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Macbeth is Shakespeare's shortest tragedy and it's writing was, perhaps, finished in 1606.

It tells the story of a brave Scottish general named Macbeth who receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the throne for himself. He is then wracked with guilt and paranoia, and he soon becomes a tyrannical ruler as he is forced to commit more and more murders to protect himself from enmity and suspicion. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of arrogance, madness, and death.

FROM HELL is the story of Jack the Ripper, perhaps the most infamous man in the annals of murder. Detailing the events leading up to the Whitechapel killings and the cover-up that followed, FROM HELL is a meditation on the mind of a madman whose savagery and violence gave birth to the 20th century. The serialized story, presented in its entirety in this volume, has garnered widespread attention from critics and scholars. Often regarded as one of the most significant graphic novels ever published, FROM HELL combines meticulous research with educated speculation, resulting in a masterpiece of historical fiction both compelling and terrifying.

WFA nominated novella. It originally appeared in the anthology Night Visions 3 (1986), edited by George R.R. Martin.

It was the basis for the 1987 movie Hellraiser.

Welcome to Derry, Maine. It's a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real.

They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But the promise they made twenty-eight years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city's children. Now, children are being murdered again and their repressed memories of that terrifying summer return as they prepare to once again battle the monster lurking in Derry's sewers.

With the 1984 publication of Books of Blood, Clive Barker became an overnight literary sensation. He was hailed by Stephen King as "the future of horror," and won both the British and World Fantasy Awards. Now, with his numerous bestsellers, graphic novels, and hit movies like the Hellraiser films, Clive Barker has become an industry unto himself. But it all started here, with this tour de force collection that rivals the dark masterpieces of Edgar Allan Poe. Read him. And rediscover the true meaning of fear.

Table of Contents:

• Introduction (Books of Blood) - (1984) - essay by Ramsey Campbell
• Books of Blood, Volume I - [Books of Blood - 1] - (1984) - collection
• The Book of Blood - (1984) - short story
• The Midnight Meat Train - (1984) - novelette
• The Yattering and Jack - (1984) - novelette
• Pig Blood Blues - (1984) - novelette
• Sex, Death and Starshine - (1984) - novelette
• In the Hills, the Cities - (1984) - novelette
• Books of Blood, Volume II - [Books of Blood - 2] - (1984) - collection
• Dread - (1984) - novelette
• Hell's Event - (1984) - novelette
• Jacqueline Ess: Her Will and Testament - (1984) - novelette
• The Skins of the Fathers - (1984) - novelette
• New Murders in the Rue Morgue - (1984) - novelette
• Books of Blood, Volume III - [Books of Blood - 3] - (1984) - collection
• Son of Celluloid - (1984) - novelette
• Rawhead Rex - (1984) - novelette
• Confession of a (Pornographer's) Shroud - (1984) - novelette
• Scape-Goats - (1984) - novelette
• Human Remains - (1984) - novelette

The phenomenal bestseller that inspired the classic motion picture.

This short story originally appeared in Weird Tales in 1928. It has been anthologized many times, including the anthology The Dark Descent, edited by David G. Hartwell, and has also been included in a myriad of collections, including the collections The Call of Cthulhu and Other Weird Stories and The Dunwich Horror and Others.

It was the basis for the 2005 featurette The Call of Cthulhu.

The February 1928 issue of Weird Tales containing "The Call of Cthulhu" is available free on Internet Archives.

The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act... different. She's moody. She's irritable. And bizarre incidents keep happening whenever she's nearby. Abby's investigation leads her to some startling discoveries--and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil?

One of the most durable myths in Western culture, the story of Faust tells of a learned German doctor who sells his soul to the devil in exchange for knowledge and power. Early enactments of Faust's damnation were often the raffish fare of clowns and low comedians. But the young Elizabethan playwright Christopher Marlowe (1564-1593) recognized in the story of Faust's temptation and fall the elements of tragedy.

In his epic treatment of the Faust legend, Marlowe retains much of the rich phantasmagoria of its origins. There are florid visions of an enraged Lucifer, dueling angels, the Seven Deadly Sins, Faustus tormenting the Pope, and his summoning of the spirit of Alexander the Great. But the playwright created equally powerful scenes that invest the work with tragic dignity, among them the doomed man's calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.

