Search Worlds Without End

Fifty men and women set out in the twenty-third century from Earth aboard an interstellar craft to travel to a planet some thirty light-years away. The ship will approach the speed of light and so (as Einstein predicted) subjective time on board will slow and so the journey of several decades will be of much shorter duration for the crew. But the ship's deceleration system is irreparably damaged when it hits a cloud of interstellar dust and acceleration continues toward light speed, tau zero. Soon the ship is speeding through galaxies and eons are passing on board the ship in the blink of an eye ...

They call it Company Town--a Family-owned city-sized oil rig off the coast of the Canadian Maritimes.

Meet Hwa. One of the few in her community to forego bio-engineered enhancements, she's the last truly organic person left on the rig. But she's an expert in the arts of self-defence, and she's been charged with training the Family's youngest, who has been receiving death threats--seemingly from another timeline.

Meanwhile, a series of interconnected murders threatens the city's stability--serial killer? Or something much, much worse...

Disgraced government operative Colonel Chu is exiled to the flooded relic of New York City. Something called the Light has hit the streets like an epidemic, leavings its users strung out and disconnected from the mind-network humanity relies on. Chu has lost everything she cares about to the Light. She'll end the threat or die trying.

A former corporate pilot who controlled a thousand ships with her mind, Zola looks like just another Light-junkie living hand to mouth on the edge of society. She's special though. As much as she needs the Light, the Light needs her too. But, Chu is getting close and Zola can't hide forever.

Setting out to make his fortune in a far-off country, a young traveller discovers the remote and beautiful land of Erewhon, and is given a home among its extraordinarily handsome citizens. But their visitor soon discovers that this seemingly ideal community has its faults - here crime is treated indulgently as a malady to be cured, while illness, poverty and misfortune are cruelly punished, and all machines have been superstitiously destroyed after a bizarre prophecy. Can he survive in a world where morality is turned upside down?

Inspired by Samuel Butler's years in colonial New Zealand, and by his reading of Darwin's "Origin of Species", Erewhon (1872) is a highly original, irreverent and humorous satire on conventional virtues, religious hypocrisy and the unthinking acceptance of beliefs.

In biological terms human beings haven't evolved in 100,000 years - but thanks to our amazing brains, we are able to upgrade ourselves to add capabilities that have taken other creatures millions of years to evolve. Thanks to this "unnatural" evolution, we are already Human 2.0.

In an effort to live longer, become more attractive to the opposite sex, be better able to defend ourselves, make the most of our brains, repair damaged bodies, we have transformed ourselves.

To do this, we have done many things: created artificial skin in the form of clothing, for instance. In the future we will clone human organs for transplants, and use nanotechnology to provide support for failing functions in the human body.

Now, with a better understanding of the mechanisms of the body, cloning, gene therapy, bionics and other technologies, the rate at which we are changing is becoming ever faster. This process of upgrading is nothing new. It has been around for millennia, and it raises some challenging questions.

Sure to cause much debate, Upgrade Me is award-winning popular science author Brian Clegg's ambitious account of humanity's need to upgrade.

Welcome to the fractured future, at the dusk of the twenty-first century.

Earth has a population of roughly a billion hominids. For the most part, they are happy with their lot, living in a preserve at the bottom of a gravity well. Those who are unhappy have emigrated, joining one or another of the swarming densethinker clades that fog the inner solar system with a dust of molecular machinery so thick that it obscures the sun.

The splintery metaconsciousness of the solar-system has largely sworn off its pre-post-human cousins dirtside, but its minds sometimes wander... and when that happens, it casually spams Earth's networks with plans for cataclysmically disruptive technologies that emulsify whole industries, cultures, and spiritual systems. A sane species would ignore these get-evolved-quick schemes, but there's always someone who'll take a bite from the forbidden apple.

So until the overminds bore of stirring Earth's anthill, there's Tech Jury Service: random humans, selected arbitrarily, charged with assessing dozens of new inventions and ruling on whether to let them loose. Young Huw, a technophobic, misanthropic Welshman, has been selected for the latest jury, a task he does his best to perform despite an itchy technovirus, the apathy of the proletariat, and a couple of truly awful moments on bathroom floors.

Download this book for free from the author's website.

Hubert Vernon Rudolph Clayton Irving Wilson Alva Anton Jeff Harley Timothy Curtis Cleveland Cecil Ollie Edmund Eli Wiley Marvin Ellis Espinoza -- known to his friends as Hubert, Etc -- was too old to be at that Communist party.

