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Thought to have been first written down in the 12th century by an author who is still unknown, "The Nibelungenlied", translated from Middle High German as "The Song of the Nibelungs", is an epic German poem reflecting the oral tradition, heroic motifs, and actual events and individuals from the 5th and 6th centuries. This remarkable work begins with an assurance of both joy and sorrow, though ultimately tragedy reins in "The Nibelungenlied".

The early chapters recount the young life of Siegfried, a great Netherlands prince, who slew a dragon and bathed in its blood while still young, giving him extraordinary strength. He goes on to meet the lovely princess Kriemhild, whose brother Gunther requires his help to marry the strong Icelandic Queen Brünhild in exchange for his sister's hand. All is well until Brünhild discovers the deception of Gunther and Siegfried, and her successful plot to murder the latter incites bloody revenge from Kriemhild.

From the court of the Burgundians to the court of Etzel, from terrible deaths to hidden treasure, "The Nibelungenlied" is a masterful illumination of German antiquity and dramatic legend.

The Poetic Edda, also known as The Elder Edda or Saemund's Edda, is a magnificent and magical collection of thirty-four Icelandic poems, interwoven with prose, dating from the 9th century to the 12th. The original Old Norse verses are printed here, side by side with English translations. The collection includes the archetypal stories about wise Odin, hammer-wielding Thor, mischievous Loki and the other gods and goddesses of Asgard.

The poems features a dragon called Fierce-stinger: "Fares from beneath a dim dragon flying, a glistening snake from the Moonless Fells. Fierce-stinger bears the dead on his pinions away o'er the plains. I sink now and cease." The language is archaic, so for 21st century readers a glossary is provided at the back of this book, as well as an index of names to help identify all the characters. Bray's lengthy introduction has also been revised for modern readers, and some footnote citations omitted. Remarkably in Bray's edition, the original Icelandic text was included.

The Poetic Edda is the most important existing source on Norse mythology and Germanic heroic legends.

The Worm Ourorobos is second only to the Lord of the Rings in the pantheon of 20th century English fantasy. E.R. Eddison, who moved in the same literary circles as Tolkien, was praised by Tolkien as "The greatest and most convincing writer of 'invented worlds' that I have read."

The Worm Ourorbos was originally published in a very limited and now very rare edition in 1922 (a used first edition recently listed for $3,750). Eddison wrote three sequels set in roughly the same universe, but none of them have the sustained pacing and invention of Ouroboros.

Before diving in, there are a few things to be aware of. The rich language Eddison uses is based on Tudor and Jacobean English, with some modern anachronisms; it may take some getting used to, and occasionally a trip to the unabridged Oxford English Dictionary. The narrator, one Lessingham, who appears in a very brief framing sequence, disappears a few dozen pages in. The book is set on Mercury; however, keep in mind this is not science fiction, so this is not literally the planet Mercury. Eddison on several occasions in the body of the book calls the world 'Middle Earth', and the setting is recognizably the Midgard of the Norse myths and sagas, although for some unexplained reason the denizens worship the Greek pantheon. The cast of characters, like Tolkien, are principally masculine, albeit with a couple of standout female leads. And lastly the various nationalities (Demons, Witches, Pixies, Imps, etc.) are not really separate species as in Tolkien; they are all essentially humans.