With immense poetic skill, and psychological insight that foreshadowed the later work of Shakespeare and the Jacobean playwrights, Marlowe created in Dr. Faustus one of the first true tragedies in English. Vividly dramatic, rich in poetic grandeur, this classic play remains a robust and lively exemplar of the glories of Elizabethan drama.

Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back-though the price will be bloody and terrible... and there will certainly be hell to pay.

At first Ig thought the horns were a hallucination, the product of a mind damaged by rage and grief. He had spent the last year in a lonely, private purgatory, following the death of his beloved, Merrin Williams, who was raped and murdered under inexplicable circumstances. A mental breakdown would have been the most natural thing in the world. But there was nothing natural about the horns, which were all too real.

Once the righteous Ig had enjoyed the life of the blessed: born into privilege, the second son of a renowned musician and younger brother of a rising late-night TV star, he had security, wealth, and a place in his community. Ig had it all, and more-he had Merrin and a love founded on shared daydreams, mutual daring, and unlikely midsummer magic.

But Merrin's death damned all that. The only suspect in the crime, Ig was never charged or tried. And he was never cleared. In the court of public opinion in Gideon, New Hampshire, Ig is and always will be guilty because his rich and connected parents pulled strings to make the investigation go away. Nothing Ig can do, nothing he can say, matters. Everyone, it seems, including God, has abandoned him. Everyone, that is, but the devil inside....

Now Ig is possessed of a terrible new power to go with his terrible new look-a macabre talent he intends to use to find the monster who killed Merrin and destroyed his life. Being good and praying for the best got him nowhere. It's time for a little revenge.... It's time the devil had his due....

The home that belonged to Angela Toussaint's late grandmother is so beloved that townspeople in Sacajawea, Washington, call it the Good House. But that all changes one summer when an unexpected tragedy takes place behind its closed doors... and the Toussaint's family history -- and future -- is dramatically transformed. Angela has not returned to the Good House since her son, Corey, died there two years ago. But now, Angela is finally ready to return to her hometown and go beyond the grave to unearth the truth about Corey's death. Could it be related to a terrifying entity Angela's grandmother battled seven decades ago? And what about the other senseless calamities that Sacajawea has seen in recent years? Has Angela's grandmother, an African American woman reputed to have "powers," put a curse on the entire community?

A thrilling exploration of secrets, lies, and divine inspiration, "The Good House" will haunt readers long after its chilling conclusion.

Much to the chagrin of his girlfriend, Gia, Repairman Jack doesn't deal with appliances. He fixes situations - situations that too often land him in deadly danger. His latest fix is finding a stolen necklace which, unknown to him, is more than a simple piece of jewelry.

Some might say it's cursed, others might call it blessed. The quest leads Jack to a rusty freighter on Manhattan's West Side docks. What he finds in its hold threatens his sanity and the city around him. But worst of all, it threatens Gia's daughter Vicky, the last surviving member of a bloodline marked for extinction.

Note from the author:

Some of you who read pre-1998 editions of The Tomb have questioned (and rightfully so) how Legacies, so obviously a contemporary novel, could take place only months after The Tomb, which was definitely set in the mid 1980s. The answer is simple: I cheated. I changed The Tomb for the new 1998 edition.

You see, I never planned to bring Jack back. But when I did, I realized I'd either have to set his new stories in the eighties, or go back and change The Tomb. I chose the latter and removed all references that would moor The Tomb in a specific era. The 1998 edition is now what we authors like to call "the preferred text."

All the new Repairman Jack novels loop out from The Tomb and will weave their way back toward Nightworld. I don't know how many we'll end up with. When they stop being fun to write or when I notice I'm starting to repeat myself, I'll quit and move on to something else.

In the 1990s, heavy metal band Dürt Würk was poised for breakout success--but then lead singer Terry Hunt embarked on a solo career and rocketed to stardom as Koffin, leaving his fellow bandmates to rot in obscurity.

Two decades later, former guitarist Kris Pulaski works as the night manager of a Best Western--she's tired, broke, and unhappy. Everything changes when a shocking act of violence turns her life upside down, and she begins to suspect that Terry sabotaged more than just the band.

