
• Real Women Have Bodies - novelette
• Eight Bites - (2017) - short story
• The Resident - novelette
• Difficult at Parties - (2012) - short story

"She did not want to be organised at all. She wanted to be solitary and free."

This is the story of Jenny Flower, London slum child, who one day, on an outing to the country, meets a Dark Stranger with horns on his head. It is the first day of August -- Lammas -- a witches' sabbath. Jenny was born on Hallowe'en, and possibly descended from witches herself...

What happens to ordinary families into whose midst a child serial killer is born? This spine-tingling tale investigates a mother's concerned suspicion surrounding several mysterious accidental deaths that all connect back to her eight-year-old daughter, Rhoda. Tremendously impacting the thriller genre, this masterpiece of suspense generated a whole crop of creepy kids, and it's as chilling, intelligent, and timely as ever before.

Originally published in 1954, this National Book Award-nominated classic was adapted into film in 1956.

One of the most durable myths in Western culture, the story of Faust tells of a learned German doctor who sells his soul to the devil in exchange for knowledge and power. Early enactments of Faust's damnation were often the raffish fare of clowns and low comedians. But the young Elizabethan playwright Christopher Marlowe (1564-1593) recognized in the story of Faust's temptation and fall the elements of tragedy.

In his epic treatment of the Faust legend, Marlowe retains much of the rich phantasmagoria of its origins. There are florid visions of an enraged Lucifer, dueling angels, the Seven Deadly Sins, Faustus tormenting the Pope, and his summoning of the spirit of Alexander the Great. But the playwright created equally powerful scenes that invest the work with tragic dignity, among them the doomed man's calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.

With immense poetic skill, and psychological insight that foreshadowed the later work of Shakespeare and the Jacobean playwrights, Marlowe created in Dr. Faustus one of the first true tragedies in English. Vividly dramatic, rich in poetic grandeur, this classic play remains a robust and lively exemplar of the glories of Elizabethan drama.

Suburbia. Shady, tree-lined streets, well-tended lawns and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their, cruel, torturous deaths. A boy with a very adult decision to make.

A mother fights to rescue her newborn from a six-foot-tall madwoman

No one knows Mary Terrell's real name. She killed a man during the climax of the Summer of Love, and for two decades she has changed her name and location regularly, always keeping watch over her shoulder for the FBI. She has three passions: LSD, firearms, and children. She visits toy stores a few times a week, picking out a baby doll to take home and treat as a child. The new family always starts out happy, but when the baby refuses to eat, Mary gets angry. Murdered dolls fill her closet, and the woman who calls herself Mary Terror is tired of children made of plastic.

Laura Clayborne's marriage gives her little joy, but she can't wait for her son to come into the world. But if Mary Terror has her way, it won't be long before he leaves it again.

An epic novel of the violence and depravity that attended America's westward expansion, Blood Meridian brilliantly subverts the conventions of the Western novel and the mythology of the "wild west." Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving.

Although the novel initially generated only lukewarm critical and commercial reception, it has since become highly acclaimed and is widely recognized as McCarthy's masterpiece as well as one of the greatest novels of all time. Time magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005.

BLOOD RUBIES

It would bring bad luck, they said. But she split her pair of ruby earrings and gave one to each of her beautiful twin babies. Within hours she was burned to death in a fire. The twins lived.

KATHERINE

Raised by a poor, childless couple, Katherine was shy and withdrawn, except in her love for the Sisters of the Immaculate Conception. In her heart, Katherine had found God. In her father's heart, they found a butcher knife.

ANDREA

She grew up with all that money could buy. She was pretty and popular and went to the best schools. Her parents loved her dearly and gladly did anything to please her. But what made Andrea happy would make them dead.

THEY MET IN THEIR NIGHTMARES

In the dark of sleep, Katherine and Andrea had terrible dreams of being the other. Until the hand of evil that guided their waking lives brought them face to face with each other... and the crossed fate of horror awaiting them both.

Hugo Award nominated novella.

In a remote house on a hilltop, a lonely boy witnesses a traumatic event. He tries - and fails - to flee. Left alone with his increasingly deranged parent, he dreams of safety, of joining the other children in the town below, of escape.

When at last a stranger knocks at his door, the boy senses that his days of isolation might be over.

But by what authority does this man keep the meticulous records he carries? What is the purpose behind his questions? Is he friend? Enemy? Or something else altogether?

Filled with beauty, terror and strangeness, This Census-Taker is a poignant and riveting exploration of memory and identity.

Her pupils murdered her daughter. Now she will have her revenge.

After calling off her engagement in the wake of a tragic revelation, Yuko Moriguchi had nothing to live for except her only child, four-year-old child, Manami. Now, following an accident on the grounds of the middle school where she teaches, Yuko has given up and tendered her resignation.

But first she has one last lecture to deliver. She tells a story that upends everything her students ever thought they knew about two of their peers, and sets in motion a diabolical plot for revenge.

Narrated in alternating voices, with twists you'll never see coming, Confessions probes the limits of punishment, despair, and tragic love, culminating in a harrowing confrontation between teacher and student that will place the occupants of an entire school in danger. You'll never look at a classroom the same way again.

An almost deserted town in the middle of nowhere, Nebulah's days of mining and farming prosperity - if they ever truly existed - are long gone. These days even the name on the road sign into town has been removed. Yet for Pete, an ex-policeman, Milly, Li and a small band of others, it's the only place they have ever felt at home.

One winter solstice, a strange residual and mysterious mist arrives, that makes even birds disappear. It is a real and potent force, yet also strangely emblematic of the complacency and unease that afflicts so many of our small towns, and the country that Murphy knows so well.

Partly inspired by the true story of Wittenoom, the ill-fated West Australia asbestos town, Soon is the story of the death of a haunted town, and the plight of the people who either won't, or simply can't, abandon all they have ever had. With finely wrought characters and brilliant plotting, it is a taut and original novel, where the people we come to know, and those who are drawn to the town's intrigue, must ultimately fight for survival.

An unflinching, darkly funny, and deeply moving story of a boy, his seriously ill mother, and an unexpected monstrous visitor.

At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn't the monster Conor's been expecting-- he's been expecting the one from his nightmare, the nightmare he's had nearly every night since his mother started her treatments. The monster in his backyard is different. It's ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth. From the final idea of award-winning author Siobhan Dowd-- whose premature death from cancer prevented her from writing it herself-- Patrick Ness has spun a haunting and darkly funny novel of mischief, loss, and monsters both real and imagined.

Britain, the not-too-distant future.

Idir is sitting the British Citizenship Test.

He wants his family to belong.

Twenty-five questions to determine their fate. Twenty-five chances to impress.

When the test takes an unexpected and tragic turn, Idir is handed the power of life and death.

How do you value a life when all you have is multiple choice?

Darkness lives within...

Cash-strapped, working for agencies and living in shared accommodation, Stephanie Booth feels she can fall no further. So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be.

It's not only the eerie atmosphere of the vast, neglected house, or the disturbing attitude of her new landlord, Knacker McGuire, that makes her uneasy - it's the whispers behind the fireplace, the scratching beneath floors, the footsteps in the dark, and the young women weeping in neighbouring rooms. And when Knacker's cousin Fergal arrives, the danger goes vertical.

But this is merely a beginning, a gateway to horrors beyond Stephanie's worst nightmares. And in a house where no one listens to the screams, will she ever get out alive?

It was the dead thing they found hanging from a tree that changed the trip beyond recognition. When four old University friends set off into the Scandinavian wilderness of the Arctic Circle, they aim to briefly escape the problems of their lives and reconnect. But when Luke, the only man still single and living a precarious existence, finds he has little left in common with his well-heeled friends, tensions rise. A shortcut meant to ease their hike turns into a nightmare scenario that could cost them their lives.

Lost, hungry, and surrounded by forest untouched for millennia, things couldn't possibly get any worse. But then they stumble across an old habitation. Ancient artefacts decorate the walls and there are bones scattered upon the floors. The residue of old rites for something that still exists in the forest. Something responsible for the bestial presence that follows their every step. And as the four friends stagger in the direction of salvation, they learn that death doesn't come easy among these ancient trees...

Under a Watchful Eye by Adam Nevill is a supernatural thriller from the award-winning writer of The Ritual and Last Days.

Seb Logan is being watched. He just doesn't know by whom.

When the sudden appearance of a dark figure shatters his idyllic coastal life, he soon realizes that the murky past he thought he'd left behind has far from forgotten him. What's more unsettling is the strange atmosphere that engulfs him at every sighting, plunging his mind into a terrifying paranoia.

To be a victim without knowing the tormentor. To be despised without knowing the offence caused. To be seen by what nobody else can see. These are the thoughts which plague his every waking moment.

Imprisoned by despair, Seb fears his stalker is not working alone, but rather is involved in a wider conspiracy that threatens everything he has worked for. For there are doors in this world that open into unknown places. Places used by the worst kind of people to achieve their own ends. And once his investigation leads him to stray across the line and into mortal danger, he risks becoming another fatality in a long line of victims...

Utterly ruined by the stock market crash of 1929, Selden Seaforth has lost his money, his job, and his wife. When an old school friend, Ormond Ormes, offers Seaforth a job cataloguing the library at the mansion of Ormesby in the Berkshires, it seems as though things may finally be turning around. But almost as soon as he arrives at Ormesby, it is clear that something is terribly wrong. Ghosts stalk the corridors, and Seaforth awakens to find a mark made by a human mouth on his neck. Is there a vampire, a werewolf, or something even worse, at Ormesby? Seaforth must try to piece together the secrets of the strange Ormes family, but things take a still more sinister turn when the first brutally murdered corpse is found...