But after watching the breakdown of modern society, he really has no where left to be -- except amongst the dregs of disaffected youth who party all night and heap scorn on the sheep they see on the morning commute. After falling in with Natalie, an ultra-rich heiress trying to escape the clutches of her repressive father, the two decide to give up fully on formal society -- and walk away.

After all, now that anyone can design and print the basic necessities of life -- food, clothing, shelter -- from a computer, there seems to be little reason to toil within the system.

It's still a dangerous world out there, the empty lands wrecked by climate change, dead cities hollowed out by industrial flight, shadows hiding predators animal and human alike. Still, when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it's war -- a war that will turn the world upside down.

The boldest and most wildly speculative writer of our time, Greg Egan has envisioned a quantum Brave New World -- a masterful saga of a time when not only human life, but fleshly reality itself, will be nothing but a memory...

It is the thirtieth century.The "world" has evolved into a vast network of probes, satellites, and servers knitting the solar system into one scape from the outer planets to the sun. Humanity, too, has reconfigured itself. Most people have chosen immortality, joining the polises to become conscious software. Others have opted for disposable, renewable robotic bodies that remain in contact with the physical world. A few holdouts stubbornly remain fleshers struggling to shape an antiquated existence in the muck and jungle of Earth.

And then there is the Orphan, a genderless digital being grown from a mind seed.

When an unforeseen disaster ravages the fleshers, it awakens the polises to the possibility of their own extinction from bizarre astrophysical processes that seemingly violate fundamental laws of nature. It is up to the Orphan and a group of refugees to find the knowledge that will save them all--a search that will lead them on a quantum adventure to a higher dimension beyond the macrocosmos....

The Age of Death ended countless millennia ago. No longer burdened by limited lifespans, the immortal humans who populate inhabited space now have the luxury to travel vast distances effortlessly and to tinker with the intricate mechanics of spacetime. But one such experiment in quantum physics has had a catastrophic and unanticipated result, creating an enormous, rapidly expanding vacuum -- a region of new physics -- with the frightening potential to devour countless inhabited solar systems.

Tchicaya abandoned his homeworld four thousand years ago to travel the universe, freely choosing, as have others of his bent, to endure the hardships of distance and loneliness for the sake of knowledge and experience. Aboard the Rindler, a starship trawling the border of the allconsuming novo-vacuum, he feels his endless life has new purpose. For the Rindler is the center for the scientific study the phenomenon -- a common ground for Preservationists and Yielders alike, those working to halt and destroy the encroaching worlds-eater ... and those determinedto investigate its marvels while allowing its growth to continue unchecked. Tchicaya has allied himself firmly with the latter camp.

The passing decades -- and inevitable expansion of the void -- widen the great rift between the two factions, intensifying what was once simply ideological differences into something more angry, explosive, and dangerous. And the arrival of Tchicaya's fiery first love, Mariama, and her immediate embracing of the Preservationist cause, intensifies an inner turmoil he has been struggling with since his distant childhood.

But everything onboard the Rindler -- and, ultimately, in the inhabited universe itself-is on the cusp of further cataclysmic change, as the Yielders' explorations threaten to transform discord into violent action and potential xenocide. For new evidence suggests that something unthinkable is developing at an astounding rate deep within the mysterious, 600-light-years-wide void -- something neither Tchicaya and his compatriots nor Mariama and hers could ever have imagined possible: life.

First Auberson made HARLIE, the world's first Human Analogue Robot Life Input Equivalents.

Harlie enjoyed infinite knowledge. But no wisdom. He had ethics, but, by his own admission, no morals. He wrote poetry. Went on mind-bending jags for the pleasure of it. And worried about his sexual identity.

He also made Auberson more of a human being. Helped him learn how to love, for one thing. But Harlie was a financial loss for the company.

The money people wanted to pull Harlie's plug. And they would, unless he could do something worthwhile.

So Harlie thought. And created God....

A near future novelette about the surge in AI that might bring hope to humanity if used well, in Kathleen Ann Goonan's One/Zero.

In war-torn Kurdistan, a group of traumatized orphans is given a gift that could change their lives and the lives of everyone in the world, while in Washington, DC, an elderly woman undergoes medical procedures that radically change her life.

Read the full story for free at Tor.com.

Table of Contents:

• The Fire-Bringer
• The Midas Plague - (1954)
• The Servant of the People - (1982)
• The Man Who Ate the World - (1956)
• The Farmer on the Dole - (1982)
• The Lord of the Skies
• The New Neighbors - (1983)

MAN ALIVE

Charles Forrester was out of the deepfreeze. It had taken several centuries to bring him back to life.

