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Titus Groan is seven years old. Lord and heir to the crumbling castle Gormenghast. Gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, and death. Steerpike, who began his climb across the roofs when Titus was born, is now ascending the spiral stairacse to the heart of the castle, and in his wake lie imprisonment, manipulation, and murder.

Gormenghast is the second volume in Mervyn Peake's widely acclaimed trilogy, but it is much more than a sequel to Titus Groan--it is an enrichment and deepening of that book. And back in single volumes for the first time in years, a new generation of fantasy fans will grow to love this tour de force that ranks as one of the twentieth century's most remarkable feats of imaginative writing.

A tale of love, money, and family conflict--among dragons.

A family deals with the death of their father. A son goes to court for his inheritance. Another son agonises over his father's deathbed confession. One daughter becomes involved in the abolition movement, while another sacrifices herself for her husband.

And everyone in the tale is a dragon, red in tooth and claw.

Here is a world of politics and train stations, of churchmen and family retainers, of courtship and country houses...in which, on the death of an elder, family members gather to eat the body of the deceased. In which the great and the good avail themselves of the privilege of killing and eating the weaker children, which they do with ceremony and relish, growing stronger thereby.

You have never read a novel like Tooth and Claw.

TWO CRIME FAMILIES, ONE SOURCE OF POWER: JADE.

Jade is the lifeblood of the city of Janloon - a stone that enhances a warrior's natural strength and speed. Jade is mined, traded, stolen and killed for, controlled by the ruthless No Peak and Mountain families.

When a modern drug emerges that allows anyone - even foreigners - to wield jade, simmering tension between the two families erupts into open violence. The outcome of this clan war will determine the fate of all in the families, from their grandest patriarch to even the lowliest motorcycle runner on the streets.

When he was nine, he watched his mother and brother killed before him. By the time he was thirteen, he was the leader of a band of bloodthirsty thugs. By fifteen, he intends to be king...

It's time for Prince Honorous Jorg Ancrath to return to the castle he turned his back on, to take what's rightfully his. Since the day he was hung on the thorns of a briar patch and forced to watch Count Renar's men slaughter his mother and young brother, Jorg has been driven to vent his rage. Life and death are no more than a game to him-and he has nothing left to lose.

But treachery awaits him in his father's castle. Treachery and dark magic. No matter how fierce, can the will of one young man conquer enemies with power beyond his imagining?

Scattered among poor, desolate farms, the clans of the Uplands possess gifts. Wondrous gifts: the ability--with a glance, a gesture, a word--to summon animals, bring forth fire, move the land. Fearsome gifts: They can twist a limb, chain a mind, inflict a wasting illness. The Uplanders live in constant fear that one family might unleash its gift against another. Two young people, friends since childhood, decide not to use their gifts. One, a girl, refuses to bring animals to their death in the hunt. The other, a boy, wears a blindfold lest his eyes and his anger kill.

In the medieval kingdom of Goredd, women are expected to be ladies, men are their protectors, and dragons can be whomever they choose. Tess is none of these things. Tess is...different. She speaks out of turn, has wild ideas, and can't seem to keep out of trouble. Then Tess goes too far. What she's done is so disgraceful, she can't even allow herself to think of it. Unfortunately, the past cannot be ignored. So Tess's family decide the only path for her is a nunnery.

But on the day she is to join the nuns, Tess chooses a different path for herself. She cuts her hair, pulls on her boots, and sets out on a journey. She's not running away, she's running towards something. What that something is, she doesn't know. Tess just knows that the open road is a map to somewhere else--a life where she might belong.

Returning to the spellbinding world of the Southlands she created in the award-winning, New York Times bestselling novel Seraphina, Rachel Hartman explores self-reliance and redemption in this wholly original fantasy.

Welcome to Riverside, where the aristocratic and the ambitious battle for power in the city's ballroom, brothels and boudoirs. Into this alluring world walks Katherine, a well-bred country girl versed in the rules of conventional society. Her mistake is thinking that they apply. For Katherine's host and uncle, Alec Campion, aka the Mad Duke Tremontaine, is in charge here--and to him, rules are made to be broken.