In the tradition of Daphne du Maurier's Rebecca and Ira Levin's Rosemary's Baby, here is a new classic about the bride who's no longer sure what to think.

It is said that marriage is about compromise, and no one understands this more than newlywed Noriko, who marries into the well-established Shito family. Four generations, eight in-laws--all under one roof--is an untenable proposition, unsettling at best for any bride, but Noriko's new family members are sweet and caring. Living with them is a delight, and Noriko seems to have the perfect marriage.

Yet, the appearance of a disheveled man--asking suspicious questions about her new in-laws--plants a seed of doubt in Noriko's mind, while she is hanging laundry one morning. Paranoia grows. The unusual behavior of her new family, which she once perceived as charming eccentricities, now appear to be sinister in nature. Their kind smiles, once filled with warmth, now disguise dark secrets. As Noriko delves deeper into the family's machinations, she awakens to the horrifying reality of "marital compromise."

Meet Quentin P.

He is a problem for his professor father and his loving mother, though of course they do not believe the charge (sexual molestation of a minor) that got him in that bit of trouble.

He is a challenge for his court-appointed psychiatrist, who nonetheless is encouraged by the increasingly affirmative quality of his dreams and his openness in discussing them.

He is a thoroughly sweet young man for his wealthy grandmother, who gives him more and more, and can deny him less and less.

He is the most believable and thoroughly terrifying sexual psychopath and killer ever to be brought to life in fiction, as Joyce Carol Oates achieves her boldest and most brilliant triumph yet-a dazzling work of art that extends the borders of the novel into the darkest heart of truth.

Note: the English edition is a substantially rewritten version of the Dutch original.

Whoever is born here, is doomed to stay until death. Whoever comes to stay, never leaves.

Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth-century woman whose eyes and mouth are sewn shut. Blind and silenced, she walks the streets and enters homes at will. She stands next to children's beds for nights on end. So accustomed to her have the townsfolk become that they often forget she's there. Or what a threat she poses. Because if the stitches are ever cut open, the story goes, the whole town will die.

The curse must not be allowed to spread. The elders of Black Spring have used high-tech surveillance to quarantine the town. Frustrated with being kept in lockdown, the town's teenagers decide to break the strict regulations and go viral with the haunting. But, in so doing, they send the town spiraling into a dark nightmare.

Haunted is a novel made up of twenty-three horrifying, hilarious, and stomach-churning stories. They're told by people who have answered an ad for a writer's retreat and unwittingly joined a "Survivor"-like scenario where the host withholds heat, power, and food. As the storytellers grow more desperate, their tales become more extreme, and they ruthlessly plot to make themselves the hero of the reality show that will surely be made from their plight. This is one of the most disturbing and outrageous books you'll ever read, one that could only come from the mind of Chuck Palahniuk.

Ever heard of a culling song? It's a lullaby sung in Africa to give a painless death to the old or infirm. The lyrics of a culling song kill, whether spoken or even just thought. You can find one on page 27 of Poems and Rhymes from Around the World, an anthology that is sitting on the shelves of libraries across the country, waiting to be picked up by unsuspecting readers.

Reporter Carl Streator discovers the song's lethal nature while researching Sudden Infant Death Syndrome, and before he knows it, he's reciting the poem to anyone who bothers him. As the body count rises, Streator glimpses the potential catastrophe if someone truly malicious finds out about the song. The only answer is to find and destroy every copy of the book in the country. Accompanied by a shady real-estate agent, her Wiccan assistant, and the assistant's truly annoying ecoterrorist boyfriend, Streator begins a desperate cross-country quest to put the culling song to rest.

Written with a style and imagination that could only come from Chuck Palahniuk, Lullaby is the latest outrage from one of our most exciting writers at work today.

2015. A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she can't tell: the story of, as she puts it, "the things that happened while I was asleep."

1999. Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high school as the reigning state champions. They're on top of the world--until two of his friends drive a passed-out girl home from of the team's "legendary" parties, and a rumor about what happened in the backseat spreads through the town like wildfire.

The boys deny the allegations, and, eventually, the town moves on. But not everyone can. Nick descends into alcoholism, and Alice builds a life in fits and starts, underestimating herself and placing her trust in the wrong people. When she finally gets the opportunity to confront the past she can't remember--but which has nevertheless shaped her life--will she take it?

Natasha doesn't remember how she ended up in the icy water that night, but she does know this: it wasn't an accident, and she wasn't suicidal. Her two closest friends are acting strangely, and Natasha turns to Becca, the best friend she dumped years before when she got popular, to help her figure out what happened.

Natasha's sure that her friends love her. But does that mean they didn't try to kill her?

Louise is a single mom, a secretary, stuck in a modern-day rut. On a rare night out, she meets a man in a bar and sparks fly. Though he leaves after they kiss, she's thrilled she finally connected with someone.

When Louise arrives at work on Monday, she meets her new boss, David. The man from the bar. The very married man from the bar... who says the kiss was a terrible mistake, but who still can't keep his eyes off Louise.

And then Louise bumps into Adele, who's new to town and in need of a friend. But she also just happens to be married to David. And if you think you know where this story is going, think again, because Behind Her Eyes is like no other book you've read before.

David and Adele look like the picture-perfect husband and wife. But then why is David so controlling? And why is Adele so scared of him?

As Louise is drawn into David and Adele's orbit, she uncovers more puzzling questions than answers. The only thing that is crystal clear is that something in this marriage is very, very wrong. But Louise can't guess how wrong?and how far a person might go to protect their marriage's secrets.

This single volume brings together all of Poe's stories and poems, and illuminates the diverse and multifaceted genius of one of the greatest and most influential figures in American literary history.

Table of Contents

• "The Murders in the Rue Morgue" [Chevalier Dupin] (1841) novelette
• The Mystery of Marie Rogêt (non-genre) [Chevalier Dupin] (1842) novella
• "The Black Cat" (1843) short story
• The Gold-Bug (non-genre) (1843) novella
• "Ligeia" (1838) short story
• "A Descent Into the Maelström" (1841) short story
• "The Tell-Tale Heart" (1843) short story
• "The Purloined Letter" (non-genre) [Chevalier Dupin] (1844) novelette
• "The Assignation" (The Visionary) [Tales of the Folio Club] (1834) short story
• "MS. Found in a Bottle [Tales of the Folio Club] (1833) short story
• "William Wilson" (1839) short story
• "Berenice" (1835) short story
• "The Fall of the House of Usher" (1839) novelette
• "The Cask of Amontillado [Fortunato] (1846) short story
• "The Pit and the Pendulum" (1842) short story
• "A Tale of the Ragged Mountains" (1844) short story
• "The Man of the Crowd" (1840) short story
• "Morella" (1835) short story
• "Thou Art the Man" (1844) short story
• "The Oblong Box" (1844) short story
• "The Conversation of Eiros and Charmion" (1839) short story
• "Metzengerstein [Tales of the Folio Club] (1832) short story
• "The Masque of the Red Death" (1845) short story
• "The Premature Burial" (1844) short story
• "The Imp of the Perverse" (1845) short story
• "The Facts in the Case of M. Valdemar" (1845) short story
• "Hop-Frog" (1850) short story
• "The System of Doctor Tarr and Professor Fether" (1845) novelette
• "The Literary Life of Thingum Bob, Esq." (1844) short story
• "How to Write a Blackwood Article" (1838) short story
• "A Predicament" (1838) short story
• "Mystification" (1837) short story
• "Loss of Breath [Tales of the Folio Club] (1832) short story
• "The Man That Was Used Up: A Tale of the Late Bugaboo and Kickapoo Campaign" (1839) short story
• "Diddling: Considered as One of the Exact Sciences" (1843) essay
• "The Angel of the Odd: An Extravaganza" (1844) short story
• "Mellonta Tauta" (1849) short story
• "The Thousand-and-Second Tale of Scheherazade" (1845) short story
• "X-ing a Paragrab" (1849) short story
• "The Business Man" (1840) short story
• "A Tale of Jerusalem [Tales of the Folio Club] (1832) short story
• "The Sphinx" (1846) short story
• "Why the Little Frenchman Wears His Hand in a Sling" (1840) short story
• "Bon-Bon [Tales of the Folio Club] (1832) short story
• "The Duc de L'Omelette [Tales of the Folio Club] (1832) short story
• "Three Sundays in a Week" (1841) short story
• "The Devil in the Belfry" (1839) short story
• "Lionizing [Tales of the Folio Club] (1835) short story
• "Some Words with a Mummy" (1845) short story
• "The Spectacles" (1844) novelette
• "Four Beasts in One: The Homo-Camelopard [Tales of the Folio Club] (1836) short story
• "Never Bet the Devil Your Head: A Tale with a Moral" (1841) short story
• "The Balloon-Hoax" (1844) short story
• "Mesmeric Revelation" (1844) short story
• "Eleonora" (1841) short story
• The Unparalleled Adventure of One Hans Pfaall (1850) novella
• "King Pest: A Tale Containing an Allegory" (1835) short story
• "The Island of the Fay" (1841) short story
• "The Oval Portrait" (1845) short story
• "The Domain of Arnheim" (non-genre) (1842) short story
• "Landor's Cottage" (non-genre) (1849) short story
• "The Power of Words" (1845) short story
• "The Colloquy of Monos and Una" (1841) short story
• "Shadow—A Parable [Tales of the Folio Club] (1835) short story
• "Silence—a Fable [Tales of the Folio Club] (1838) short story
• "Von Kempelen and His Discovery" (1849) short story
• "Narrative of A. Gordon Pym of Nantucket [Pym 1] (1966) novel
• "Annabel Lee" (1849) poem
• "Hymn" (1835) poem
• "To My Mother" (1849) poem
• "Fairy-Land" (1845) poem
• "A Valentine" (1846) poem
• "To Helen" (non-genre) (1831) poem
• "Israfel" (1831) poem
• "The City in the Sea" (1850) poem
• "The Sleeper" (1841) poem
• "Lenore" (1843) poem
• "The Valley of Unrest" (1850) poem
• "The Coliseum" (1833) poem
• "Bridal Ballad: To —— ——" (1837) poem
• "Sonnet to Zante" (1837) poem
• "Sonnet — Silence" (1840) poem
• "Dream-Land" (1844) poem
• "Eulalie—A Song" (1845) poem
• "To F——s S. O——d" (1850) poem
• "To F——" (1835) poem
• "The Raven" (1845) poem
• "To M. L. S—" (1847) poem
• "Ulalume" (1847) poem
• "To —— ——" (Not long ago,...) (1848) poem
• "To Helen" (1852) poem
• "An Enigma" (1848) poem
• "For Annie" (non-genre) (1849) poem
• "The Bells" (1849) poem
• "Eldorado" (1849) poem
• "Stanzas" (1827) poem
• "A Dream Within a Dream" (1849) poem
• "A Dream" (1827) poem
• "The Happiest Day, the Happiest Hour" (1827) poem
• "Sonnet—To Science" (1829) poem
• "The Lake: To —" (unknown)) poem
• "Al Aaraaf" (1829) poem
• "Romance" (1845) poem
• "To the River ——" (1829) poem
• "To ——" (The bowers whereat...) (1829) poem
• "Tamerlane" (1827) poem
• "To ——" (I heed not...) (1829) poem
• "Dreams" (1827) poem
• "To __ __" (I saw thee on the bridal day...) (1827) poem
• "Spirits of the Dead" (1827) poem
• "Evening Star" (1827) poem
• "Serenade" (1833) poem
• "Elizabeth" (1911) poem
• "Imitation" (1827) poem
• "Hymn to Aristogeiton and Harmodius" (1938) poem
• "Scenes from "Politian": An Unpublished Drama" (1835) poem
• "A Paean" (1831) poem
• "To Isadore" (1845) poem
• "Alone" (1875) poem
• "To One in Paradise" (1834) poem
• "Edgar Allan Poe—A Biographical Note" (1966) essay