But what a life it was!

The 26th Century offered pleasure at the flip of a button -- everything from gourmet food to stupendous sex right there for the asking. And for a rich man like Forrester, the possibilities of delight were endless.

Of course, everything else was endless too. But by the time Forrester realized that he had had enough of a good thing -- even too much! -- he realized that he would somehow have to kill himself if he were ever to survive!

It was the Age of the Pussyfoot

In 1997, a runaway teenager and her yellow toy robot travel west through a strange USA. The ruins of gigantic battle drones litter the countryside, heaped together with the discarded trash of a high tech consumerist society in decline. As their car approaches the edge of the continent, the world outside the window seems to be unraveling ever faster--as if somewhere beyond the horizon, the hollow core of civilization has finally caved in.

Simon Stålenhag is the internationally acclaimed author, concept designer, and artist behind Tales from the Loop and Things from the Flood. His highly imaginative images and stories depicting illusive sci-fi phenomena in mundane, hyper-realistic Scandinavian landscapes have made Stålenhag one of the most sought-after visual storytellers in the world. In The Electric State, Stålenhag turns his unique vision to America.

Against a background of self-contained space habitats, interplanetary conquest, and bioengineering, two former friends--separated by politics and the death of the woman they both loved--slowly stage elaborate revenge plots. Over the course of several centuries, the two embody the ideological and political conflicts between the Shapers and the Mechanists--the two primary groups of post-humans in Sterling's classic far-future epic.

When Robin wakes up in a clinic with most of his memories missing, it doesn't take him long to discover that someone's trying to kill him. It's the twenty-seventh century, when interstellar travel is by teleport gate and conflicts are fought by network worms that censor refugees' personalities-including Robin's earlier self.

On the run from unknown enemies, he volunteers to participate in a unique experimental polity, the Glasshouse, constructed to simulate a preaccelerated culture. Participants are assigned anonymized identities: it looks like the ideal hiding place for a posthuman on the run. But in this escape-proof environment, Robin will undergo an even more radical change, placing him at the mercy of the experimenters-and at the mercy of his own unbalanced psyche.

From Walter Jon Williams, the celebrated and influential author of Hardwired, Voice of the Whirlwind, and Angel Station comes Implied Spaces, a new novel of post-singularity action, pyrotechnics, and intrigue.

Aristide, a semi-retired computer scientist turned swordsman, a scholar of the implied spaces, seeking meaning amid the accidents of architecture in a universe where reality itself has been sculpted and designed by superhuman machine intelligence. While exploring the pre-technological world Midgarth, one of four dozen pocket universes created within a series of vast, orbital matrioshka computer arrays, Aristide uncovers a fiendish plot threatening to set off a nightmare scenario, perhaps even bringing about the ultimate Existential Crisis: the end of civilization itself!

Traveling the pocket universes with his wormhole-edged sword Tecmessa in hand and talking cat Bitsy, avatar of the planet-sized computer Endora, at his side, Aristide must find a way to save the multiverse from subversion, sabotage, and certain destruction.

In a time of protracted economic crisis, failing political systems, and impending environmental collapse, one strand in our collective cultural myth of Progress - the technological - remains vibrantly intact, surging into the future at ramming speed. Amid the seemingly exponential proliferation of machine intelligence and network connectivity, and the increasingly portentous implications of emerging nanotechnology, futurists and fabulists look to an imminent historical threshold whereupon the nature of human existence will be radically and irrevocably transformed. The Singularity, it is supposed, can be no more than a few years off; indeed, some believe it has already begun. Technological Singularity - a trope conceived in science fiction and subsequently adopted throughout technocultural discourse and beyond - is the primary site of interpenetration between technoscientific and science-fictional figurations of the future, a territory where longstanding binary oppositions between science and fiction, and between present and future, are rapidly dissolving.

In this groundbreaking volume, the first to mount a sustained and wide-ranging critical treatment of Singularity as a subject for theory and cultural studies, Raulerson draws SF texts into a complex dialogue with contemporary digital culture, transhumanist movements, political and economic theory, consumer gadgetry, gaming, and related vectors of high-tech postmodernity. In theorizing Singularity as a metaphorical construct lending shape to a range of millennial anxieties and aspirations, Singularities also makes the case for a recent and little-understood subgeneric formation -- postcyberpunk SF -- as a cohesive body of work, engaged in a shared literary project that is simultaneously shaping, and shaped by, purportedly nonfictional technoscientific discourses.

