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The Mammoth Book of Best New Horror 10
Synopsis
Going ten years strong, the acclaimed collection of contemporary horror fiction again showcases the talents of the finest writers working the field of fear. Along with his annual review of the year in horror, award-winning editor Stephen Jones has chosen the year's best stories by the old masters and new voices alike.
The Mammoth Book of Best New Horror 10 includes bloodcurdlers and flesh-crawlers from Ramsey Campbell, Nell Gaiman, Dennis Etchison, Thomas Ligotti, Michael Marshall Smith, Peter Straub, Kim Newman, Harlan Ellison, and many others.
Table of Contents:
- Introduction: Horror in 1998 - (1999) - essay by Stephen Jones
- Learning to Let Go - (1998) - shortstory by Christopher Fowler
- The Wedding Present - (1998) - shortstory by Neil Gaiman
- Adventures in Further Education - (1998) - shortstory by Peter Atkins
- Bondage - (1998) - shortstory by Kathe Koja
- The Keys to D'Espérance - (1998) - novelette by Chaz Brenchley
- The Song My Sister Sang - (1998) - shortstory by Stephen Laws
- A Victorian Ghost Story - (1999) - shortstory by Kim Newman
- The Dead Boy At Your Window - (1998) - shortstory by Bruce Holland Rogers
- Ra*e - (1998) - novelette by Ramsey Campbell
- Upstairs - (1998) - shortfiction by Lawrence Watt-Evans
- Postcards from the King of Tides - (1998) - shortstory by Caitlín R. Kiernan
- Everybody Goes - (1992) - shortstory by Michael Marshall Smith
- Yellow & Red - (1998) - shortstory by Tanith Lee
- What Slips Away - (1998) - shortstory by Steve Rasnic Tem
- Inside the Cackle Factory - (1998) - novelette by Dennis Etchison
- The Specialist's Hat - (1998) - shortstory by Kelly Link
- The Boss in the Wall: A Treatise on the House Devil - (1998) - novella by Avram Davidson and Grania Davis
- Objects of Desire in the Mirror Are Closer Than They Appear - (1999) - shortstory by Harlan Ellison
- Mr. Clubb and Mr. Cuff - (1997) - novella by Peter Straub
- Necrology: 1998 - (1999) - essay by Stephen Jones and Kim Newman
- Useful Addresses - (1999) - essay by Stephen Jones
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