This collection of Poe's best stories contains all the terrifying and bewildering tales that characterise his work. As well as the Gothic horror of such famous stories as 'The Pit and the Pendulum', 'The Fall of the House of Usher', 'The Premature Burial' and 'The Tell-Tale Heart', all of Poe's Auguste Dupin stories are included. These are the first modern detective stories and include 'The Murders in the Rue Morgue', 'The Mystery of Marie Roget' and 'The Purloined Letter'.

Table of Contents:

• Ms. Found in a Bottle
• Berenice
• Morella
• Some Passages in the Life of a Lion (Lionizing)
• The Assignation
• Bon-Bon
• King Pest
• Metzengerstein
• Silence
• A Descent into the Maelstrom
• Ligeia
• The Fall of the House of Usher
• William Wilson
• The Conversation of Eiros and Charmion
• The Man of the Crowd
• The Murders in the Rue Morgue
• The Mystery of Marie Rogèt
• The Colloquy of Monos and Una
• The Masque of the Red Death
• The Pit and the Pendulum
• The Tell-Tale Heart
• The Gold Bug
• The Black Cat
• The Spectacles
• The Premature Burial
• The Facts in the Case of M. Valdemar
• The Oblong Box
• The Cask of Amontillado
• Landor's Cottage

Oghi has woken from a coma after causing a devastating car accident that took his wife's life and left him paralyzed and badly disfigured. His caretaker is his mother-in-law, a widow grieving the loss of her only child. Oghi is neglected and left alone in his bed. His world shrinks to the room he lies in and his memories of his troubled relationship with his wife, a sensitive, intelligent woman who found all of her life goals thwarted except for one: cultivating the garden in front of their house.

But soon Oghi notices his mother-in-law in the abandoned garden, uprooting what his wife had worked so hard to plant and obsessively digging larger and larger holes. When asked, she answers only that she is finishing what her daughter started.

translated by Sora Kim-Russell

"I'm Thinking of Ending Things is one of the best debut novels I've ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages" (Scott Heim, award-winning author of Mysterious Skin and We Disappear).

You will be scared. But you won't know why...

I'm thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It's always there. Always.

Jake once said, "Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can't fake a thought."

And here's what I'm thinking: I don't want to be here.

In this smart, suspenseful, and intense literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago's early work, Michel Faber's cult classic Under the Skin, and Lionel Shriver's We Need to Talk about Kevin, I'm Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel pulls you in from the very first page... and never lets you go.

From the author of the cult classic Fool on the Hill comes a strange and moving story of self-discovery. Andy Gage was "born" just two years ago, called into being to serve as the public face of a multiple personality. While Andy deals with the outside world, more than a hundred other souls share an imaginary house inside Andy's head, struggling to maintain an orderly co-existence: Aaron, the father figure, who makes the rules; Adam, the mischievous teenager, who breaks them; Jake, the frightened little boy; Aunt Sam, the artist; Seferis, the defender; and Gideon, the dark soul, who wants to get rid of Andy and the others and run things on his own.

Andrew's new coworker, Penny Driver, is also a multiple personality -- a fact that Penny is only partially aware of. When several of Penny's other souls ask Andy for help, Andy reluctantly agrees, setting in motion a chain of events that threatens to destroy the stability of the house. Now Andy and Penny must work together to uncover a terrible secret that Andy has been keeping from himself.

Before The Exorcist and Rosemary's Baby, there was The Case Against Satan

By the twentieth century, the exorcism had all but vanished, wiped out by modern science and psychology. But Ray Russell--praised by Stephen King and Guillermo del Toro as a sophisticated practitioner of Gothic fiction--resurrected the ritual with his classic 1962 horror novel, The Case Against Satan, giving new rise to the exorcism on page, screen, and even in real life.

Teenager Susan Garth was "a clean-talking sweet little girl" of high school age before she started having "fits"--a sudden aversion to churches and a newfound fondness for vulgarity. Then one night, she strips in front of the parish priest and sinks her nails into his throat. If not madness, then the answer must be demonic possession. To vanquish the Devil, Bishop Crimmings recruits Father Gregory Sargent, a younger priest with a taste for modern ideas and brandy. As the two men fight not just the darkness tormenting Susan but also one another, a soul-chilling revelation lurks in the shadows--one that knows that the darkest evil goes by many names.

Ten years ago, college student Quincy Carpenter went on vacation with five friends and came back alone, the only survivor of a horror movie-scale massacre. In an instant, she became a member of a club no one wants to belong to--a group of similar survivors known in the press as the Final Girls. Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who went up against the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape Pine Cottage and the man she refers to only as Him. The three girls are all attempting to put their nightmares behind them and, with that, one another. Despite the media's attempts, they never meet.

Now, Quincy is doing well--maybe even great, thanks to her Xanax prescription. She has a caring almost-fiancé, Jeff; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life all those years ago. Her memory won't even allow her to recall the events of that night; the past is in the past.

That is until Lisa, the first Final Girl, is found dead in her bathtub, wrists slit; and Sam, the second, appears on Quincy's doorstep. Blowing through Quincy's life like a whirlwind, Sam seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out. And when new details about Lisa's death come to light, Quincy's life becomes a race against time as she tries to unravel Sam's truths from her lies, evade the police and hungry reporters, and, most crucially, remember what really happened at Pine Cottage, before what was started ten years ago is finished.

A powerful, eerily unsettling story collection from a major international literary star.

The brilliant stories in Mouthful of Birds burrow their way into your psyche and don't let go. Samanta Schweblin haunts and mesmerizes in this extraordinary collection featuring women on the edge, men turned upside down, the natural world at odds with reality. We think life is one way, but often, it's not -- our expectations for how people act, love, fear can all be upended. Each character in Mouthful of Birds must contend with the unexpected, whether a family coming apart at the seams or a child transforming or a ghostly hellscape or a murder.

Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blurs.

Macbeth is Shakespeare's shortest tragedy and it's writing was, perhaps, finished in 1606.

It tells the story of a brave Scottish general named Macbeth who receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the throne for himself. He is then wracked with guilt and paranoia, and he soon becomes a tyrannical ruler as he is forced to commit more and more murders to protect himself from enmity and suspicion. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of arrogance, madness, and death.

GOING UP?

A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building.

None of them know why they were selected to receive his invitation. Whether privileged or deprived, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls.

By the end of the night, their host is dead, and none of the guests will say what happened. His death has remained one of the biggest unsolved mysteries - until now.

But are you ready for their stories?

Trapped in the Mexican jungle, a group of friends stumble upon a creeping horror unlike anything they could ever imagine.Two young couples are on a lazy Mexican vacation-sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site... and the terrifying presence that lurks there.