Nobody knows why there are only three hundred humans left alive on the Earth fifty million years from now. Opinion is fiercely divided on whether to settle in and plant the seed of mankind anew, or to continue using high-energy stasis fields, or "bobbles," in venturing into the future.

When somebody is murdered, it's obvious someone has a secret he or she is willing to kill to preserve.The murder intensifies the rift between the two factions, threatening the survival of the human race. It's up to 21st century detective Wil Brierson, the only cop left in the world, to find the culprit, a diabolical fiend whose lust for power could cause the utter extinction of man.

Filled with excitement and adventure, Vinge's tense SF puzzler will satisfy readers with its sense of wonder and engaging characters, one of whom is a murderer with a unique modus operandi.

Prepare for a different kind of singularity in Peter Watts' Echopraxia, the follow-up to the Hugo-nominated novel Blindsight.

It's the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it's all under surveillance by an alien presence that refuses to show itself.

Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat's-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he's turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out.

Now he's trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn't yet found the man she's sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call "The Angels of the Asteroids."

Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself.

Being a sentient spaceship really should be more fun. But after spreading out through space for almost a century, Bob and his clones just can't stay out of trouble.

They've created enough colonies so humanity shouldn't go extinct. But political squabbles have a bad habit of dying hard, and the Brazilian probes are still trying to take out the competition. And the Bobs have picked a fight with an older, more powerful species with a large appetite and a short temper.

Still stinging from getting their collective butts kicked in their first encounter with the Others, the Bobs now face the prospect of a decisive final battle to defend Earth and its colonies. But the Bobs are less disciplined than a herd of cats, and some of the younger copies are more concerned with their own local problems than defeating the Others.

Yet salvation may come from an unlikely source. A couple of eighth-generation Bobs have found something out in deep space. All it will take to save the Earth and perhaps all of humanity is for them to get it to Sol -- unless the Others arrive first.

In the twenty-first century man created the Eschaton, a sentient artificial intelligence. It pushed Earth through the greatest technological evolution ever known, while warning that time travel is forbidden, and transgressors will be eliminated. Distant descendants of this ultra high-tech Earth live in parochial simplicity on the far-flung worlds of the New Republic. Their way of life is threatened by the arrival of an alien information plague known as the Festival. As forbidden technologies are literally dropped from the sky, suppressed political factions descend into revolutionary turmoil. A battle fleet is sent from Earth to destroy the Festival, but Spaceship engineer Martin Springfield and U.N. diplomat Rachel Mansour have been assigned rather different tasks. Their orders are to diffuse the crisis or to sabotage the New Republic's war-fleet, whatever the cost, before the Eschaton takes hostile action on a galactic scale.

When the planet of Moscow was annihilated, its few survivors launched a counter-attack against the most likely culprit: the neighboring system of New Dresden. But New Dresden wasn't responsible, and as the deadly missiles approach their target, Rachel Mansour, agent for the interests of Old Earth, is assigned to find out who was.

And the one person who knows is a disaffected teenager who calls herself Wednesday Shadowmist. But Wednesday has no idea what she knows...

For three generations, the Macz family has struggled to cope with the rampant technological achievements that have rendered humans near obsolete. And mankind's end encroaches even closer when something starts to dismantle the nine planets of the solar system in an effort to annihilate all biological lifeforms.

Read the full novel for free at the author's website.

Mankind gets an upgrade

In the near future, the experimental nano-drug Nexus can link humans together, mind to mind. There are some who want to improve it. There are some who want to eradicate it. And there are others who just want to exploit it.

When a young scientist is caught improving Nexus, he's thrust over his head into a world of danger and international espionage - for there is far more at stake than anyone realizes.

From the halls of academe to the halls of power, from the headquarters of an elite US agency in Washington DC to a secret lab beneath a top university in Shanghai, from the underground parties of San Francisco to the illegal biotech markets of Bangkok, from an international neuroscience conference to a remote monastery in the mountains of Thailand - Nexus is a thrill ride through a future on the brink of explosion.

Global unrest spreads as mass protests advance throughout the US and China, Nexus-upgraded riot police battle against upgraded protestors, and a once-dead scientist plans to take over the planet's electronic systems. The world has never experienced turmoil of this type, on this scale.They call them the Apex - humanity's replacement. They're smarter, faster, better. And infinitely more dangerous.

Humanity is dying. Long live the Apex.