Kris hits the road, hoping to reunite with the rest of her bandmates and confront the man who ruined her life. It's a journey that will take her from the Pennsylvania rust belt to a celebrity rehab center to a music festival from hell. A furious power ballad about never giving up, even in the face of overwhelming odds, We Sold Our Souls is an epic journey into the heart of a conspiracy-crazed, pill-popping, paranoid country that seems to have lost its very soul... where only a lone girl with a guitar can save us all.

Felix Castor is a freelance exorcist, and London is his stamping ground. It may seem like a good ghostbuster can charge what he likes and enjoy a hell of a lifestyle--but there's a risk: Sooner or later he's going to take on a spirit that's too strong for him. While trying to back out of this ill-conceived career, Castor accepts a seemingly simple ghost-hunting case at a museum in the shadowy heart of London--just to pay the bills, you understand. But what should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons and ghosts all keen to claim the big prize. That's OK: Castor knows how to deal with the dead. It's the living who piss him off...

Rosemary Woodhouse and her struggling actor husband Guy move into the Bramford, an old New York City apartment building with an ominous reputation and mostly elderly residents. Neighbors Roman and Minnie Castavet soon come nosing around to welcome the Woodhouses to the building, and despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband takes a special shine to them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavets' circle is not what it seems.

In the summer of 1960 in Elm Haven, Illinois, a sinister being is stalking the town's children, and when a long-silent bell peals in the middle of the night, the townfolk know it marks the end of innocence.

This mind-blowing classic conjures a universe of unrelenting sexual degradation and horror. Private dick Herald Childe is sent a snuff movie of his partner being hideously murdered. His pursuit of the killers leads him into a waking nightmare of sexual brutality and supernatural bestiality, as he becomes entangled with sex-starved she-ghosts, libidinous snake-women, a filthy human sow, and a she-creature who gives birth to an ectoplasmic simulacrum of Satanic child-killer Gilles de Rais.

Chance had ruled Marty Strauss' life for as long as he could remember. Now at last luck was turning his way. Parolled from prison, he becomes bodyguard to Joseph Whitehead, one of the richest men in Europe. But Whitehead has also played with chance - an ancient game which gave him vast power and wealth, in exchange for his immortal soul. Now the forces he played against are back to claim what's theirs. Terryifying forces, with the power to raise the dead; and Marty is trapped between his human masters and Hell itself, with just one last, desperate game left to play.

For aeons, the forces of darkness had tampered from afar with the earth and its inhabitants, until, in the ominously near future, Theron Ware, Doctor of Theology and Black Sorcerer of fiendish powers, conjures the fallen angels into the world of the flesh to deal more directly with those who would enlist the aid of the Evil One.

Retained by shadowy megalomaniac industrialist Baines to assassinate the Governor of California, Theron finds the means to unleash the demons of the underworld for one night of apocalyptic horror - to reign unopposed over heaven and earth, or to fall before the magic of the Monk of Monte Albano.

A chilling thriller that brilliantly blends domestic drama, psychological suspense, and a touch of modern horror, reminiscent of Mark Z. Danielewski's House of Leaves, John Ajvide Lindqvist's Let the Right One In, and Shirley Jackson's The Haunting of Hill House.

The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia.

To her parents' despair, the doctors are unable to stop Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts' plight. With John, Marjorie's father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.

Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface--and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

In Castle Rock, Maine, Leland Gaunt is a stranger. He runs a shop called Needful Things, where there's something for everyone-and a price for everyone, too. For Gaunt, the pleasure of doing business lies in seeing how much people will pay for their most secret desires. When two townspeople oppose him, it becomes an epic clash of good vs. evil.

It is the time of the Great Depression.

Thousands have left their homes looking for a better life, a new life. But Marcus Connelly is not one of them. He searches for one thing, and one thing only. Revenge.

Because out there, riding the rails, stalking the camps, is the scarred vagrant who murdered Connelly's daughter. No one knows him, but everyone knows his name: Mr. Shivers.

In this extraordinary debut, Robert Jackson Bennett tells the story of an America haunted by murder and desperation. A world in which one man must face a dark truth and answer the question-how much is he willing to sacrifice for his satisfaction?