May Sinclair was an innovator of modern fiction, a late Victorian who was also a precursor to Virginia Woolf. In her Uncanny Stories (1923), Sinclair combines the traditional ghost story with the discoveries of Freud and Einstein. The stories shock, enthral, delight and unsettle.

Two lovers are doomed to repeat their empty affair for the rest of eternity... A female telepath is forced to face the consequences of her actions... The victim of a violent murder has the last laugh on his assailant... An amateur philosopher discovers that there is more to Heaven than meets the eye.

Specially included in this volume is The Intercessor (1911), Sinclair's powerful story of childhood and abandoned love, a tale whose intensity compares with that of the Brontës.

A caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.

When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She also thought that the fat paycheck--enough to get her off-planet and on the trail of her mother--meant she'd get a skilled surface team, monitoring her suit and environment, keeping her safe. Keeping her sane.

Instead, she got Em.

Em sees nothing wrong with controlling Gyre's body with drugs or withholding critical information to "ensure the smooth operation" of her expedition. Em knows all about Gyre's falsified credentials, and has no qualms using them as a leash--and a lash. And Em has secrets, too...

As Gyre descends, little inconsistencies--missing supplies, unexpected changes in the route, and, worst of all, shifts in Em's motivations--drive her out of her depths. Lost and disoriented, Gyre finds her sense of control giving way to paranoia and anger. On her own in this mysterious, deadly place, surrounded by darkness and the unknown, Gyre must overcome more than just the dangerous terrain and the Tunneler which calls underground its home if she wants to make it out alive--she must confront the ghosts in her own head.

But how come she can't shake the feeling she's being followed?

On a Midwestern campus in the 1960s, a charismatic guru and his young acolytes perform a secret ritual in a local meadow. What happens is a mystery-all that remains is a gruesomely dismembered body and the shattered souls of all who were present. Forty years later, one man seeks to learn about that horrifying night, and to do so he'll have to force those involved to examine the unspeakable events that have haunted them ever since.

Unfolding through their individual stories, A Dark Matter is an electric, chilling, and unpredictable novel that proves Peter Straub to be the master of modern horror.

These psychic and horror fictions - seven of them short-shorts - reveals Straub at his spellbinding best. Two tales (first installments of his Blue Rose trilogy), are linked to Koko and Mystery and exactingly probe the consequences of boyhood clashes with evil.

In "Blue Rose," sadistic Harry Beevers, 10, hypnotizes and destroys his younger brother; the tale leaps ahead to the ironic verdict in Harry's court-martial for wreaking atrocities in Vietnam.

In the outstanding "The Juniper Tree," a novelist relives a harrowing, seductive summer when, at age seven, he was sexually molested in a movie house by drifter Stan, a seedy Alan Ladd lookalike.

"The Buffalo Hunter" fastidiously chronicles the fixations of a 35-year-old who numbs his fear of women by sucking his coffee and cognac from baby bottles.

In the ambitious gothic thriller/academic spoof "Mrs. God," a fatuous professor is lured to a creepy English mansion crammed with grisly secrets to research the papers of his poet ancestress; dead babies provide a subtheme.

Wry and riveting, "A Short Guide to the City" fuses and parodies two genres: the self-congratulatory tourist blurb with a news alert on the "viaduct killer."

Table of Contents:

• She Saw a Young Man - (1990) - short fiction
• Blue Rose - (1985) - novella
• Interlude: In the Realm of Dreams - (1990) - short fiction
• The Juniper Tree - (1988) - novelette
• Interlude: Going Home - (1990) - short fiction
• A Short Guide to the City - (1990) - short story
• Interlude: The Poetry Reading - (1990) - short fiction
• The Buffalo Hunter - (1990) - novella
• Interlude: Bar Talk - (1990) - short fiction
• Something About a Death, Something About a Fire - short story
• Interlude: The Veteran - (1990) - short fiction
• Mrs. God - (1990) - novella
• ...Then One Day - (1990) - short fiction
• Author's Note - (1990) - essay

No one tells a story like Peter Straub. He dazzles with the complexity of his plots. He delights with the sophistication and eloquence of his prose. He startles you into laughter in the face of events so dark you begin to question your own moral compass. Then he reduces you to jelly by spinning a tale so terrifying-and surprising-you wind up sleeping with the lights on.

With Magic Terror, the bestselling author of Ghost Story and The Talisman (with Stephen King) has given us one of the most imaginatively unsettling collections in years. The terrain of these extraordinary stories is marked by brutality, heart-break, despair, wonder, and an unexpected humor that allows empathy to blossom within the most unlikely contexts.

"Bunny Is Good Bread" takes us into the mind of a small boy trapped in grotesque circumstances to portray the creation of a serial killer in a manner that compels pity, sorrow, comprehension, and grief-as well as judgment. "Hunger, an Introduction," narrated by the ghost of a pompous, self-pitying murderer, evokes a profoundly beautiful vision of earthly life, one appreciated far more by the dead than the living. The award-winning novella "Mr. Clubb and Mr. Cuff," a masterpiece of black comedy, draws upon Melville's "Bartleby the Scrivener" to create a revenge tale in which torture is a moral art and the revenger undergoes a transforming, albeit painful, education.

In the words of Mrs. Asch, the visionary narrator of "Ashputtle," "The main feature of adventure is that it goes forward into unknown country." Straub's devotees will be entranced by what their fearless guide has in store for them. Those as yet uninitiated are in for a harrowing literary journey. Enjoy the ride.

Table of Contents:

• Ashputtle - (1994) - novelette
• Isn't It Romantic? - (1998) - novelette
• The Ghost Village - (1992) - novelette
• Bunny is Good Bread - novella
• Porkpie Hat - (1994) - novella
• Hunger, an Introduction - (1995) - novelette
• Mr. Clubb and Mr. Cuff - (1997) - novella

The year is 1738; the place, Paris. A baby is born under a fish-monger's bloody table in a marketplace, and abandoned. Orphaned, passed over to the monks as a charity case, already there is something in the aura of the tiny infant that is unsettling. No one will look after him; he is somehow too demanding, and, even more disturbing, something is missing: as his wet nurse tries to explain, he doesn't smell the way a baby should smell; indeed, he has no scent at all.

Slowly, as we watch Jean-Baptiste Grenouille cling stubbornly to life, we begin to realize that a monster is growing before our eyes. With mounting unease, yet hypnotized, we see him explore his powers and their effect on the world around him. For this dark and sinister boy who has no smell himself possesses an absolute sense of smell, and with it he can read the world to discover the hidden truths that elude ordinary men. He can smell the very composition of objects, and their history, and where they have been, he has no need of the light, and darkness is not dark to him, because nothing can mask the odors of the universe.

As he leaves childhood behind and comes to understand his terrible uniqueness, his obsession becomes the quest to identify, and then to isolate, the most perfect scent of all, the scent of life itself.

At first, he hones his powers, learning the ancient arts of perfume-making until the exquisite fragrances he creates are the rage of Paris, and indeed Europe. Then, secure in his mastery of these means to an end, he withdraws into a strange and agonized solitude, waiting, dreaming, until the morning when he wakes, ready to embark on his monstrous quest: to find and extract from the most perfect living creatures-the most beautiful young virgins in the land- that ultimate perfume which alone can make him, too, fully human. As his trail leads him, at an ever-quickening pace, from his savage exile to the heart of the country and then back to Paris, we are caught up in a rising storm of terror and mortal sensual conquest until the frenzy of his final triumph explodes in all its horrifying consequences.

Told with dazzling narrative brilliance and the haunting power of a grown-up fairy tale, Perfume is one of the most remarkable novels of the last fifty years.

Kenneth Nicholson returns to New Orleans when a late-night call from his ex-wife breaks the tragic news that their son, Bobby, is in a coma, after being bludgeoned by an unknown assailant. As he waits for encouraging medical news, Nicholson gets visions that suggest the possible return of an old evil that was responsible for several gory deaths at a gay lounge popularly referred to as Wonderland. The operator of that club, Nicholson's lover Travis Brugier, was believed dead, but Nicholson begins to wonder if his spirit has resurfaced, possibly in the form of Bobby's attractive girlfriend, Vicki Bach.

Set during the height of World War II, The German examines the effect a series of ritualistic murders has on a small, Texas community. A killer preys on the young men of Barnard, Texas, leaving cryptic notes written in German. As the panic builds all eyes turn toward a quiet man with secrets of his own, who is trying to escape a violent past.

Ernst Lang fled Germany in 1934. Once a brute, a soldier, a leader of the Nazi party, he has renounced aggression and embraces a peaceful obscurity. But Lang is haunted by an impossible past. He remembers his own execution and the extremes of sex and violence that led to it. He remembers the men he led into battle, the men he seduced, and the men who betrayed him. But are these the memories of a man given a second life, or the delusions of a lunatic?

With a foreword by Brian Evenson.

In this new collection, Richard Thomas has crafted fourteen stories that push the boundaries of dark fiction in an intoxicating, piercing blend of fantasy, science fiction, and horror. Equally provocative and profound, each story is masterfully woven with transgressive themes that burrow beneath the skin.

• A poker game yields a strange prize that haunts one man, his game of chance now turned into a life-or-death coin flip.
• A set of twins find they have mysterious new powers when an asteroid crashes in a field near their house, and the decisions they make create an uneasy balance.
• A fantasy world is filled with one man's desire to feel whole again, finally finding love, only to have the shocking truth of his life exposed in an appalling twist.
• A father and son work slave labor in a brave new world run by aliens and mount a rebellion that may end up freeing them all.
• A clown takes off his make-up in a gloomy basement to reveal something more horrifying under the white, tacky skin.