It all begins next year in California. A maladjusted computer industry billionaire and a somewhat crazy US President initiate a radical transformation of the world through sentient nanotechnology; sort of the equivalent of biological artificial intelligence. At first they succeed, but their plans are reversed by Chu, an autistic boy. The next time it isn't so easy to stop them. Most of the story takes place in a world after a heretofore unimaginable transformation, where all the things look the same but all the people are different (they're able to read each others' minds, for starters). Travel to and from other nearby worlds in the quantum universe is possible, so now our world is visited by giant humanoids from another quantum universe, and some of them mean to tidy up the mess we've made. Or maybe just run things.

After the Singularity, everyone and everything is sentient and telepathic. Aliens notice and invade Earth. In Rucker's last novel, Postsingular, the Singularity happened and life on Earth was transformed by the awakening of all matter into consciousness and into telepathic communication. The most intimate moments of your life can be experienced by anyone who cares to pay attention, or by hundreds of thousands of anyones if you are one of the Founders who helped create the Singularity.

The small bunch of Founders, including young newlyweds Thuy, a hypertext novelist, and Jayjay, a gamer and brain-enhancement addict, are living a popular, live-action media life. But now alien races that have already gone through this transformation notice Earth for the first time, and begin to arrive to exploit both the new environment and any available humans. Some of them are real estate developers, some are slavers, and some just want to help. But how to tell the difference? Someone has to save humanity from the alien invasions, and it might as well be reality media stars Thuy and Jayjay.

TO SAVE THEIR CIVILISATION HE MUST DESTROY IT...

When images of a lost civilization are 'dreamed' by a self-proclaimed prophet of the age, Nigel Sheldon, inventor of wormhole technology and creator of the Commonwealth society, is asked to investigate. Especially as the dreams seem to be coming from the Void - a mysterious area of living space monitored and controlled because of its hugely destructive capabilities. With it being the greatest threat to the known universe, Nigel is committed to finding out what really lies within the Void and if there's any truth to the visions they've received. Does human life really exist inside its boundary?

But when Nigel crash lands inside the Void, on a planet he didn't even know existed, he finds so much more than he expected. Bienvenido: a world populated by the ancestors of survivors from Commonwealth colony ships that disappeared centuries ago. Since then they've been fighting an increasingly desperate battle against the Fallers, a space-born predator artificially evolved to conquer worlds. Their sole purpose is to commit genocide against every species they encounter. With their powerful telepathic lure - that tempts any who stray across their path to a slow and painful death - they are by far the greatest threat to humanity's continued existence on this planet.

But Nigel soon realizes that the Fallers also hold the key to something he'd never hoped to find - the destruction of the Void itself. If only he can survive long enough to work out how to use it...

Ellen May Ngewthu is a young woman with centuries of experience, a soldier and leader of the Cassini Division, the elite defense force of the utopian Solar Union. Here in the twenty-fourth century, the forts of the Division, in orbit around a mysteriously transformed Jupiter, are the front line in humanity's long standoff with the unknowable posthumans--godlike and remote beings descended from the people who transformed themselves with high technology centuries ago.

The posthumans' capacities are unknown . . . but we know they disintegrated Ganymede, we know they punched a wormhole into Jovian space, and we know that the very surface of the solar system's largest planet has been altered by their incomprehensible artifacts. Worst of all, we know that they have been bombarding the solar system with powerful data viruses for generations.

Now Ellen has a plan to rid humanity of this threat once and for all. But she needs to recruit the right people to her cause--and convince them to mistrust the posthumans as much as she does.

Her quest will take her to the mid-Atlantic towers of Solar Union Earth, to the green ruins of London, and, in the farthest reaches of human space, to the long-separated libertarian colony of New Mars. In the process, much will be revealed--about history, about power, and about what it is to be human.

Where Flynne and her brother, Burton, live, jobs outside the drug business are rare. Fortunately, Burton has his veteran's benefits, for neural damage he suffered from implants during his time in the USMC's elite Haptic Recon force. Then one night Burton has to go out, but there's a job he's supposed to do – a job Flynne didn't know he had. Beta-testing part of a new game, he tells her. The job seems to be simple: work a perimeter around the image of a tower building. Little buglike things turn up. He's supposed to get in their way, edge them back. That's all there is to it. He's offering Flynne a good price to take over for him. What she sees, though, isn't what Burton told her to expect. It might be a game, but it might also be murder.

Some time around the year 2020, in a trailer park in the Deep South, a young woman witnesses a murder. She is in a video game, and watches with horror as a drone strike kills a child.

