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Rex is a Good Dog. He loves humans. He hates enemies. He's utterly obedient to Master.

He's also seven foot tall at the shoulder, bulletproof, bristling with heavy calibre weaponry and his voice resonates with subsonics especially designed to instil fear. With Dragon, Honey and Bees, he's part of a Multi-form Assault Pack operating in the lawless anarchy of Campeche, Southeastern Mexico.

Rex is a genetically engineered bioform, a deadly weapon in a dirty war. He has the intelligence to carry out his orders and feedback implants to reward him when he does. All he wants to be is a Good Dog. And to do that he must do exactly what Master says and Master says he's got to kill a lot of enemies. But who, exactly, are the enemies? What happens when Master is tried as a war criminal? What rights does the Geneva Convention grant weapons? Do Rex and his fellow bioforms even have a right to exist? And what happens when Rex slips his leash?

THIS IS THE WAY THE WORLD ENDS. AGAIN.

Three terrible things happen in a single day.

Essun, masquerading as an ordinary schoolteacher in a quiet small town, comes home to find that her husband has brutally murdered their son and kidnapped their daughter. Mighty Sanze, the empire whose innovations have been civilization's bedrock for a thousand years, collapses as its greatest city is destroyed by a madman's vengeance. And worst of all, across the heartland of the world's sole continent, a great red rift has been been torn which spews ash enough to darken the sky for years. Or centuries.

But this is the Stillness, a land long familiar with struggle, and where orogenes -- those who wield the power of the earth as a weapon -- are feared far more than the long cold night. Essun has remembered herself, and she will have her daughter back.

She does not care if the world falls apart around her. Essun will break it herself, if she must, to save her daughter.

One of Jack Vances enduring classics is his 1964 novel, The Dying Earth, and its sequelsa fascinating tale set on a far-future Earth, under a giant red sun that is soon to go out forever. This volume comprises all four books in the series, The Dying Earth, The Eyes of the Overworld, Cugels Saga and Rialto the Magnificent.

By 2021, the World War had killed millions, driving entire species into extinction and sending mankind off-planet. Those who remained coveted any living creature, and for people who couldn't afford one, companies built incredibly realistic simulacrae: horses, birds, cats, sheep... They even built humans.

Emigrees to Mars received androids so sophisticated it was impossible to tell them from true men or women. Fearful of the havoc these artificial humans could wreak, the government banned them from Earth. But when androids didn't want to be identified, they just blended in.

Rick Deckard was an officially sanctioned bounty hunter whose job was to find rogue androids, and to retire them. But cornered, androids tended to fight back, with deadly results.

An enduring classic, this book offers a dramatic and prophetic look at the potential consequences of the escalating destruction of Earth.

In this nightmare society, air pollution is so bad that gas masks are commonplace. Infant mortality is up, and everyone seems to suffer from some form of ailment. The water is polluted, and only the poor drink from the tap. The government is ineffectual, and corporate interests scramble to make a profit from water purifiers, gas masks, and organic foods.

Environmentalist Austin Train is on the run. The Trainites, environmental activists and sometime terrorists, want him to lead their movement. The government wants him in jail, or preferably, executed. The media wants a circus. Everyone has a plan for Train, but Train has a plan of his own.

THIS IS THE WAY THE WORLD ENDS... FOR THE LAST TIME.

The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.

Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.

For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

This Omnibus Edition collects the five Wool books into a single volume. It is for those who arrived late to the party and who wish to save a dollar or two while picking up the same stories in a single package.

The first Wool story was released as a standalone short in July of 2011. Due to reviewer demand, the rest of the story was released over the next six months. My thanks go out to those reviewers who clamored for more. Without you, none of this would exist. Your demand created this as much as I did.

This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they profess to want: They are allowed outside.

The roguish Cugel the Clever is stranded on a shore on the other side of the world by the Laughing Magic and must fight, bluff, and connive his way back to Almery to take vengeance on the wizard.

Alternate title: Cugel: The Skybreak Spatterlight

A stunning and provocative new novel by the internationally celebrated author of The Blind Assassin, winner of the Booker Prize.