When Alec decides it would be more amusing for his niece to learn swordplay than to follow the usual path to marriage, her world changes forever. Blade in hand, it's up to Katherine to navigate a maze of secrets and scoundrels--and to gain the self-discovery that comes to those who master....

In Regency London, Zacharias Wythe is England's first African Sorcerer Royal. He leads the eminent Royal Society of Unnatural Philosophers, but a malicious faction seeks to remove him by fair means or foul. Meanwhile, the Society is failing its vital duty -- to keep stable the levels of magic within His Majesty's lands. The Fairy Court is blocking its supply, straining England's dangerously declining magical stores. And now the government is demanding to use this scarce resource in its war with France.

Ambitious orphan Prunella Gentleman is desperate to escape the school where she's drudged all her life, and a visit by the beleaguered Sorcerer Royal seems the perfect opportunity. For Prunella has just stumbled upon English magic's greatest discovery in centuries -- and she intends to make the most of it.

At his wits' end, the last thing Zachariah needs is a female magical prodigy! But together, they might just change the nature of sorcery, in Britain and beyond.

In the aftermath of the great fire, eighteenth-century London is a city of extremes. Squalor and superstition vie with elegance and reason as brilliant architect, Nicholas Dyer, is commissioned to build seven new churches. They are to stand as beacons of the Enlightenment - but Dyer plans to conceal a dark secret at the heart of each one. Two hundred and fifty years later, in the same vast metropolis, a series of murders occur on the sites of those same churches. Detective Nicholas Hawksmoor investigates, but the gruesome crimes make no sense to the modern mind. Combining thriller, ghost story and metaphysical tract, Hawksmoor won the Whitbread Book Award and "Guardian" Fiction Prize in 1985.

As the novel opens, Titus, lord of Castle Gormenghast, has abdicated his throne. Born and brought to the edge of manhood in the huge, rotting castle, Titus rebels against the age-old ritual of which he is both lord and prisoner and rushes headlong into the world. From that moment forward, he is thrust into a stormy land of a dark imagination, where figures and landscapes loom up with force and vividness of a dream--or a nightmare.

This final installment in the Gormenghast trilogy is a fantastic triumph--a conquest awash in imagination, terror, and charm.

Alexia Tarabotti, the Lady Woolsey, awakens in the wee hours of the mid-afternoon to find her husband, who should be decently asleep like any normal werewolf, yelling at the top of his lungs. Then he disappears - leaving her to deal with a regiment of supernatural soldiers encamped on her doorstep, a plethora of exorcised ghosts, and an angry Queen Victoria.

But Alexia is armed with her trusty parasol, the latest fashions, and an arsenal of biting civility. Even when her investigations take her to Scotland, the backwater of ugly waistcoats, she is prepared: upending werewolf pack dynamics as only the soulless can.

She might even find time to track down her wayward husband, if she feels like it.

Quitting her husband's house and moving back in with her horrible family, Lady Maccon becomes the scandal of the London season.

Queen Victoria dismisses her from the Shadow Council, and the only person who can explain anything, Lord Akeldama, unexpectedly leaves town. To top it all off, Alexia is attacked by homicidal mechanical ladybugs, indicating, as only ladybugs can, the fact that all of London's vampires are now very much interested in seeing Alexia quite thoroughly dead.

While Lord Maccon elects to get progressively more inebriated and Professor Lyall desperately tries to hold the Woolsey werewolf pack together, Alexia flees England for Italy in search of the mysterious Templars. Only they know enough about the preternatural to explain her increasingly inconvenient condition, but they may be worse than the vampires -- and they're armed with pesto.