Powerful and haunting, Thomas' transportive collection dares you to examine what lies in the darkest, most twisted corners of human existence and not be transformed by what you find.

Everyone in the small town of Central City, Texas loves Lou Ford. A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers--the low-lifes, the big-timers, and everyone in-between--as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday.

But behind the platitudes and glad-handing lurks a monster the likes of which few have seen. An urge that has already claimed multiple lives, and cost Lou his brother Mike, a self-sacrificing construction worker fell to his death on the job in what was anything but an accident. A murder that Lou is determined to avenge--and if innocent people have to die in the process, well, that's perfectly all right with him.

In THE KILLER INSIDE ME, Thompson goes where few novelists have dared to go, giving us a pitch-black glimpse into the mind of the American Serial Killer years before Charles Manson, John Wayne Gacy, and Brett Easton Ellis's American Psycho, in the novel that will forever be known as the master performance of one of the greatest crime novelists of all time.

A chilling thriller that brilliantly blends domestic drama, psychological suspense, and a touch of modern horror, reminiscent of Mark Z. Danielewski's House of Leaves, John Ajvide Lindqvist's Let the Right One In, and Shirley Jackson's The Haunting of Hill House.

The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia.

To her parents' despair, the doctors are unable to stop Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts' plight. With John, Marjorie's father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.

Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface--and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

A family is shaken to its core after the mysterious disappearance of a teenage boy in this eerie tale, a blend of literary fiction, psychological suspense, and supernatural horror from the author of A Head Full of Ghosts.

"A Head Full of Ghosts scared the living hell out of me, and I'm pretty hard to scare," raved Stephen King about Paul Tremblay's previous novel. Now, Tremblay returns with another disturbing tale sure to unsettle readers.

Late one summer night, Elizabeth Sanderson receives the devastating news that every mother fears: her thirteen-year-old son, Tommy, has vanished without a trace in the woods of a local park.

The search isn't yielding any answers, and Elizabeth and her young daughter, Kate, struggle to comprehend Tommy's disappearance. Feeling helpless and alone, their sorrow is compounded by anger and frustration: the local and state police have uncovered no leads. Josh and Luis, the friends who were the last to see Tommy before he vanished, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out a landmark the local teens have renamed Devil's Rock.

Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their windows in the dead of night. Then, random pages torn from Tommy's journal begin to mysteriously appear--entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connects them.

As the search grows more desperate, and the implications of what happened become more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy's disappearance at Devil's Rock.

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what's going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won't want to let us in, Wen. But they have to. We need your help to save the world."

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

Joe Bonham, a young American soldier serving in World War I, awakens in a hospital bed after being caught in the blast of an exploding artillery shell. He gradually realizes that he has lost his arms, legs, and all of his face (including his eyes, ears, teeth, and tongue), but that his mind functions perfectly, leaving him a prisoner in his own body.

Joe attempts suicide by suffocation, but finds that he had been given a tracheotomy which he can neither remove nor control. At first Joe wishes to die, but later decides that he desires to be placed in a glass box and toured around the country in order to show others the true horrors of war. Joe successfully communicates these desires with military officials by banging his head on his pillow in Morse code. However, he realizes that neither desire will be granted, and it is implied that he will live the rest of his natural life in his condition.

As Joe drifts between reality and fantasy, he remembers his old life with his family and girlfriend, and reflects upon the myths and realities of war.

This is the story of a murderer. A stolen child. Revenge. This is the story of Ted, who lives with his daughter Lauren and his cat Olivia in an ordinary house at the end of an ordinary street.

All these things are true. And yet some of them are lies.

You think you know what's inside the last house on Needless Street. You think you've read this story before. But you're wrong. In the dark forest at the end of Needless Street, something lies buried. But it's not what you think...

Patricia is in love with Nicholas Devine who suddenly undergoes a mysterious change and becomes cold and calculating. Frightened by this, Patricia consults a psychologist, Dr. Carl Horker, to try and figure out what has happened..."

A young child psychologist steps off a train, her destination a foggy seaside town. There, she begins a journey causing her to question everything she believes about life, death, memories, and reincarnation.

In 1925, Alice Lind steps off a train in the rain-soaked coastal hamlet of Gordon Bay, Oregon. There, she expects to do nothing more difficult than administer IQ tests to a group of rural schoolchildren. A trained psychologist, Alice believes mysteries of the mind can be unlocked scientifically, but now her views are about to be challenged by one curious child.

Seven-year-old Janie O'Daire is a mathematical genius, which is surprising. But what is disturbing are the stories she tells: that her name was once Violet, she grew up in Kansas decades earlier, and she drowned at age nineteen. Alice delves into these stories, at first believing they're no more than the product of the girl's vast imagination. But, slowly, Alice comes to the realization that Janie might indeed be telling a strange truth.

Alice knows the investigation may endanger her already shaky professional reputation, and as a woman in a field dominated by men she has no room for mistakes. But she is unprepared for the ways it will illuminate terrifying mysteries within her own past, and in the process, irrevocably change her life.

A lush and elegant collection of tales--many having appeared in various "Best Of" anthologies--teeming with frightful and tragic events, yet profoundly and intimately human. These chilling tales will engross and enthrall.

Table of Contents:

• 11 - How the Trick Is Done
• 35 - The Stories We Tell About Ghosts
• 59 - The Last Sailing of the Henry Charles Morgan in Six Pieces of Scrimshaw
• 67 - Harvest Song, Gathering Song
• 91 - The Secret of Flight
• 113 - Crossing
• 135 - How to Host a Haunted House Murder Mystery Party
• 149 - In the End, It Always Turns Out the Same
• 161 - Exhalation #10
• 189 - Excerpts from a Film
• 219 - Lesser Creek: A Love Story, a Ghost Story
• 235 - I Dress My Lover in Yellow
• 251 - The Nag Bride
• 297 - Tekeli-li, They Cry
• 311 - The Men from Narrow Houses
• 325 - The Ghost Sequences

A horrific tale of tragic love and corvid loss.

Read the full story for free at Tor.com.

A story of Terror and Suspense about an engaged British couple that turn an Irish castle into a hotel and have their lives turned upside down. This book will keep you spell-bound until the "bitter" End....

Hugo Award winning and Nebula Award nominated novella. It originally appeared in Isaac Asimov's Science Fiction Magazine, July 1985. The story can also be found in the anthologies The New Hugo Winners, Volume II: (1986-88) (1992), edited by Isaac Asimov and Cthulhu 2000: A Lovecraftian Anthology (1995), edited by Jim Turner. It is included in the collections Frost and Fire (1989) and Nine Black Doves (2009).

Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.

Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.

The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.

Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

For decades, the faded, rural upstate New York village has lain dormant--until it is startlingly stirred to life when, one by one, three young girls vanish.

Nightmare are turned into horrifying reality when their corpses are found, brutally murdered, each missing their left hand.

Now, as the search for a madman gets underway, suspicion shrouds the quiet streets of Aurelius when its residents soon realize that a monster lives amongst them.

But no even prayers can save their loved ones from the rage of a twisted mind who has only just begun his slaughter...

Geek Love is the story of the Binewskis, a carny family whose mater- and paterfamilias set out–with the help of amphetamine, arsenic, and radioisotopes–to breed their own exhibit of human oddities. There’s Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious–and dangerous–asset. 

As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.

Marriage can be a real killer.

One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work "draws you in and keeps you reading with the force of a pure but nasty addiction." Gone Girl's toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.

On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne's fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick's clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn't doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife's head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy's fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he's definitely bitter—but is he really a killer?

As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn't do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?

With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.

As a child growing up in Depression-era rural Virginia, Eddie Alley’s quiet life is rooted in the rumors of his mother’s witchcraft. But when he's visited by a writer and glamorous photographer researching American folklore for the WPA, the spell of his mother’s unorthodox life is violently disrupted, and Eddie is inspired to pursue a future beyond the confines of his dead-end town.

He leaves for New York and becomes a television horror-movie presenter beloved for his kitschy comedy. Though expert at softening terror for his young fans, Eddie cannot escape the guilty secrets of his own childhood. When he opens his family’s door to a homeless teenager working as an intern at the TV station, the boy’s presence not only awakens something in Eddie, but also in his twelve-year-old daughter, Wallis, who has begun to feel a strange kinship to her notorious grandmother. As the ghost stories of one generation infiltrate the next, Wallis and Eddie grapple with the sins of the past to repair their misguided attempts at loyalty and redemption.

In Witches on the Road Tonight, bestselling author Sheri Holman teases out the dark compulsions and desperate longings that blur the line between love and betrayal.

Tom Wallace lived an ordinary life, until a chance event awakened psychic abilities he never knew he possessed. Now, he's hearing the private thoughts of the people around him - and learning shocking secrets he never wanted to know. But as Tom's existence becomes a waking nightmare, even greater jolts are in store, as he becomes the unwilling recipient of a compelling message from beyond the grave.

The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels.

The newly appointed police commissioner, Theodore Roosevelt, in a highly unorthodox move, enlists the two men in the murder investigation, counting on the reserved Kreizler's intellect and Moore's knowledge of New York's vast criminal underworld. They are joined by Sara Howard, a brave and determined woman who works as a secretary in the police department. Laboring in secret (for alienists, and the emerging discipline of psychology, are viewed by the public with skepticism at best), the unlikely team embarks on what is a revolutionary effort in criminology-- amassing a psychological profile of the man they're looking for based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who has killed before. and will kill again before the hunt is over.

Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its untarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences.

In The Angel of Darkness, Caleb Carr brings back the vivid world of his bestselling The Alienist but with a twist: this story is told by the former street urchin Stevie Taggert, whose rough life has given him wisdom beyond his years. Thus New York City, and the groundbreaking alienist Dr. Kreizler himself, are seen anew.

It is June 1897. A year has passed since Dr. Laszlo Kreizler, a pioneer in forensic psychiatry, tracked down the brutal serial killer John Beecham with the help of a team of trusted companions and a revolutionary application of the principles of his discipline. Kreizler and his friends--high-living crime reporter John Schuyler Moore; indomitable, derringer-toting Sara Howard; the brilliant (and bickering) detective brothers Marcus and Lucius Isaacson; powerful and compassionate Cyrus Montrose; and Stevie Taggert, the boy Kreizler saved from a life of street crime--have returned to their former pursuits and tried to forget the horror of the Beecham case. But when the distraught wife of a Spanish diplomat begs Sara's aid, the team reunites to help find her kidnapped infant daughter. It is a case fraught with danger, since Spain and the United States are on the verge of war. Their investigation leads the team to a shocking suspect: a woman who appears to the world to be a heroic nurse and a loving mother, but who may in reality be a ruthless murderer of children.

In the spring of 1998, Koichi Sakakibara transfers to Yomiyama North Middle School. In class, he develops a sense of unease as he notices that the people around him act like they're walking on eggshells, and students and teachers alike seem frightened. As a chain of horrific deaths begin to unfold around him, he comes to discover that he has been placed in the cursed Class 3 in which the student body head count is always one more than expected. Class 3 is haunted by a vengeful spirit responsible for gruesome deaths in an effort to satisfy its spite. To stop the vicious cycle gripping his new school, Koichi decides to get to the bottom of the curse, but is he prepared for the horror that lies ahead...?

IT HAS BEEN THREE YEARS since the "calamity" of 1998 that claimed the lives of many students in Yomiyama North Middle's Class 3. After Sou Hiratsuka, an acquaintance of 1998 survivor Mei Misaki, discovers that he's being placed into the cursed class, he and his peers develop a series of countermeasures to avert a new tragedy. But when Sou's classmates and their family members begin dying in a series of horrific "accidents," he and Mei realize that the calamity has taken hold of their town once again. To stem the tides of death, the pair will be forced to reckon with Yomiyama's deepest mysteries...

Bending the Landscape: Horror brings together a tantalizing slew of truly horrifying tales guaranteed to provoke, entertain, and inspire fear in even the most seasoned horror aficionado. World-renowned fantasy author Nicola Griffith and fantasy publisher Stephen Pagel have compiled an exciting array of never-before-published stories, from both talented newcomers and award-winning genre veterans.

In Kraig Blackwelder's "Coyote Love," a man wakes up in a stranger's bed, not knowing how he got there, after a drunken night out. Terror ensues as the reader is shown just how far a person is willing to go to deny reality. In "The WereSlut of Avenue A," Leslie What shows us that change is not always a good thing, as we witness what may or not be a transformation into something inhuman. These stories, written by writers both gay and straight, incite fear and spur thought, transporting the reader into realms of shock and dread.

Table of Contents:

• Introduction - (2001) - essay by Nicola Griffith and Stephen Pagel
• Coyote Love - (2001) - shortstory by Kraig Blackwelder
• Explanations Are Clear - (2001) - novelette by L. Timmel Duchamp
• What Are You Afraid Of? - (2001) - shortstory by Simon Sheppard
• The Lost Homeland - (2001) - novelette by Cynthia Ward
• The Man Who Picks the Chamomile - (2001) - shortstory by Mark McLaughlin
• Love on a Stick - (2001) - novelette by Carrie Richerson
• Triangle - (2001) - shortstory by Ellen Klages
• Memorabilia - (2001) - novelette by Holly Wade Matter
• Blood Requiem - (1995) - shortstory by Gary Bowen
• In the Days Still Left - (2001) - novelette by Brian A. Hopkins and James Van Pelt
• Broken Canes - (2001) - shortstory by Alexi Smart
• Keep the Faith - (2001) - shortstory by A. J. Potter
• The WereSlut of Avenue A - (2001) - shortstory by Leslie What
• Kindred - (2001) - novelette by Alexis Glynn Latner
• 'Til Death - (2001) - shortstory by Barbara Hambly
• If I Could See Lazarus Rising - (2001) - novelette by Kathleen O'Malley
• The Waltz of the Epileptic Penguins - (2001) - shortstory by Keith Hartman
• Passing - (2001) - novelette by Mark W. Tiedemann

A cat-and-mouse suspense thriller featuring a retired homicide detective who's haunted by the few cases he left open, and by one in particular - the pre-dawn slaughter of eight people among hundreds gathered in line for the opening of a jobs fair when the economy was guttering out. Without warning, a lone driver ploughed through the crowd in a stolen Mercedes. The plot is kicked into gear when Bill Hodges receives a letter in the mail, from a man claiming to be the perpetrator. He taunts Hodges with the notion that he will strike again.

Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing that from happening.

Brady Hartfield lives with his alcoholic mother in the house where he was born. And he's preparing to kill again.

Only Hodges, with a couple of misfit friends, can apprehend the killer in this high-stakes race against time. Because Brady's next mission, if it succeeds, will kill or maim hundreds, even thousands.

A masterful, intensely suspenseful novel about a reader whose obsession with a reclusive writer goes far too far--a book about the power of storytelling, starring the same trio of unlikely and winning heroes King introduced in Mr. Mercedes.

"Wake up, genius." So begins King's instantly riveting story about a vengeful reader. The genius is John Rothstein, an iconic author who created a famous character, Jimmy Gold, but who hasn't published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel.

Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Saubers finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he's released from prison after thirty-five years.

Not since Misery has King played with the notion of a reader whose obsession with a writer gets dangerous. Finders Keepers is spectacular, heart-pounding suspense, but it is also King writing about how literature shapes a life--for good, for bad, forever.

'KOKO ' Only four men knew what it meant. Vietnam vets. One was a doctor. One was a lawyer. One was a working stiff. One was a writer. All were as different as men could be - yet all were bound eternally together by a single shattering secret. And now they are joined together again on a quest that could take them from the graveyards and fleshpots of the Far East to the human jungle of New York, hunting an inhuman ghost of the past risen from nightmare darkness to kill and kill...

Cass Neary made her name in the seventies as a photographer embedded in the burgeoning punk movement in New York City. Her pictures of the musicians and the hangers-on, the infamous, the damned, and the dead, earned her a brief moment of fame.

Thirty years later she is adrift, on her way down, and almost out when an old acquaintance sends her on a mercy gig to interview a famously reclusive photographer who lives on an island in Maine. When she arrives Down East, Cass stumbles across a decades-old mystery that is still claiming victims, and she finds one final shot at redemption.

Patricia Highsmith meets Patti Smith in this mesmerizing literary thriller.

One of Lovecraft's longest works, this novella was turned into a graphic novel by British artist I. N. J. Culbard in 2010 (more on his work later). At the Mountains of Madness owes much of its creeping melancholy to not only Lovecraft's fascination with polar exploration, but also to the legacy of polar exploration in fiction, from Mary Shelley's Frankenstein to Edgar Allan Poe's The Narrative of Arthur Gordon Pym of Nantucket. Told in the first-person by Miskatonic geologist Dr. William Dyer, At the Mountains of Madness details a scientific expedition to Antarctica that unearths the ancient and ruined city of the Elder Things of the Necronomicon.

This Novel was originally serialized in 1936 February, March and April issues of Astounding Stories. It has been anthologized many times, including the anthology Foundations of Fear: An Exploration of Horror, edited by David G. Hartwell, and has also been included in a myriad of collections, including the collections Necronomicon: The Best Weird Tales of H.P. Lovecraft, At the Mountains of Madness and Other Tales of Terror and The The Thing on the Doorstep and Other Weird Stories.

At the Mountains of Madness by H.P. Lovecraft is available free on the Internet.

A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River, during the off season; awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall. This novel appears for the first time in its original unexpurgated of the authors vision. The original publisher refused to publish it in this version in 1980. Now available only in this edition with an introduction by Douglas E. Winter.

The Woman is the powerful story of the last survivor of a feral tribe of cannibals who have terrorized the east coast of Maine into Canada for years now. Badly wounded in a battle with police, she takes refuge in a cave overlooking the sea. Christopher Cleek is a slick, amoral--and unstable--country lawyer who, out hunting one day, sees her bathing in a stream. Fascinated, he follows her to her cave. Cleek has many dark secrets and to these he'll add another. He will capture her, lock her in his fruit celler, and tame her, civilize her. To this end he'ii enlist his long-suffering wife Belle, his teenage son and daughter Brian and Peg, and even his little girl Darlin', to aid him. So the question becomes, who is more savage? The hunter or the game?

The phenomenal bestseller that inspired the classic motion picture.

Something is horribly wrong in the remote English village of Cainsmarsh. An elderly woman stiffens in dread at her own shadow; a terrified farmer murders a scarecrow; food prepared by others is eyed with suspicion; family pets are bludgeoned to death; loving couples are devoured by rage and violence. A spirit-corrupting evil pervades the land, infesting the minds of those who call Cainsmarsh home. Is this vision real, or a paranoid fantasy generated by an even darker, worldwide threat? And is the call to resist the danger itself a danger? These are questions that disturb the calm of an indolent croquet player who happens to hear the tale of the unlucky village.