Margaret Atwood?s new novel is so utterly compelling, so prescient, so relevant, so terrifyingly-all-too-likely-to-be-true, that readers may find their view of the world forever changed after reading it.

This is Margaret Atwood at the absolute peak of her powers. For readers of Oryx and Crake, nothing will ever look the same again.

The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief.

With breathtaking command of her shocking material, and with her customary sharp wit and dark humour, Atwood projects us into an outlandish yet wholly believable realm populated by characters who will continue to inhabit our dreams long after the last chapter. This is Margaret Atwood at the absolute peak of her powers.

The city is winched along a track through a devastated land full of hostile tribes. Tracks must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city's engineers. But if the city does not move, it will fall farther and farther behind the "optimum," slipping into the crushing gravitational field that has transformed life on earth. The only alternative to the city's forward progress is death.

The secret directorate that governs the city makes sure that its inhabitants know nothing of this. Raised in common in creches, nurtured on synthetic food, prevented above all from venturing outside the closed circuit of the city, they are carefully sheltered from the dire necessities that have come to define human existence. And yet, for all that, the city is in crisis. The people are growing restive, the population is dwindling, and the rulers know that, for all their efforts, slowly but surely the city is slipping ever farther behind the optimum.

Helward Mann is a member of the city's elite. Better than anyone, he knows the risks the city runs, how tenuous is its continued existence, how essential it is that discipline be maintained. And yet, as he is about to discover, the world is even stranger than he dreamed.

UN Peacekeeper Major Catherine Li has made thirty-seven faster-than-light jumps in her lifetime - and has probably forgotten more than most people remember. But that's what backup hard drives are for. And Li should know; she's been hacking her memory for fifteen years in order to pass as human. But no memory upgrade can prepare Li for what she finds on Compson's World: a mining colony she once called home and to which she is sent after a botched raid puts her on the bad side of the powers that be. A dead physicist who just happens to be her cloned twin. A missing dataset that could change the interstellar balance of power and turn a cold war hot. And a mining "accident" that is starting to look more and more like murder...

Suddenly Li is chasing a killer in an alien world miles underground where everyone has a secret. And one wrong turn in streamspace, one misstep in the dark alleys of blackmarket tech and interstellar espionage, one risky hookup with an AI could literally blow her mind.

The Eyes of the Overworld is the first of Vance's picaresque novels about the scoundrel Cugel. Here he is sent by a magician he has wronged to a distant unknown country to retrieve magical lenses that reveal the Overworld. Conniving to steal the lenses, he escapes and, goaded by a homesick monster magically attached to his liver, starts to find his way home to Almery. The journey takes him across trackless mountains, wastelands, and seas. Through cunning and dumb luck, the relentless Cugel survives one catastrophe after another, fighting off bandits, ghosts, and ghouls-stealing, lying, and cheating without insight or remorse leaving only wreckage behind.

Betrayed and betraying, he joins a cult group on a pilgrimage, crosses the Silver Desert as his comrades die one by one and, escaping the Rat People, obtains a spell that returns him home. There, thanks to incompetence and arrogance he misspeaks the words of a purloined spell and transports himself back to the same dismal place he began his journey.

Alternate title: Cugel the Clever

A scavenger robot wanders in the wasteland created by a war that has destroyed humanity in this evocative post-apocalyptic "robot western" from the critically acclaimed author, screenwriter, and noted film critic.

It's been thirty years since the apocalypse and fifteen years since the murder of the last human being at the hands of robots. Humankind is extinct. Every man, woman, and child has been liquidated by a global uprising devised by the very machines humans designed and built to serve them. Most of the world is controlled by an OWI--One World Intelligence--the shared consciousness of millions of robots, uploaded into one huge mainframe brain. But not all robots are willing to cede their individuality--their personality--for the sake of a greater, stronger, higher power. These intrepid resisters are outcasts; solo machines wandering among various underground outposts who have formed into an unruly civilization of rogue AIs in the wasteland that was once our world.

One of these resisters is Brittle, a scavenger robot trying to keep a deteriorating mind and body functional in a world that has lost all meaning. Although unable to experience emotions like a human, Brittle is haunted by the terrible crimes the robot population perpetrated on humanity. As Brittle roams the Sea of Rust, a large swath of territory that was once the Midwest, the loner robot slowly comes to terms with horrifyingly raw and vivid memories--and nearly unbearable guilt.