Alexia Tarabotti, Lady Maccon, has settled into domestic bliss. Of course, being Alexia, such bliss involves integrating werewolves into London High society, living in a vampire's second best closet, and coping with a precocious toddler who is prone to turning supernatural willy-nilly. Even Ivy Tunstell's acting troupe's latest play, disastrous to say the least, cannot put a damper on Alexia's enjoyment of her new London lifestyle.Until, that is, she receives a summons from Alexandria that cannot be ignored. With husband, child, and Tunstells in tow, Alexia boards a steamer to cross the Mediterranean. But Egypt may hold more mysteries than even the indomitable Lady Maccon can handle. What does the vampire Queen of the Alexandria Hive really want from her? Why is the God-Breaker Plague suddenly expanding? And how has Ivy Tunstell suddenly become the most popular actress in all the British Empire?

The fantasy novel you've always wished Jane Austen had written

Shades of Milk and Honey is exactly what we could expect from Jane Austen if she had been a fantasy writer: Pride and Prejudice meets Jonathan Strange & Mr. Norrell. It is an intimate portrait of a woman, Jane, and her quest for love in a world where the manipulation of glamour is considered an essential skill for a lady of quality.

Jane and her sister Melody vie for the attentions of eligible men, and while Jane's skill with glamour is remarkable, it is her sister who is fair of face. When Jane realizes that one of Melody's suitors is set on taking advantage of her sister for the sake of her dowry, she pushes her skills to the limit of what her body can withstand in order to set things right-and, in the process, accidentally wanders into a love story of her own.

Gloriana rules an Albion whose empire embraces America and most of Asia. A new Golden Age of peace, enlightenment and prosperity has dawned. Gloriana is Albion and Albion is Gloriana; if one falls, so too will the other. And Gloriana is oppressed by the burden this places upon her - and by the fact that she remains incapable of orgasm. The maintenance of the delicate balance that keeps Albion and Gloriana thriving depends of Montfallcon, Gloriana's Chancellor, and on his network of spies and assassins - in particular on Quire, cold hearted seducer of virtue and murderer of innocence. When Quire falls out with Montfallcon, he forms an alliance with his greatest enemy and conceives a plan to ruin Gloriana, destroy Albion, the empire and the Golden Age itself. But even the utterly ruthless Quire does not fully understand what he has set in motion when he persuades the Queen to fall in love with him...

Faerie is never as far away as you think. Sometimes you find you have crossed an invisible line and must cope, as best you can, with petulant princesses, vengeful owls, ladies who pass their time embroidering terrible fates or with endless paths in deep, dark woods and houses that never appear the same way twice. The heroines and heroes bedevilled by such problems in these fairy tales include a conceited Regency clergyman, an eighteenth-century Jewish doctor and Mary, Queen of Scots, as well as two characters from "Jonathan Strange & Mr Norrell: Strange himself and the Raven King".

On their honeymoons, Kate and Cecelia confront a plot against Europe

Ocean voyages do not agree with wizards, and seasickness during the Channel crossing is the price Cecelia must pay for her budding magical skill. As her nausea ebbs, she is comforted by her new husband, James, and the knowledge that at long last they are on their honeymoon. In their company is Cecelia's cousin Kate, newly minted as the Marchioness of Schofield, and her husband Thomas. The shared journey guarantees the two couples a happy start to married life, if they can survive the perils of the Continent.

In Calais, a mysterious woman visits Cecelia with a package intended for Thomas's mother. Inside is an alabaster flask of noble manufacture, one of the royal artifacts that have been vanishing all over Europe as part of a magical plot against the French crown. This is no simple honeymoon: On their tour of Europe, Kate and Cecelia must save the monarchy from an emperor-in-exile named Napoleon.

Jane Eliot wears an iron mask.

It's the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain--the ironskin.

When a carefully worded listing appears for a governess to assist with a "delicate situation"--a child born during the Great War--Jane is certain the child is fey-cursed, and that she can help.

Teaching the unruly Dorie to suppress her curse is hard enough; she certainly didn't expect to fall for the girl's father, the enigmatic artist Edward Rochart. But her blossoming crush is stifled by her scars and by his parade of women. Ugly women, who enter his closed studio... and come out as beautiful as the fey.

Jane knows Rochart cannot love her, just as she knows that she must wear iron for the rest of her life. But what if neither of these things are true? Step by step Jane unlocks the secrets of a new life--and discovers just how far she will go to become whole again.