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Synopsis

As one of the most influential shows of all time, Star Trek continues to engage fans around the world. But its cultural impact has grown far beyond the scope of the original seventy-nine episodes. The show spawned an unprecedented progeny, beginning with Star Trek: The Next Generation, followed by three additional series of space exploration. Film versions featuring Captain Kirk, Mr. Spock, and other original crew members first appeared in 1979, followed by a number of successful sequels and ultimately a reboot of the original show. From the modest ambitions of the show's creator, Gene Roddenberry, Star Trek gradually transformed into a true franchise, an expanded universe that continues to grow.

In The Star Trek Universe: Franchising the Final Frontier, Douglas and Shea T. Brode have collected several essays that examine the many incarnations that have arisen since the original program concluded its run in 1969. Every aspect of media into which Star Trek has penetrated is covered in this collection: the four television shows, literature, toys, games, and the big screen reboot of the original series featuring the Enterprise and her crew. Essays address a number of elements, particularly how the franchise has had an impact on gaming, fandom, and even technology. Other essays consider how race, gender, and sexuality have been addressed by the various shows and films.

After a half century of boldly exploring topical issues that concern all of humanity, Star Trek warrants serious attention -- now more than ever. Looking beyond the entertainment value of its many versions, The Star Trek Universe -- a companion volume to Gene Roddenberry's Star Trek -- offers provocative essays that will engage scholars of gender studies, race studies, religion, history, and popular culture, not to mention the show's legions of fans around the planet.

Table of Contents:

• Introduction: Gene Roddenberry's creation as an abiding pop culture phenomenon - by Douglas Brode
• Supernatural Star Trek?: Star Trek and the Re-enchantment of the World - by Murray Leeder
• Holodeck History: Past, Present, and Future on the Final Frontier - by Cynthia J. Miller and A. Bowdoin Van Riper
• Star Trek and the Information Age: How the Franchise Imagined/Inspired Future Technologies - by Anthony Rotolo
• Forward to the Past: Miscegenation Constructs in the Star Trek Mythos - by Denise Allesandria Hurd
• Science Fiction as Social Consciousness: Race, Gender, and Sexuality in Star Trek: The Next Generation - by Brian L. Ott and Eric Aoki
• Radically Performing the Borg?: Gender Identity and Narratology in Star Trek - by Tama Leaver
• Manifest Destiny to the Stars: New Frontiers, Old Colonialism, and Borg Assimilation - by Lynette Russell and Nathan Wolski
• Resistance is Futile: Cyborgs, Humanism, and the Borg - by David J. Gunkel
• Shakespeare in Space: A Trek toward Plurality - by Melanie Lo¨rke
• Toward a Non-Dystopian Future: Romance and Realism in Star Trek: The Next Generation - by Rebecca Barrilleaux
• Enjoying an "Original Relation to the Universe": Star Trek: The Next Generation and Emersonian Transcendentalism - by April Selley
• Adaptive Harmonics: Star Trek's Universe and Galaxy of Games - by Douglas Brown
• The Making of a Star Trek Video Game: Voyager: Elite Force and Creative Collaboration - by Brian Pelletier
• Plastic Bodies and Lost Accessories: The Next Generation Action Figures in Relation to Their TV origins - by Jonathan Alexandratos
• Fantastic Licensing: The Ongoing Mission of Trek Comic Books - by Stefan Hall
• Help When Times are Hard: Bereavement and Star Trek Fan Letters - by Lincoln Geraghty
• Rebooting Utopia: Reimagining Star Trek in Post-9/11 America - by Norma Jones

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