Sea of Rust is both a harsh story of survival and an optimistic adventure. A vividly imagined portrayal of ultimate destruction and desperate tenacity, it boldly imagines a future in which no hope remains, yet where a humanlike AI strives to find purpose among the ruins.

A corporate mercenary wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him, for a mission more dangerous than the one he's recovering from: to get a defecting chief of R&D-and the biochip he's perfected-out intact. But this proves to be of supreme interest to certain other parties-some of whom aren't remotely human.

Hugo Award winning short story. It originally appeared in If, March 1967. The story has been reprinted many times. It can, among others, be found in the anthologies:

• World's Best Science Fiction: 1968, edited by Terry Carr and Donald A. Wollheim
• The Mirror of Infinity: A Critics' Anthology of Science Fiction (1970), edited by Robert Silverberg
• The Hugo Winners, Volume 2: (1963-70) (1971), edited by Isaac Asimov
• A Pocketful of Stars (1971), edited by Damon Knight
• The Road to Science Fiction 3: From Heinlein to Here (1979), edited by James E. Gunn
• Science Fiction: A Historical Anthology (1983), edited by Eric S. Rabkin
• Worlds of If: A Retrospective Anthology (1986), edited by Joseph D. Olander, Martin Harry Greenberg and Frederik Pohl
• American Fantastic Tales: Terror and the Uncanny from the 1940's to Now (2009), edited by Peter Straub

It is included in the collections:

• I Have No Mouth & I Must Scream (1967)
• Alone Against Tomorrow: Stories of Alienation in Speculative Fiction (1971)
• The Essential Ellison: A 35-Year Retrospective (1987)
• The Top of the Volcano: The Award-Winning Stories of Harlan Ellison (2015)

One hundred and fifty years from now, in a world where Africa is the dominant technological and economic power, and where crime, war, disease and poverty have been banished to history, Geoffrey Akinya wants only one thing: to be left in peace, so that he can continue his studies into the elephants of the Amboseli basin. But Geoffrey's family, the vast Akinya business empire, has other plans. After the death of Eunice, Geoffrey's grandmother, erstwhile space explorer and entrepreneur, something awkward has come to light.

Eunice's ashes have already have been scattered in sight of Kilimanjaro. But the secrets she died with are about to come back out into the open, and they could change everything.

When a Victorian scientist propels himself into the year a.d. 802,701, he is initially delighted to find that suffering has been replaced by beauty, contentment, and peace. Entranced at first by the Eloi, an elfin species descended from man, he soon realizes that these beautiful people are simply remnants of a once-great culture—now weak and childishly afraid of the dark.

They have every reason to be afraid: in deep tunnels beneath their paradise lurks another race descended from humanity—the sinister Morlocks. And when the scientist’s time machine vanishes, it becomes clear he must search these tunnels if he is ever to return to his own era.

The world is crowded. Far too crowded. Its starving billions live on lentils, soya beans, and -if they're lucky-the odd starving rat.

In a New York City groaning under the burden of 35 million inhabitants, detective Andy Rusch is engaged in a desperate and lonely hunt for a killer everyone has forgotten. For even in a world such as this, a policeman can find himself utterly alone....

Acclaimed on its original publication in 1966, Make Room! Make Room! was adapted into the movie Soylent Green in 1973, starring Charlton Heston along with Edward G. Robinson in his last role.

Robert Jackson Bennett's Vigilance is a dark science fiction action parable from an America that has permanently surrendered to gun violence.

The United States. 2030. John McDean executive produces "Vigilance," a reality game show designed to make sure American citizens stay alert to foreign and domestic threats. Shooters are introduced into a "game environment," and the survivors get a cash prize.

The TV audience is not the only one that's watching though, and McDean soon finds out what it's like to be on the other side of the camera.

Asimov combines many of his science fiction favorites from the thirties with his personal reflections on his early years, interests, and influences.

