Search Worlds Without End

When young programmer Alexander Ivanovich Privalov picks up two hitchhikers while driving in Karelia, he is drawn into the mysterious world of the National Institute for the Technology of Witchcraft and Thaumaturgy, where research into magic is serious business.

And where science, sorcery and socialism meet, can chaos be far behind?

Retro Hugo- and Prometheus-winning Novella

As ferociously fresh as it was more than a half century ago, this remarkable allegory of a downtrodden society of overworked, mistreated animals, and their quest to create a paradise of progress, justice, and equality is one of the most scathing satires ever published. As we witness the rise and bloody fall of the revolutionary animals, we begin to recognize the seeds of totalitarianism in the most idealistic organization; and in our most charismatic leaders, the souls of our cruelest oppressors.

Somewhere away from the cities and towns, a group of men and boys gather around the fire each night to listen to their stories in the Valley of the Rocks. For when the women are all gone the rest of your life is all there is for everyone. The men are waiting to pass into the night.

The story shall be told to preserve the past. History has gone back to its aural roots and the power of words is strong. Meet Nate, the storyteller, and the new secrets he brings back from the darkness. William rules the group with youth and strength, but how long can that last? And what about Uncle Ted, who spends so much time out in the woods?

Hear the tales, watch a myth be formed. For what can man hope to achieve in a world without women? When the past is only grief how long should you hold on to it? What secrets can the forest offer to change it all?

Discover the Beauty.

Derek is LitenVärld's most loyal employee. He lives and breathes the job, from the moment he wakes up in a converted shipping container at the edge of the parking lot to the second he clocks out of work 18 hours later. But after taking his first ever sick day, his manager calls that loyalty into question. An excellent employee like Derek, an employee made to work at LitenVärld, shouldn't need time off.

To test his commitment to the job, Derek is assigned to a special inventory shift, hunting through the store to find defective products. Toy chests with pincers and eye stalks, ambulatory sleeper sofas, killer mutant toilets, that kind of thing. Helping him is the inventory team - four strangers who look and sound almost exactly like him. Are five Dereks better than one?

Norstrilia tells the story of a boy form the planet Old North Australia (where rich, simple farmers grow the immortality drug Stroon), how he bought Old Earth, and how his visit to Earth changed both him and Earth itself.

When his ultra-logical computer tells him that to survive he must become the richest man in the universe, Rod McBan the hundred and fifty-first thought he had a good plan. A telepathic cripple, rejected by many of his people, owner of the Station of Doom, the safety of wealth would keep him safe. In one crowded, unbelievable night he achieved the impossible, became the richest boy in the galaxy.

But Rod McBan will soon discover that money brings trouble. A galaxy of people and other beings – out to rob him, use him or kill him!

One minute, down and out actor Lorenzo Smythe was -- as usual -- in a bar, drinking away his troubles as he watched his career go down the tubes. Then a space pilot bought him a drink, and the next thing Smythe knew, he was shanghaied to Mars.

Suddenly he found himself agreeing to the most difficult role of his career: impersonating an important politician who had been kidnapped. Peace with the Martians was at stake -- failure to pull off the act could result in interplanetary war. And Smythe's own life was on the line -- for if he wasn't assassinated, there was always the possibility that he might be trapped in his new role forever!

Slapstick presents an apocalyptic vision as seen through the eyes of the current King of Manhattan (and last President of the United States), a wickedly irreverent look at the all-too-possible results of today's follies. But even the end of life-as-we-know-it is transformed by Kurt Vonnegut's pen into hilarious farce--a final slapstick that may be the Almighty's joke on us all.

Galápagos takes the reader back one million years, to a.d. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave new, and totally different human race.

Friday is her name... She is as thoroughly resourceful as she is strikingly beautiful. She is one of the best interplanetary agents in the business. And she is an Artificial Person... the ultimate glory of genetic engineering.

Friday... not since Valentine Michael Smith, hero of the bestselling Stranger in a Strange Land, has Robert Heinlein created a more captivating protagonist... in a novel every bit as entertaining and exciting as this Grand Master of science fiction, now in his seventy-fifth year, has given us over his four-decade career.

Friday is a secret courier. She is employed by a man known to her only as "Boss." Operating from and over a near-future Earth, in which North America has become Balkanized into dozens of independent states, where culture has become bizarrely vulgarized and chaos is the happy norm, she finds herself on shuttlecock assignment at Boss's seemingly whimsical behest. From New Zealand to Canada, from one to another of the new states of America's disunion, she keeps her balance nimbly with quick, expeditious solutions to one calamity and scrape after another. Desperate for human identity and relationships, she is never sure whether she is one step ahead of, or one step behind, the ultimate fate of the human race.

Hugo Award winning and Nebula Award nominated novella. It originally appeared in the anthology Dangerous Visions (1967), edited by Harlan Ellison. The story can also be found in the anthology The Hugo Winners, Volume 2: (1963-70) (1971), edited by Isaac Asimov. It is included in the collections The Purple Book (1982), The Classic Philip José Farmer, 1964-1973 (1984), Riders of the Purple Wage and The Best of Philip Jose Farmer (2006).