At precisely the same moment, one hundred years in the future, a boy is remotely killed on the streets of London's great skyscrapers. The perpetrator remains anonymous.

Interweaving two strange futures, from a ramshackle community of US Army veterans, to the teeming masses of a mega city, The Peripheral tells the story of a brave new world of drones, outsourcing and kleptocracy, and of a crime that can only be solved across time.

It is the twenty-third century. Herb, a young entrepreneur, returns to the isolated planet on which he has illegally been trying to build a city and finds it destroyed by a swarming nightmare of self-replicating machinery. Worse, the all-seeing Environment Agency has been watching him the entire time. His punishment? A nearly hopeless battle in the farthest reaches of the universe against enemy machines twice as fast, and twice as deadly, as his ownin the company of a disarmingly confident AI who may not be exactly what he claims

Little does Herb know that this war of machines was set in motion nearly two hundred years agoby mankind itself. For it was then that a not-quite-chance encounter brought a confused young girl and a nearly omnipotent AI together in one fateful moment that may have changed the course of humanity forever.

Welcome to the year 2252--and congratulations! You’re now a personality construct. We know that can be a daunting stage of personal development, especially if you don’t remember making this life-changing decision. But we’re here to help….

Helen is waking to a dark new reality—one that she’s certain she didn’t choose. In this borrowed existence, she finds an unexpected guide in Judy, a geisha-faced virgin who’s on a mission of her own. Together, the two of them begin a dangerous run through dozens of imagined worlds in an attempt to trap a psychopath haunting the shadowed areas of virtual space—a killer who brutally murdered an earlier version of Helen and who plans to kill again. Meanwhile, Justinian is investigating a peculiar rash of AI suicides on far-off planets—and finds that not only is there more to these “deaths” than he thought, but that they may be linked to his wife Anya’s mysterious coma.

In a future where AIs have taken over human life and the Environment Agency runs everything for our own good, the fact that we can live on after physical death as sentient digital beings should have been a good thing. Instead, as Helen and Justinian are about to discover, it just means there are more ways to die.

After a tumultuous beginning, mid-23rd-century Earth now peacefully operates under the constant surveillance of the Watcher, an all-seeing AI who has seized control of the planet—and of the minds and bodies of its people. But is the radical evolution that the Watcher has in mind a step forward or the beginning of a mighty split that will cast aside everything that truly makes us human?

It is 2252, and Judy is traveling on a passenger ship in deep space when disaster strikes. Almost too conveniently, strange machines appear onboard just in time to help. They are owned by DIANA, a commercial organization headquartered on Earth. But as the machines arrange for the humans to be taken to safety, Judy is held back. They have detected something in her genetic code—something shocking: Judy is not human. And she too is the property of DIANA.

Now Judy must return to Earth to find out what DIANA expects of her…how she was grown…and why she was destined to destroy the Watcher. But is this Judy even the same person? And does the new Judy have a reason to destroy—or is she just a pawn in someone else’s murderous game?

The Way is a tunnel through space and time. The entrance is through the hollow asteroid Thistledown and the space station Axis City that sits at the asteroid's center. From there the Flawships ride the center of the Way, traveling to other worlds and times.

Now the rulers of Axis City have discovered that a huge group of colonists has secretly entered one of the interdicted worlds along the Way. In some ways Lamarkia is very Earth-like--but its biology is extraordinary. A single genetic entity can take many forms, and span a continent. There are only a few of these "ecos" on Lamarkia, and the effect of human interaction on them is unknown.

Olmy Ap Sennon has been sent to secretly assess the extent of the damage. But he will find far more than an intriguing alien biology--for on their new world the secret colonists have returned to the old ways of human history: war, famine, and ecological disaster. On this mission, Olmy will learn about the basics: love, responsibility, and even failure...

While the human race struggles against alien oppressors, an even greater epic battle rages between the deadly dark-matter photino birds and their implacable enemy, the Xeelee...

A sentient Ship with godlike powers (and aspirations) delivers the last survivors of humanity to a horrific, poisonous planet, Pandora--rife with deadly Nerve-Runners, Hooded Dashers, airborne jellyfish, and intelligent kelp. Chaplain/Psychiatrist Raja Lon Flattery is brought back out of hybernation to witness Ship's machinations as well as the schemes of human scientists manipulating the genetic structure of humanity. Sequel to Frank Herbert's Destination: Void, the first book in Herbert & Ransom's Pandora Sequence.