H. G. Wells's ambiguous story of horror is a modern classic, a prophetic, disturbing glimpse of the primitive distrust and violence that gnaw at the heart of the modern world.

Professor James Lowry didn't believe in spirits, or witches, or demons. Not until a gentle spring evening when his hat disappeared, and suddenly he couldn't remember the last four hours of his life. Now, the quiet university town of Atworthy is changing - slightly at first, then faster and more frighteningly each time he tries to remember. Lowry is pursued by a dark, secret evil that is turning his whole world against him while it whispers a warning from the shadows: If you find your hat you'll find your four hours. If you find your four hours then you will die...

A quiet summer night...a neat suburban house...and another innocent, happy family is shattered - the latest victims of a grisly series of hideous sacrificial killings that no one understands, and no one can stop. Nobody lives to tell of the unimaginable carnage. Only the blood-stained walls bear witness.

All hope rests on Special Agent Will Graham, who must peer inside the killer's tortured soul to understand his rage, to anticipate and prevent his next vicious crime. Desperate for help, Graham finds himself locked in a deadly alliance with the brilliant Dr. Hannibal Lecter, the infamous mass murderer who Graham put in prison years ago.

As the imprisoned Lecter tightens the reins of revenge, Graham's feverish pursuit of the Red Dragon draws him inside the warped mind of a psychopath, into an unforgettable world of demonic ritual and violence, beyond the limits of human terror.

As part of the search for a serial murderer nicknames "Buffalo Bill," FBI trainee Clarice Starling is given an assignment. She must visit a man confined to a high-security facility for the criminally insane and interview him.

That man, Dr. Hannibal Lecter, is a former psychiatrist with unusual tastes and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of The Silence of the Lambs--an unforgettable classic of suspense fiction.

You remember Hannibal Lecter: gentleman, genius, cannibal. Seven years have passed since Dr. Lecter escaped from custody. And for seven years he's been at large, free to savor the scents, the essences, of an unguarded world. 

But intruders have entered Dr. Lecter's world, piercing his new identity, sensing the evil that surrounds him. For the multimillionaire Hannibal left maimed, for a corrupt Italian policeman, and for FBI agent Clarice Starling, who once stood before Lecter and who has never been the same, the final hunt for Hannibal Lecter has begun. All of them, in their separate ways, want to find Dr. Lecter. And all three will get their wish. But only one will live long enough to savor the reward.

On the heels of Patient Zero and Pride and Prejudice with Zombies-- the electrifying sequel to Hater where humanity fights itself to the death against a backdrop of ultimate apocalyptic destruction

The Earth has been torn into two parts by an irreversible division. Whether due to nature, or the unknown depths of the mind itself, everyone is now either Human or Hater. Victim or killer. Governments have fallen, command structures have collapsed, and relationships have crumbled. Major cities have become refugee camps where human survivors cower together in fear. Amidst this indiscriminate carnage, Danny McCoyne is on a mission to find his daughter Ellis, convinced that her shared Hater condition means her allegiance is to people like him. Free of inhibitions, unrestricted by memories of peace, and driven by instinct, children are pure Haters, and may well define the future of the Hater race. But, as McCoyne makes his way into the heart of human territory, an incident on the battlefield sets in place an unexpected chain of events, forcing him to question everything he believes he knows about the new order that has arisen, and the dynamic of the Hate itself.

It was a beautiful day. It was a beautiful field. Except for the body.

Jazz is a likable teenager. A charmer, some might say.

But he's also the son of the world's most infamous serial killer, and for Dear Old Dad, "Take Your Son to Work Day" was year-round. Jazz has witnessed crime scenes the way cops wish they could--from the criminals' point of view.

And now, even though Dad has been in jail for years, bodies are piling up in the sleepy town of Lobo's Nod. Again.

In an effort to prove murder doesn't run in the family, Jazz joins the police in the hunt for this new serial killer. But Jazz has a secret--could he be more like his father than anyone knows?

From acclaimed author Barry Lyga comes a riveting thriller about a teenager trying to control his own destiny in the face of overwhelming odds.

John Wayne Cleaver is dangerous, and he knows it.

He's spent his life doing his best not to live up to his potential.

He's obsessed with serial killers, but really doesn't want to become one. So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation.

Dead bodies are normal to John. He likes them, actually. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat---and to appreciate what that difference means.

Now, for the first time, John has to confront a danger outside himself, a threat he can't control, a menace to everything and everyone he would love, if only he could.

Dan Wells's debut novel is the first volume of a trilogy that will keep you awake and then haunt your dreams.

killed a demon. I don't know if it was really, technically a demon, but I do know that he was some kind of monster, with fangs and claws and the whole bit, and he killed a lot of people. So I killed him. I think it was the right thing to do. At least the killing stopped.

Well, it stopped for a while.

In I Am Not a Serial Killer, John Wayne Cleaver saved his town from a murderer even more appalling than the serial killers he obsessively studies.

But it turns out even demons have friends, and the disappearance of one has brought another to Clayton County. Soon there are new victims for John to work on at the mortuary and a new mystery to solve. But John has tasted death, and the dark nature he used as a weapon---the terrifying persona he calls "Mr. Monster"---might now be using him.

No one in Clayton is safe unless John can vanquish two nightmarish adversaries: the unknown demon he must hunt and the inner demon he can never escape.

In this sequel to his brilliant debut, Dan Wells ups the ante with a thriller that is just as gripping and even more intense. He apologizes in advance for the nightmares.

All the official reports say they are dead-extinct since the late ’80s, when a fed named Arkeley nailed the last vampire in a fight that nearly killed him. But the evidence proves otherwise.

When a state trooper named Caxton calls the FBI looking for help in the middle of the night, it is Arkeley who gets the assignment-who else? He’s been expecting such a call to come eventually. Sure, it has been years since any signs of an attack, but Arkeley knows what most people don’t: there is one left. In an abandoned asylum she is rotting, plotting, and biding her time in a way that only the undead can.

Caxton is out of her league on this case and more than a little afraid, but the fed made it plain that there is only one way out. But the worst thing is the feeling that the vampires want more than just her blood. They want her for a reason, one she can’t guess; a reason her sphinxlike partner knows but won’t say; a reason she has to find out-or die trying.

Now there are only 13 bullets between Caxton and Arkeley and the vampires. There are only 13 bullets between us, the living, and them, the damned.

An Early Collection of Horror by Campbell.

Contents:

• At First Sight - (1973) - shortstory
• Concussion - (1973) - shortstory
• Made in Goatswood - (1973) - shortstory
• Potential - (1973) - shortstory
• The Enchanted Fruit - (1973) - shortstory
• The End of a Summer's Day - (1973) - shortstory
• The Franklyn Paragraphs - (1973) - shortstory
• The Guy - (1973) - shortstory
• The Interloper - (1973) - shortstory [as by Errol Undercliffe]
• The Lost - (1973) - shortstory
• The Old Horns - (1973) - shortstory
• The Second Staircase - (1973) - shortstory
• The Sentinels - (1973) - shortstory
• The Stocking - (1968) - shortstory
• Foreword (Demons By Daylight) - (1990) - essay

Songs of a Dreamer was Thomas Ligotti's first collection of supernatural horror stories. When originally published in 1985 by Harry Morris's Silver Scarab Press, the book was hardly noticed. In 1989, an expanded version appeared that garnered accolades from several quarters. Writing in the Washington Post, the celebrated science fiction and fantasy author Michael Swanwick extolled: "Put this volume on the shelf right between H. P. Lovecraft and Edgar Allan Poe. Where it belongs."

Contents:

• ix - Introduction (Songs of a Dead Dreamer) - (1985) - essay by Ramsey Campbell
• 3 - The Frolic - (1982) - shortstory by Thomas Ligotti
• 19 - Les Fleurs - (1981) - shortstory by Thomas Ligotti
• 28 - Alice's Last Adventure - (1985) - shortstory by Thomas Ligotti
• 49 - Dream of a Mannikin - (1982) - shortstory by Thomas Ligotti
• 66 - The Chymist - [The Nyctalops Trilogy - 1] - (1981) - shortstory by Thomas Ligotti
• 79 - Drink to Me Only with Labyrinthine Eyes - [The Nyctalops Trilogy - 2] - (1982) - shortstory by Thomas Ligotti
• 90 - Eye of the Lynx - [The Nyctalops Trilogy - 3] - (1983) - shortstory by Thomas Ligotti
• 100 - Notes on the Writing of Horror: A Story - (1985) - novelette by Thomas Ligotti
• 125 - The Christmas Eves of Aunt Elise: A Tale of Possession in Old Grosse Pointe - (1983) - shortstory by Thomas Ligotti
• 135 - The Lost Art of Twilight - (1986) - shortstory by Thomas Ligotti
• 155 - The Troubles of Dr. Thoss - (1985) - shortstory by Thomas Ligotti
• 168 - Masquerade of a Dead Sword: A Tragedie - (1986) - novelette by Thomas Ligotti (variant of Masquerade of a Dead Sword)
• 191 - Dr. Voke and Mr. Veech - (1983) - shortstory by Thomas Ligotti
• 202 - Professor Nobody's Little Lectures on Supernatural Horror - (1985) - shortstory by Thomas Ligotti
• 213 - Dr. Locrian's Asylum - (1987) - shortstory by Thomas Ligotti
• 224 - The Sect of the Idiot - [Azathoth] - (1988) - shortstory by Thomas Ligotti
• 236 - The Greater Festival of Masks - (1985) - shortstory by Thomas Ligotti
• 244 - The Music of the Moon - (1987) - shortstory by Thomas Ligotti
• 253 - The Journal of J. P. Drapeau - (1987) - shortstory by Thomas Ligotti
• 260 - Vastarien - (1987) - shortstory by Thomas Ligotti

Theodore Sturgeon's dark and foreboding look at the vampire myth was an instant classic when originally published in 1956. When George Smith is arrested for assaulting a senior officer, a military psychiatrist is assigned to the case. The secret of George's past is unearthed, and a history of blood lust and murder. Innovatively told through letters, interviews, and traditional narrative, Some of Your Blood effectively portrays the tragic upbringing of George Smith to his attempts at a stable life and the great love of his life to his inevitable downfall. Millipede Press is proud to present this masterpiece of macabre literature in a brand new edition.