Table of Contents:

• Introduction - (1974) - essay by Isaac Asimov
• Part One: 1920 to 1930 - (1974) - essay by Isaac Asimov
• Part Two: 1931 - (1974) - essay by Isaac Asimov
• The Man Who Evolved - (1931) - shortstory by Edmond Hamilton
• The Jameson Satellite - (1931) - novelette by Neil R. Jones
• Submicroscopic - (1931) - novelette by S. P. Meek
• Awlo of Ulm - (1931) - novella by S. P. Meek
• Tetrahedra of Space - (1931) - novelette by P. Schuyler Miller
• The World of the Red Sun - (1931) - novelette by Clifford D. Simak
• Part Three: 1932 - (1974) - essay by Isaac Asimov
• Tumithak of the Corridors - (1932) - novella by Charles R. Tanner
• The Moon Era - (1932) - novella by Jack Williamson

A group of scientists from the far future have hit upon the perfect method of moving people through time--they engineer disasters in what we call the present, and whisk the people away, forward in time, a fraction of a second before they are to die. When an investigator begins his investigation into a midair collision between two planes, he never dreams that he will turn up evidence of time travel.

There are seven billion-plus humans crowding the surface of 21st century Earth. It is an age of intelligent computers, mass-market psychedelic drugs, politics conducted by assassination, scientists who burn incense to appease volcanoes... all the hysteria of a dangerously overcrowded world, portrayed in a dazzlingly inventive style.

Donald Hogan was a mild-mannered student, a dilettante intellectual--at least that's what everyone was supposed to think he was. But Donald knew otherwise. He knew he was a spy.

But what Donald didn't know was that in a world overpopulated by the billions--in a society squeezed into hive-living madness by megabrain computers, mass-marketed psychedelics, and eugenics--where everyone was struggling for life--he himself was programmed for death!

A huge international corporation has developed a facility along the Juan de Fuca Ridge at the bottom of the Pacific Ocean to exploit geothermal power. They send a bio-engineered crew--people who have been altered to withstand the pressure and breathe the seawater--down to live and work in this weird, fertile undersea darkness.

Unfortunately the only people suitable for long-term employment in these experimental power stations are crazy, some of them in unpleasant ways. How many of them can survive, or will be allowed to survive, while worldwide disaster approaches from below?

'Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.'

Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.

Living in the 10-billion-year-old city of Diaspar, Alvin is the last child born of humanity. He is intensely curious about the outside world. According to the oldest histories kept by the city fathers, however, there is no outside world-it was destroyed by the Invaders millions of years ago.

One day, Alvin finds a rock with an inscription seemingly meant for him: "There is a better way. Give my greetings to the Keeper of the Records. Alaine of Lyndar." This cryptic message takes Alvin on a quest to discover humanity's true past-and its future.

Originally published in the November 1948 issue of Startling Stories, Against the Fall of Night is a rich and intensely poetic vision of a distant future that's sure to delight fans of Clarke and science fiction as a genre.

A revised and expanded version of the novel was published by Clarke in 1956 as The City and the Stars.

In the reign of President Deklan Comstock, a reborn United States is struggling back to prosperity. Over a century after the Efflorescence of Oil, after the Fall of the Cities, after the Plague of Infertility, after the False Tribulation, after the days of the Pious Presidents, the sixty stars and thirteen stripes wave from the plains of Athabaska to the national capital in New York City. In Colorado Springs, the Dominion sees to the nation's spiritual needs. In Labrador, the Army wages war on the Dutch. America, unified, is rising once again.

Then out of Labrador come tales of a new Ajax-Captain Commongold, the Youthful Hero of the Saguenay. The ordinary people follow his adventures in the popular press. The Army adores him. The President is... troubled. Especially when the dashing Captain turns out to be his nephew Julian, son of the falsely accused and executed Bryce.

Treachery and intrigue dog Julian's footsteps. Hairsbreadth escapes and daring rescues fill his days. Stern resolve and tender sentiment dice for Julian's soul, while his admiration for the works of the Secular Ancients, and his adherence to the evolutionary doctrines of the heretical Darwin, set him at fatal odds with the hierarchy of the Dominion. Plague and fire swirl around the Presidential palace when at last he arrives with the acclamation of the mob.

