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Things Will Never Be the Same:  Selected Short Fiction, 1980 - 2005

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Things Will Never Be the Same: Selected Short Fiction, 1980 - 2005

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Author: Howard Waldrop
Publisher: Old Earth Books, 2007
Series: A Howard Waldrop Reader: Book 1

1. Things Will Never Be the Same
2. Other Worlds, Better Lives

Book Type: Collection
Genre: Science-Fiction
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Synopsis

Contains:

Nebula- and WFA-winning, Hugo-, Balrog- and Locus-nominated Novelette "The Ugly Chickens"
Hugo-, Nebula- and Locus-nominated Short Story "Flying Saucer Rock and Roll"
Nebula- and Locus-nominated Short Story "Heirs of the Perisphere"
Nebula-, Sturgeon-, and Locus-nominated Short Story "The Lions Are Asleep This Night"
Locus-winning and Hugo-nominated Short Story "Night of the Cooters"
Hugo-, Nebula-, Sturgeon-, Asimov's-, and Locus-nominated Novelette "Do Ya, Do Ya, Wanna Dance?"
Sidewise-nominated Short Story "US"
WFA- and Locus-nominated Short Story "The Dynasters: Vol. 1: On The Downs"
Hugo-nominated Novelette "The King of Where-I-Go"

In Things Will Never Be the Same, Waldrop has chosen 16 of his best short stories and written a new afterword to each. The book opens with the multiple award-winner "The Ugly Chickens," in which a chance remark on a bus leads a young researcher into backwoods Mississippi to discover the real fate of the dodo.

It closes with a tale of alternate realities, "The King of Where-I-Go," somehow combining the polio epidemic of the early 1950s, the famous ESP experiments at Duke, and a man's love for H.G. Wells's The Time Machine.

As usual, Waldrop generates a lot of his narrative electricity by conjoining seemingly unlikely thematic material. In "Flying Saucer Rock and Roll," he blends UFO scares, the 1965 New York blackout and a singing competition between two doo-wop groups, the Kool-Tones and Bobby and the Bombers.

"The Sawing Boys" retells the Grimm Brothers' fairy tale "The Bremen Town Musicians" in the style of Damon Runyon, setting the story in the Kentucky backwoods.

"The Lions Are Asleep This Night" imagines an alternate Africa in which young Robert Oinenke composes an Elizabethan-style drama about the "tragicall death of King Motofuko."

The best Waldrops tend to mix the humorous and wistful. What if robotic versions of Mickey, Donald and Goofy, designed for an amusement park, were the last creatures on Earth? What if the Martians landed in Pachuco County, Tex., back in the late 19th century, and a kind of Slim Pickens character was the sheriff in charge of keeping the peace? What if Chiron the centaur grew old and during the reign of Julian the Apostate needed help to make his way back to his original homeland, the as yet undiscovered America? (In a neat touch, Waldrop's narrator refers to Christians and their idiotic schism as being a danger to "decent gods-fearing folk.")

In "French Scenes," he even reveals how young Parisian filmmakers, such as François Truffaut and Jean-Luc Godard, interpreted American gangster movies.

When Neville Brand in "Riot in Cell Block 11" gets shot at with a Thompson submachine gun, he yells: "Look out, Monty! They got a chopper! Back inside!" But what the Cahiers du Cinema people hear is "Steady, mon frère! Let us leave this place of wasted dreams."

In "Heart of Whitenesse," which Waldrop himself seems to view as his most compacted and densely allusive work, Christopher Marlowe is sent up the frozen Thames on a secret mission to kill Dr. Faustus.

- The Washington Post

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