Sally Ann and Martha. Two women, searching for love. Finding terror.

During a terrifying storm, a gentle childhood is destroyed by a twisted man who promises love but delivers nightmare.

In the lightless depths of an underground labyrinth, unseen creatures lie in wait for an innocent traveler, cold skeletal hands stretched out in welcome.

There is horror in darkness--horror made greater WHEN DARKNESS LOVES US

Sally Ann is a bright and bubbling farm girl, still caught in the thrill of a brand-new husband and a shining future ahead. When a careless exploration leaves her trapped underground, she learns to live again in the absence of everything she once knew. Even driven by love and light, Sally Ann finds the deepest darkness within herself in When Darkness Loves Us.

Old Martha Mannes has been a part of Morgan, Illinois since her birth. The whole town knows her as the dim-witted woman who was born without a nose, but Martha's mind wasn't always a blank slate. Unlocking the monster buried deep in her memories may bring back the sparkling child she once was... or it may send those around her crashing down into the nightmares of a little girl gone wrong in When Darkness Loves Us.

When the Bates Motel loomed up out of the storm, Mary Craine thought it was her salvation. The rooms were musty but clean, and the manager, Norman Bates, seemed like a nice enough fellow, if a little strange....

Then Mary met Norman's mother. And the butcher knife.

The nightmare had just begun....

At the end of days, what price salvation?

In a world where the undead outnumber the living, Moses Todd roams the post-apocalyptic plains of America. His reprobate brother, Abraham - his only companion - has known little else. Together they journey because they have to; because they have nowhere to go, and no one to answer to other than themselves.

Travelling the bloody wastelands of this ruined world, Moses is looking for a kernel of truth, and a reason to keep going. And a chance encounter presents him with Vestal Amata, a beguiling and mysterious woman who may hold the key to salvation.

But he is not the only one seeking the Vestal. For the Vestal has a gift: a gift that might help save what is left of humanity. And it may take everything he has to free her from the clutches of those who most desire her.

Carmilla is a Gothic novella by Joseph Sheridan Le Fanu. First published in 1871 as a serial narrative in The Dark Blue, it tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. Carmilla predates Bram Stoker's Dracula by 26 years, and has been adapted many times for cinema.

Rosemary Woodhouse and her struggling actor husband Guy move into the Bramford, an old New York City apartment building with an ominous reputation and mostly elderly residents. Neighbors Roman and Minnie Castavet soon come nosing around to welcome the Woodhouses to the building, and despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband takes a special shine to them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavets' circle is not what it seems.

Dale Stewart's life has become a shadow of what it once was. A respected college professor and successful novelist, he sabotaged his career and his marriage with an obsessive love affair that ended badly.

With darkness closing in on him, Dale decides to return to his boyhood home in Illinois. Drawn by a recurring nightmare that has plagued him since his youth -- and a troubling certainty that something is waiting for him there -- he hopes to exorcise his demons.

In the last hours of Halloween, he reaches the outskirts of the dying town of Elm Haven. There, he moves into the abandoned farmhouse that was once the home of his closest boyhood friend, the strange and brilliant Duane McBride, who lost his young life in a grisly "accident" back in the terrible summer of 1960. Hoping to find peace in isolation, he settles in for the long, harsh winter.

But Dale is not alone. Soon after he arrives, cryptic messages begin appearing mysteriously on his computer screen while he struggles to work on his novel. He sees black dogs roaming the grounds. And an old enemy has reemerged, a bully who seems as determined to persecute Dale as he was in childhood.

Something alien is stalking residents of Lakehaven, New Jersey. It can't see them, hear them, or touch them, but it knows them — their fears, their insecurities, and their secrets. It knows how to destroy them from the inside out. And it won't stop until each of them is dead. Dave Kohlar has never felt like he was good for anything. But when his sanity, his life, and the safety of his only family and friends is in danger, he has to look inside himself for a strength that his otherwordly enemy can't touch -- strength that can hopefully save them all.

While attempting to disprove that Homo Vampiris, the vampire, could exist, Dr. Warthrop is asked by his former fiance to rescue her husband from the Wendigo, a ceature that starves even as it gorges itself on human flesh, which has snatched him in the Canadian wilderness. Although Warthrop also considers the Wendigo to be fictious, he relents and rescues her husband from death and starvation, and then sees the man transform into a Wendigo. Can the doctor and Will Henry hunt down the ultimate predator, who, like the legendary vampire, is neither living nor dead, whose hunger for human flesh is never satisfied? This second book in The Monstrumologist series explores the line between myth and reality, love and hate, genius and madness.

When Dr. Warthrop goes hunting for the "Holy Grail of Monstrumology" with his eager new assistant, Arkwright, he leaves Will Henry in Victorian New York. Finally, Will can enjoy something that always seemed out of reach: a normal life with a real family. But part of Will can't let go of Dr. Warthrop, and when Arkwright returns, claiming the doctor is dead, Will is devastated - and not convinced.

Determined to discover the truth, Will travels to London, knowing that if he succeeds, he will be plunging into depths of horror worse than anything he has experienced so far. His journey takes him to Socotra, The Isle of Blood, where human beings are used to make nests and blood rains from the sky - and puts Will Henry's loyalty to the ultimate test.

Will Henry has been through more than seems possible for a boy of fourteen. He's been on the brink of death on more than one occasion, he has gazed into hell - and hell has stared back at him, and known his face. But through it all, Dr Warthrop has been at his side.

When Dr. Wathrop fears that Will's loyalties may be shifting, he turns on Will with a fury, determined to reclaim his young apprentice's devotion. And so Will must face one of the most horrific creatures of his monstrumology career - and he must face it alone.

Over the course of one day, Will's life - and Pellinor Warthrop's destiny - will lie in balance. In the terrifying depths of the Monstrumarium, they will face a monster more terrible than any they could have imagined - and their fates will be decided.

Nanashi was born into a life of violence. Delivered from the mean streets by the Heron Clan, he mastered the way of the gun and knife and swiftly ascended through yakuza ranks to become a dreaded enforcer. His latest task? He and an entourage of expert killers are commanded to kidnap Muzaki, a retired world-renowned wrestler under protection of the rival Dragon Syndicate.

It should be business as bloody usual for Nanashi and his ruthless brothers in arms, except for the detail that Muzaki possesses a terrifying secret. A secret that will spawn a no-holds barred gang war and send Nanashi on a personal odyssey into immortal darkness.

First published in 1977, The Shining quickly became a benchmark in the literary career of Stephen King. This tale of a troubled man hired to care for a remote mountain resort over the winter, his loyal wife, and their uniquely gifted son slowly but steadily unfolds as secrets from the Overlook Hotel's past are revealed, and the hotel itself attempts to claim the very souls of the Torrence family. Adapted into a cinematic masterpiece of horror by legendary Stanley Kubrick--featuring an unforgettable performance by a demonic Jack Nicholson--The Shining stands as a cultural icon of modern horror, a searing study of a family torn apart, and a nightmarish glimpse into the dark recesses of human weakness and dementia.

Four simultaneous plane crashes. Three child survivors. A religious fanatic who insists the three are harbingers of the apocalypse. What if he's right?

The world is stunned when four commuter planes crash within hours of each other on different continents. Facing global panic, officials are under pressure to find the causes. With terrorist attacks and environmental factors ruled out, there doesn't appear to be a correlation between the crashes, except that in three of the four air disasters a child survivor is found in the wreckage.

Dubbed 'The Three' by the international press, the children all exhibit disturbing behavioural problems, presumably caused by the horror they lived through and the unrelenting press attention. This attention becomes more than just intrusive when a rapture cult led by a charismatic evangelical minister insists that the survivors are three of the four harbingers of the apocalypse. The Three are forced to go into hiding, but as the children's behaviour becomes increasingly disturbing, even their guardians begin to question their miraculous survival.

It's August 1946—one year after the Japanese surrender—and women are turning up dead all over Tokyo. Detective Minami of the Tokyo Metropolitan Police—irreverent, angry, despairing—goes on the hunt for a killer known as the Japanese Bluebeard—a decorated former Imperial soldier who raped and murdered at least ten women amidst the turmoil of post-war Tokyo. As he undertakes the case, Minami is haunted by his own memories of atrocities that he can no longer explain or forgive. Unblinking in its vision of a nation in a chaotic, hellish period in its history, Tokyo Year Zero is a darkly lyrical and stunningly original crime novel.