As told by Julian's best friend and faithful companion, a rustic yet observant lad from the west, this tale of the 22nd Century asks- and answers-the age-old question: "Do you want to tell the truth, or do you want to tell a story?"

This novel is a greatly-expanded version of the Hugo- and Sturgeon-nominated novella, Julian: A Christmas Story.

Jack Vance is one of the most remarkable talents to ever grace the world of science fiction. His unique, stylish voice has been beloved by generations of readers. One of his enduring classics is hisThe Dying Earth series, fascinating, baroque tales set on a far-future Earth, under a giant red sun that is soon to go out forever.

Rhialto the Marvellous contains three linked novellas about the adventures of the wizard Rhialto across the decadent landscape of the Dying Earth, under its swollen red sun.

This is the way the world ends:

A nuclear strike on a deep sea vent. The target was an ancient microbe-voracious enough to drive the whole biosphere to extinction-and a handful of amphibious humans called rifters who'd inadvertently released it from three billion years of solitary confinement.

The resulting tsunami killed millions. It's not as through there was a choice: saving the world excuses almost any degree of collateral damage.

Unless, of course, you miss the target.

Now North America's west coast lies in ruins. Millions of refugees rally around a mythical figure mysteriously risen from the deep sea. A world already wobbling towards collapse barely notices the spread of one more blight along its shores. And buried in the seething fast-forward jungle that use to be called Internet, something vast and inhuman reaches out to a woman with empty white eyes and machinery in her chest. A woman driven by rage, and incubating Armageddon.

Her name is Lenie Clarke. She's a rifter. She's not nearly as dead as everyone thinks.

And the whole damn world is collateral damage as far as she's concerned....

Remy is a Chorister, rescued from the surface world and raised to sing in a choir of young boys. Remy is part of a strange crew who control the Leviathan, an aging nuclear submarine, that bears a sacred mission: to trigger the Second Coming when the time is right.

But Remy has a secret too - she's the submarine's only girl. Gifted with the missile's launch key by the Leviathan's dying caplain, she swears to keep it safe. Safety, however, is not the priority of the new caplain, who has his own ideas about the mission. When a surface-dweller is captured during a raid, Remy's faith becomes completely overturned. Now, her last judgement may transform the fate of everything.

R.U.R.-a play written in 1920, premiered in Prague in 1921, and first performed in New York in 1922-garnered worldwide acclaim for its author and popularized the word robot.

Mass-produced as efficient laborers to serve man, Capek's Robots are an android product-they remember everything but think of nothing new. But the Utopian life they provide ultimately lacks meaning, and the humans they serve stop reproducing. When the Robots revolt, killing all but one of their masters, they must strain to learn the secret of self-duplication. It is not until two Robots fall in love and are christened "Adam" and "Eve" by the last surviving human that Nature emerges triumphant.

Fleeing the city of New York on the TransContinental atmospheric transport vehicle, Dran Florrian is traveling with Palimpsest -- the ultimate proof of a lifetime of scientific theorizing.

When a rogue organization attempts to steal the device, however, Dran takes drastic action.

But his invention threatens to destroy the very fabric of this and all other possible universes, unless Dran -- or someone very much like him -- can shut down the machine and reverse the process.

In a future when Earth is a toxic, abandoned world and humanity has spread into the outer solar system to survive, the tightly controlled use of time travel holds the key maintaining a fragile existence among the other planets and their moons. James Griffin-Mars is a chronman -- a convicted criminal recruited for his unique psychological makeup to undertake the most dangerous job there is: missions into Earth's past to recover resources and treasure without altering the timeline. Most chronmen never reach old age, and James is reaching his breaking point.

On a final mission that is to secure his retirement, James meets an intriguing woman from a previous century, scientist Elise Kim, who is fated to die during the destruction of an oceanic rig. Against his training and his common sense, James brings her back to the future with him, saving her life, but turning them both into fugitives. Remaining free means losing themselves in the wild and poisonous wastes of Earth, and discovering what hope may yet remain for humanity's home world.

