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The Story of the Glittering Plain is an 1891 fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. His earlier fantasies The House of the Wolfings and The Roots of the Mountains were to some degree historical novels. Morris would go on to develop the new genre established in this work in such later fantasies as Child Christopher and Goldilind the Fair, The Wood Beyond the World, The Well at the World's End, and The Water of the Wondrous Isles. It is also important for its exploration of the socialist themes that interested Morris.

Contents:

• vii - Introduction (Golden Wings and Other Stories) - essay by Alfred Noyes
• 1 - The Story of the Unknown Church - (1856) - short story
• 10 - Lindenborg Pool - (1856) - short story
• 18 - A Dream - (1856) - short story
• 33 - Gertha's Lovers - (1856) - novelette
• 78 - Svend and His Brethren - (1856) - short story
• 95 - The Hollow Land - (1856) - novelette
• 132 - Golden Wings - (1856) - short story
• 148 - Frank's Sealed Letter - non-genre - (1856) - short story
• 165 - Afterword (Golden Wings and Other Stories) - (1975) - essay by Richard Mathews

Child Christopher and Goldilind the Fair, set in the forested land of Oakenrealm, was Morris' reimagining and recasting of the medieval Lay of Havelock the Dane, with his displaced royal heirs Christopher and Goldilind standing in for the original story's Havelock and Goldborough.

Christopher is portrayed as initially ignorant of his true identity, leading to an emotional conflict between the protagonists to reconcile their mutual love and attraction with what they believe to be the profound disparity in their social status and shame of their forced marriage. This situation is resolved when the two fall in with Jack of the Tofts, who gives refuge to Christopher after his sons rescue the hero from an assassination attempt by a servant of the usurper Earl Rolf.

Jack informs Christopher of his true station and gathers together an army to help him challenge the usurper. When the hosts meet, the commander of Rolf's forces, Baron Gandolf of Brimside, challenges Jack to single combat, but Christopher claims the honor from Jack and proves his worth by defeating the opposing champion.

In contrast to his source, Morris emphasizes the romantic aspect of the story, giving a prominent place to the heroine's misfortunes and bringing to the forefront the love story between her and the hero; the warfare by which the hero regains his heritage is relegated to a secondary role.

The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays them as simple and hardworking, galvanized into heroic action to defend their families and liberty by the attacks of imperial Rome.

Morris's Goths inhabit an area called the Mark on a river in the forest of Mirkwood, divided into the Upper-mark, the Mid-mark and the Nether-mark. They worship their gods Odin and Tyr by sacrificing horses, and rely on seers who foretell the future and serve as psychic news-gatherers.

The men of the Mark choose two War Dukes to lead them against their enemies, one each from the House of the Wolfings and the House of the Laxings. The Wolfing war leader is Thiodolf, a man of mysterious and perhaps divine antecedents, whose ability to lead is threatened by his possession of a magnificent dwarf-made mail-shirt which, unknown to him, is cursed. He is supported by his lover the Wood Sun and their daughter the Hall Sun, who are related to the gods.

The story is set in Burgdale, a small Germanic settlement in a valley at the foot of a mountain range, and the neighbouring woodlands, pastures and dales. The area is inhabited by the interdependent Dalemen, who are weavers, smiths, and traders, the Woodlanders, who are hunters and carpenters, and the Shepherds. Their society is challenged by disruptions from the outside world in the form of the Sons of the Wolf, the descendants of the Wolfings, and the invading Dusky Men (the Huns).

The Sons of the Wolf, driven from their original country by the Dusky Men, continue to resist the invaders as a frontier force guarding their new home. The somewhat troubled integration of the Sons of the Wolf into the society they are protecting is told in the story of five lovers representing both peoples, four of whom eventually marry.