When a young woman clears out her deceased grandmother's home in rural North Carolina, she finds long-hidden secrets about a strange colony of beings in the woods in this chilling novel that reads like The Blair Witch Project meets The Andy Griffith Show.

When Mouse's dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be?

Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there's more--Mouse stumbles across her step-grandfather's journal, which at first seems to be filled with nonsensical rants... until Mouse encounters some of the terrifying things he described for herself.

Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors--because sometimes the things that go bump in the night are real, and they're looking for you. And if she doesn't face them head on, she might not survive to tell the tale.

One million years of evolution didn't change our nature. Nor did it bury the horrors predating civilisation. Ancient rites, old deities and savage ways can reappear in the places you least expect.

Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artefacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life.

Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh's caves. A site where early humans butchered each other across sixty thousand years. Upon the walls, images of their nameless gods remain.

Amidst rumours of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless supernormal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene are given no choice. They were involved and condemned before they knew it.

Built on the Upper West Side, the elegant Breviary claims a regal history. But despite 14B's astonishingly low rental price, the recent tragedy within its walls has frightened away all potential tenants . . . except for Audrey Lucas.

No stranger to tragedy at thirty-two-a survivor of a fatherless childhood and a mother's hopeless dementia- Audrey is obsessively determined to make her own way in a city that often strangles the weak. But is it something otherworldly or Audrey's own increasing instability that's to blame for the dark visions that haunt her . . . and for the voice that demands that she build a door? A door it would be true madness to open . . .

Big-band frontman Johnny Favorite was singing for the troops when a Luftwaffe fighter squadron strafed the bandstand, killing the crowd and leaving the singer near death. The army returned him to a private hospital in upstate New York, leaving him to live out his days as a vegetable while the world forgot him. But Louis Cyphre never forgets.

Cyphre had a contract with the singer, stipulating payment upon Johnny's death--payment that will be denied as long as Johnny clings to life. When Cyphre hires private investigator Harry Angel to find Johnny at the hospital, Angel learns that the singer has disappeared. It is no ordinary missing-person's case. Everyone he questions dies soon after, as Angel's investigation ensnares him in a bizarre tangle of black magic, carnival freaks, and grisly voodoo. When the sinister Louis Cyphre begins appearing in Angel's dreams, the detective fears for his life, his sanity, and his soul.

On a Midwestern campus in the 1960s, a charismatic guru and his young acolytes perform a secret ritual in a local meadow. What happens is a mystery-all that remains is a gruesomely dismembered body and the shattered souls of all who were present. Forty years later, one man seeks to learn about that horrifying night, and to do so he'll have to force those involved to examine the unspeakable events that have haunted them ever since.

Unfolding through their individual stories, A Dark Matter is an electric, chilling, and unpredictable novel that proves Peter Straub to be the master of modern horror.

Meryam and Adam take risks for a living. But neither is prepared for what lies in the legendary heights of Mount Ararat, Turkey.

First to reach a massive cave revealed by an avalanche, they discover the hole in the mountain's heart is really an ancient ship, buried in time. A relic that some fervently believe is Noah's Ark.

Deep in its recesses stands a coffin inscribed with mysterious symbols that no one in their team of scholars, archaeologists and filmmakers can identify. Inside is a twisted, horned cadaver. Outside a storm threatens to break.

As terror begins to infiltrate their every thought, is it the raging blizzard that chases them down the mountain - or something far worse?

When guerrilla documentary maker, Kyle Freeman, is asked to shoot a film on the notorious cult known as the Temple of the Last Days, it appears his prayers have been answered. The cult became a worldwide phenomenon in 1975 when there was a massacre including the death of its infamous leader, Sister Katherine. Kyle's brief is to explore the paranormal myths surrounding an organization that became a testament to paranoia, murderous rage, and occult rituals. The shoot's locations take him to the cult's first temple in London, an abandoned farm in France, and a derelict copper mine in the Arizonan desert where The Temple of the Last Days met its bloody end. But when he interviews those involved in the case, those who haven't broken silence in decades, a series of uncanny events plague the shoots. Troubling out-of-body experiences, nocturnal visitations, the sudden demise of their interviewees and the discovery of ghastly artifacts in their room make Kyle question what exactly it is the cult managed to awaken - and what is its interest in him?