Logan's Run is a novel by William F. Nolan and George Clayton Johnson. Published in 1967, it depicts a dystopic ageist future society in which both population and the consumption of resources are maintained in equilibrium by requiring the death of everyone reaching a particular age. The story follows the actions of Logan, a Sandman charged with enforcing the rule, as he tracks down and kills citizens who "run" from society's lethal demand—only to end up "running" himself.

This is yet another of Mr. Abe's ominous configurations (Woman In the Dunes, etc.) this time staking out its uncertain ideological imperatives in a grave new world submerged under water. In the beginning, however, Professor Katsumi who has a computer capable of making predictions of man's fate, has no idea of the work undertaken in a still more dehumanized laboratory. But a double murder, an analysis of one of the bodies, and some anonymous phone calls (this is all quite exciting) alert him to a traffic in human fetuses corroborated by his wife's enforced curettage. Witnessing the works in progress--growing rooms for human submarine colonies which will make man's survival possible--he is also threatened with his own extinction betrayed by his own machine and he is made to consider various ethical conjectures and priorities: should one deny one's self--should the present be expendable in the interest of the future? . . . . While not everybody's book, Mr. Abe's conceptual startler has a chilly precision which makes the unthinkable only too threateningly possible.

A generation after the events of The Long Earth, humankind has spread across the new worlds opened up by "stepping." A new "America" - Valhalla - is emerging more than a million steps from Datum - our Earth. Thanks to a bountiful environment, the Valhallan society mirrors the core values and behaviors of colonial America. And Valhalla is growing restless under the controlling long arm of the Datum government.

Soon Joshua, now a married man, is summoned by Lobsang to deal with a building crisis that threatens to plunge the Long Earth into a war unlike any humankind has waged before.

Rorqual Maru was her name. She was a harvester - a vast plankton rake without a crop, abandoned by Earth society when the seas dried. Part whale, part ship, and well over 600 feet long, ahe was left to rot in the sterile ocean.

But suddenly, after centuries, the sea was no longer dead, and Rorqual stirred from her slumber. She would set out once again to serve mankind. But mankind had forgotten all about Rorqual ...

Nebula Award winning and Hugo Award nominated novella. It originally appeared in New Worlds,#189 April 1969. Most subsequent publications include an expanded edition of the original. The story can be found in the anthologies:

• World's Best Science Fiction: 1970, edited by Terry Carr and Donald A. Wollheim
• Nebula Award Stories Five (1970), edited by James Blish
• As Tomorrow Becomes Today (1974) edited by Charles W. Sullivan
• They Came from Outer Space (1981) edited by Jim Wynorski
• The Science Fiction Hall of Fame, Volume III (1981), edited by Arthur C. Clarke and George W. Proctor
• Beyond Armageddon: Twenty-One Sermons to the Dead (1985) edited by Martin H. Greenberg and Walter M. Miller, Jr.
• Dogtales! (1988) edited by Jack Dann and Gardner Dozois
• The Best of the Nebulas (1989), edited by Ben Bova

It is included in the collections:

• The Beast That Shouted Love at the Heart of the World (1969)
• The Essential Ellison: A 35-Year Retrospective (1987)
• Vic and Blood (2009)
• The Top of the Volcano: The Award-Winning Stories of Harlan Ellison (2015)

The Scorch Trials picks up where The Maze Runner left off. The Gladers have escaped the Maze, but now they face an even more treacherous challenge on the open roads of a devastated planet. And WICKED has made sure to adjust the variables and stack the odds against them. Can Thomas survive in such a violent world?

On a desperately overcrowded future Earth, crippled by climate change, the most unlikely hope is better than none. Governments turn to Big Science to provide them with the dreams that will keep the masses compliant. The Needle is one such dream, an installation where the most abstruse theoretical science is being tested: science that might make human travel to a habitable exoplanet distantly feasible.

When the Needle's director offers her underground compound as a training base, Kir is thrilled to be invited to join the team, even though she knows it's only because her brain is host to a quantum artificial intelligence called Altair.

But Altair knows something he can't tell.

Kir, like all humans, is programmed to ignore future dangers. Between the artificial blocks in his mind, and the blocks evolution has built into his host, how is he going to convince her the sky is falling?